Dilation (2019) - AudioReview

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Release date: 2019
Writer: Max Hochrad. Director: Max Hochrad

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"Sometimes it doesn't matter how clever you are at running away..."

One of the things I've always admired is the way British sci-fi of old wasn't afraid to give us a harsh future where life is ruled by one extreme corporation or power; in Dilation it is the Forman Corporation. It's also the first time that b7 Media have teamed up with Par-sec Productions to bring us something different and intriguing.


"Calling Eagle, this is Dove..."

Scientist Amanda Higgs (Sioned Jones) has a secret. While trying to sell some jewellery, she meets young shop assistant Marnie (Rebecca Ross), who recommends the woman to Frank; he offers a grand for each ring. From this moment on the two women are connected, as Marnie recommends accommodation and even sells her own car to the mysterious stranger. What we discover is that Amanda is trying to reconnect with someone from her past: boyfriend Tom Stanley. She uses radio to try and make contact, using their code names of "Eagle" and "Dove". Sadly there is no response...

While listening to Dilation I do get a sense of just how possible this bleak future could be, think the awful mess the UK is in presently. It's a grey world where everyone is just trying their best to exist. There are regular power cuts, and so electric generators are sold to the public, whether they work efficiently or are just a bit dodgy. Those who sell them and profit from them don't really care.

I like Marnie very much, she's bored with the norm and simply wants to help someone, anyone. In this case it happens to be Amanda. Gradually a picture of this stranger's life forms. She has travelled 40 years in time from the past, it wasn't meant to be a solo journey but fate decided otherwise. This is why she is now trying to locate Tom, who was left behind.


Where there is money to be made...

The Forman Corporation is interested in Amanda's work. Where there is genius and something worth selling, there will always be unscrupulous people who will rub their hands together. We are taken to an abandoned building in Wales that contains a laboratory. This is where Amanda used to work before she fled from the past. Her work would benefit the whole population, it is said. In such unpromising times, anything could be an improvement.

It's just a matter of staying one step ahead of others...


"I set out to create a mysterious piece that uses layers of sound..."

For Max Hochrad, of Par-sec Productions, Dilation was a step in a new direction. Talking about this original 90-minute sci-fi thriller, "I’ve never been a fan of time travel, always thought it brought up too many conundrums: problems with accidentally killing off your entire family, that sort of thing. However, time dilation theories and their variants do allow time travel of a sort, albeit only into the future. And borrowing from these ideas, I went on a strange journey, wondering what it would be like for someone to escape into the future, trying to escape their past".

Even Andrew Mark Sewell, Executive Producer of B7 Media, knew Dilation was a perfect fit, "For us Dilation reflected the production values that have become the hallmark of B7 Media’s audio dramas. Immersive drama, creating environments that sound real and lived-in".


A future that is just around the corner?

Dilation is frighteningly relatable and it makes for a grounded environment. Who knows what the future will be like in another 40 years? Or even sooner? There are times when we all want to escape from the realities of life. But as we also know, life has a way of following you all the way, no matter how far or fast you run.

And who is to say that where you end up is actually any better?

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Doctor Who: The Sirens of Time (1999) - AudioReview

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Release date: July 1999
Writer: Nicholas Briggs. Director: Nicholas Briggs

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The Doctor's back, and it's about time...

In 1989, the longest running science fiction show came to an abrupt end. No farewell story to thank the fans for their loyalty, no handshake for the cast and crew who had worked so passionately. Instead, actor Sylvester McCoy was required to add closing dialogue to the final serial, "Survival" - "There are worlds out there where the sky is burning, and the sea's asleep, and the rivers dream; people made of smoke and cities made of song. Somewhere there's danger, somewhere there's injustice, and somewhere else the tea's getting cold. Come on, Ace. We've got work to do." 

Of course, those weren't the last ever lines spoken for the series... in 1996 a television movie was produced, starring Paul McGann as the Eighth Doctor and featuring a guest appearance by McCoy. But, seeing as no further production followed writer Matthew Jacobs's attempt, the "Classic" era was over.

Big Finish will always have a special place in my heart, for they did something quite remarkable: resurrected the Doctor, and persuaded actors Peter Davison, Colin Baker and Sylvester McCoy to reprise their most famous of roles. I can still remember how it felt to own "The Sirens of Time" on CD. It was a magnificent feeling, knowing that I was about to embark on a new adventure with a Time Lord. 1999 was 1989 all over again, with the past ten years seeming as if they had never happened at all...

The plot: Gallifrey, and time itself, is being threatened by the presence of an alien race, whose technologically-advanced warships have surrounded the Time Lords' home planet. And it seems that the Doctor is somehow involved... Written and directed by the legendary Nicholas Briggs (should I mention that he was also responsible for the music and sound design?), this first step for Big Finish into official Doctor Who territory simply cannot be faulted. As with the majority of the early audios produced, "Sirens" is a four-part story, with the first three focusing on each Doctor - Seventh, Fifth and Sixth - and the final part bringing them all together to face the villains of the piece. And it is a welcome decision not to include Daleks in this debut outing...


No Ace up the Doctor's sleeve

Part One reintroduces us to the Seventh Doctor (portrayed by McCoy) as he is drawn to a planet where spacecraft are crashing; a mysterious old woman called Ruthley looks after an equally mysterious gentleman, Sancroft; and a young girl named Elenya (Sarah Mowat) needs rescuing. Out of the three, Ruthley is a very unpleasant creature indeed, with her prime focus being on her own survival above all else - those familiar with this audio range might be interested to know that Ruthley is played by Maggie Stables, who later goes on to portray the role of Evelyn Smythe, companion to the Sixth Doctor in the first "original" pairing for Big Finish. There is much to dislike about Ruthley, and her own feelings mirror similar dislike towards those who are unfortunate enough to be within her company.

Companionless in this one, McCoy easily fits back into the role he had briefly revisited during the 1996 TV movie. We are also introduced to The Knights of Velyshaa.


"The Time Lords really do want me dead!"

Part Two focuses on the Fifth Doctor, and his encounter with the crew of a German U-boat. He is also joined by Helen (Mowat), the only other survivor of a British freighter torpedoed moments earlier. Though rescued by the German crew, it is clear that the danger is far from over. Determined to recover his TARDIS, the Doctor finds himself at the hands of his own people when they use a crewmember, Schmidt, to try and kill him following time distortion. This is the work of Coordinator Vansell (Anthony Keetch), a member of the Celestial Intervention Agency. The situation is a desperate one as Vansell believes the Doctor is somehow responsible for history to be altered - preventing him from reaching his TARDIS is a priority in saving the Time Lords and restoring the course of history!


"Would you please keep the noise down, old chap?"

Part Three brings us a Sixth Doctor who finds himself at some conference on a spacecraft, the Edifice, in the Kurgon system. They are present to investigate the Kurgon Wonder, a spatial anomaly. Things turn bad when more time distortion affects the ship, killing everyone except for the Doctor, a waitress named Ellie (Mowat), and an android. One of the threads through all parts of the story is the young woman that the Doctor encounters in his three incarnations. Just who is she? Mowat certainly delivers a strong performance with each character. She would later go on to play Susan Mendes in Big Finish's Dalek Empire series.


"Beware the Sirens of Time..."

And so to Gallifrey, and the Doctors are brought together in the final fourth part. In television history we've only ever seen multiple Doctor adventures three times: The Three Doctors (1973), The Five Doctors (1983) and The Two Doctors (1985). We could include Dimensions in Time (1993) though it is not official canon as it was a charity event crossover with a British soap, Eastenders.

It is rather lovely hearing Peter, Colin and Sylvester meet up, it's definitely a reunion with old friends. As the plot evolves we learn that beyond the Doctor, the Time Lords, and even the Knights of Velyshaa, there is a menacing threat that feeds on the energies of chaos, and that it is these creatures who have been pulling the strings and manipulating since the start.

It is difficult to think of a better beginning than The Sirens of Time, it sets a nice standard that Big Finish absolutely builds on and improves over the following years. It seems unbelievable that, at time of writing this article, Sirens of Time is 20 years old! Just where has that time gone? I'm sure the Doctor knows...


Beyond the Sirens...

Co-ordinator Vansell will return in several audios including The Apocalypse Element, Neverland, and the spin-off Gallifrey range.

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Doctor Who: The Curse of Davros (2012) - AudioReview

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Release date: January 2012
Writer: Jonathan Morris. Director: Nicholas Briggs

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Escaping The Daleks...

The return of the Daleks is always a welcome one. And if that story happens to include a certain Kaled scientist, then much the better. In The Curse of Davros we are reunited with Philippa "Flip" Jackson (Lisa Greenwood) and her boyfriend Jared Ramon, who we last encountered in The Crimes of Thomas Brewster (2011). This time, however, the Doctor is alone and in danger. He is wanted by the Daleks. As the plot progresses we learn that his enemy can swap minds with Humans, literally taking over their physical bodies, using mind swapping technology created by Davros. The use of this weapon is obvious enough, allowing Daleks to move freely on Earth.

When Flip and Jared witness a spacecraft crashing in London, they go to investigate. The incident hasn't gone unnoticed and so it isn't long before the area is swarming with military and police officers. What DOES go unnoticed is the escape capsule that ejected from the main ship and landed nearby. From within, the Sixth Doctor emerges...

It has to be said that the casting is first rate in this one, and Big Finish delivers more often than not with their catalogue of audio adventures featuring EVERY Doctor they are fortunate to direct. It has also been an opportunity for BF to create an extension to what came before, building not just on the original television series that Colin Baker contributed to from 1984-86 but to add extra mythology surrounding the character. In the world of audio, the Sixth Doctor has met new companions such as Evelyn Smythe and Charlotte Pollard. They have been positive role models, feisty and curious, determined and loyal. These qualities can also be found in Flip. From the start she is unstoppable, a modern girl with a no nonsense approach, although she certainly has a heart.

One of the things that we do get to see in The Curse of Davros is that the Doctor - our Doctor - isn't quite himself. This gives Baker a nice juicy opportunity to step into someone else's shoes for a while, and it delivers nicely. When Jared is mind-swapped with a Dalek, the Time Lord and Flip go on the run. As usual, we see just how ruthless his deadly foes are when they threaten to exterminate a group of innocent people unless the Doctor surrenders. They clearly keep their word, as they did in Destiny of the Daleks (1979) when similarly they began systematically killing slaves until the Fourth Doctor gave in. This is what they know, and the price of a life means nothing except its usefulness as a weapon.


Meddling in history...

One moment we are on modern day Earth, the next we're witnessing the Battle of Waterloo in 1815. This is such a fantastic contrast, bringing new dynamics to the development of the play. Davros plans on using his mind-swapping tech to change Human history and aid Napoleon Bonaparte in defeating the British and Prussian armies. It would be catastrophic! Just think how the lyrics in a certain pop song from 1974 would differ, no more "At Waterloo Napoleon did surrender". But far more than that, such meddling would change the course of Human history.

Those familiar with BBC Books will recall a previous Doctor Who adventure set at the Battle of Waterloo. World Game, written by Terrance Dicks and published in 2005, featured the Second Doctor in a plot involving the Celestial Intervention Agency, Lady Serena, and Players (immortal beings who liked to tamper with history).


Holmes Vs Moriarty

Ever since he first appeared on our screens in 1975, Davros has become Moriarty to the Doctor's Holmes. With only a single televised story between them, Revelation of the Daleks (1985), it was always welcome when Big Finish decided to bring the two together again in audio. 2003's "Davros" is a particular favourite of mine. Out of all the Doctor's, Baker's incarnation feels the best fit to Terry Molloy's mad scientist. It is also fitting that this particular Doctor finally understands and shows empathy for his enemy, though that in itself doesn't stop the Gallifreyan from defeating him. We've always known that Davros' life is one of pain and suffering, though it is these that have kept him focused and hateful. Has he always been evil, or just ruthlessly efficient and practical? For that answer we have to look no further than "I, Davros", the four-part story also from Big Finish.


The adventure continues...

Given the opportunity to return home with boyfriend Jared, Flip instead decides to travel with the Doctor. This is very reminiscent of Rose Tyler's own reaction to embracing the chance of adventure through time and space. It also helps that Flip is very likeable, thanks to both the writing of the character and Greenwood's solid performance.


"Shall I compare thee to a summers day?"

How does this story compare to previous Dalek adventures? Well, it's an interesting mix, that's for sure. Over the years we've been treated to so many Dalek plots that it could easily become monotonous. The Curse of Davros, however, manages to keep a few surprises and delivers in the right areas. This is actually less about Daleks and more to do with rivalry between two old enemies: imagine if Davros could live again, without pain and mental torment... Imagine if the Doctor could spend the rest of his days trapped in a different kind of prison... It is a frightening concept indeed.

Looking on the Big Finish website I notice that they had the working title Waterloo of the Daleks, I'm so glad they changed it. Mention must also go to cover artist Simon Holub, who's work also includes favourites of mine such as "Doctor Who - The Companion Chronicles: Here There Be Monsters" and "Doctor Who - Robophobia". The use of blues in his The Curse of Davros looks stunning. I've just found some up and coming titles featuring his cover art and "Doctor Who: Interstitial / Feast of Fear" is particularly amazing!

I absolutely recommend The Curse of Davros, it is certainly an enjoyable ride through history. And you get to spend more time with Flip Jackson.

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The Coming of the Martians - Audio Review

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Adapting a classic isn't an easy job when looking to maintain the original heart and commentary, and especially when creating a 5.1 Surround Sound experience. Alwyn Ash takes a look at an audio adaptation of the 1897 tale reflecting a war of two worlds, a horrifying story of invasion and survival...

The David and Goliath in classic literature.


Nothing had come close to reflecting the true terror and nightmarish experience of alien machines burning people and buildings, taking apart the very structure of Human society...

Over the years there have been many interpretations of H.G. Wells' vision of a Martian invasion of Earth including the BBC Radio 4 full-cast dramatisation starring Blake Ritson and directed by Marc Beeby; and my favourite: Jeff Wayne's Musical Version of The War of the Worlds. Hollywood has also produced cinematic takes on the tale, though Byron Haskin's 1953 'The War of the Worlds' remains my absolute favourite. Who can forget Al Nozaki's manta ray Martian war machine design?

It is a fact, however, that nothing had come close to reflecting the true terror and nightmarish experience of alien machines burning people and buildings, taking apart the very structure of Human society and devastating the landscape. Even Holywood legend Steven Spielberg failed to deliver a worthy instalment, instead choosing to set his apocalyptic movie in twenty-first century America. Though grand in scale, and clearly visually effective in the killing and carnage inflicted by the aliens, it still lacked a true homage to H.G. Wells. There isn't much difference between Spielberg's War of the Worlds and any other modern-day invasion of Earth tale such as Independence Day (1996), in my opinion.


Sherwood manages to ingrain such subtlety into the composition that every sound benefits the experience

So, what can I say about The Coming of the Martians, a brand new audio drama from Sherwood Sound, other than mind-blowing? Well, this was a project crafted with love, as it says on the official website: "Our adaptation retains the dark horrific tone of the original story, the original time period and details of the martian invasion. It is the first time, in our opinion, that there has been a truly faithful, straight adaptation."

Having had a listen, I can say that it does indeed send a shiver as the Martian machines go on the rampage through England, burning everything in sight and gathering humans for their own horrific ends. It takes the original source material and touches it with pure audio magic, inserting a breathtaking sound design that not only compliments but becomes the story. You are literally right in the midst of it all, experiencing the tale as it was meant to be heard, an eye witness (in your mind's eye) of events that unfold. Another production company might have overlooked the simplest of additions, yet Sherwood manages to ingrain such subtlety into the composition that every sound benefits the experience without the listener always realising it is there; even after a third listen I'm finding new things to enjoy.

The cast is nothing short of amazing, headed by award-winning actor Colin Morgan (Merlin) as George. Other fine performances include Dan Starkey (Doctor Who) as Ogilvy, the astronomer; Nigel Lindsay (Rome, Victoria) as The Artilleryman; and Ronald Pickup (The Crown) as The Curate.

'The Coming of the Martians' does something to be applauded: it rejects unnecessary narration in favour of pure sound, avoiding the overwhelming loudness that some audio companies rely upon, adding engaging layers that give a quality very rare in audio drama. You can sense distance as a war machine calls out to fellow Martians, and feel the dread as it approaches and passes, its feet crashing down with no care as to what might lie below. Oh, that will be us, and George!

The company explains, "The aim with our productions is to provide realism and immersive drama... If you're going to adapt a story that has been done many times, why not create something truly special, something that's more faithful than anything that has ever gone before".


"There are people in the pit, they have brought people here"

The Martian call might be terrifying enough, but the scene that stands out is when George and The Curate are trapped, listening to people screaming. Though a short moment, one cannot help but feel revulsion and sadness at what we know is happening to those poor wretches. The building tension between the two men is splendidly realised, and George's revelation that those prisoners - men, women and children - are simply food for the Martians sends a chill.


Why 'The Coming of the Martians'?

The reason Sherwood had to change the name was simply due to copyright issues. As they stated on their Facebook page: "We've wanted to produce this for years but the rights for media derivatives of the 1897 story had been held by Jeff Wayne, who capitalised on it for 40 years and initially refused us a licence unless it was based on his musical. I think we deserve a fresh and faithful take on the story".

The title might have been altered but the company's intentions remained resolute. And its hard work has paid off thanks to the cast, production crew, and a script adapted from the original source material by Nick Scovell.


It's a haunting vision that encapsulates perfectly the scale of loss and horror

Director Lisa Bowerman has enjoyed a career on stage, in television and radio, and has played the character of Bernice Summerfield for Big Finish Productions since 1998. Her connection with Doctor Who goes all the way back to 1989 when she was cast as Karra in 'Survival' opposite the Seventh Doctor (Sylvester McCoy) and companion Ace (Sophie Aldred). For Big Finish, work has included supporting roles and directing. 'The Coming of the Martians' has greatly benefited from experience and is without doubt up there with her best work. It's a haunting vision that encapsulates perfectly the scale of loss and horror that is witnessed throughout, the howling monstrosity that stalks the landscape as every last bit of hope is snuffed out by a death ray.

This is an audio drama that has always been in safe hands.


Final thoughts

Beyond the original copyright problems and delays due to editing, The Coming of the Martians is first-rate and an outstanding accomplishment.


Tell me more about Sherwood Sound...

Martin Johnson has supplied audio editing, music, and sound design for various clients in the UK since 2007. He set up Everybodyelse Productions in 2013, developing its first in-house audio drama 'Osiris: Pilot', also directed by Lisa Bowerman. The company was re-branded as Sherwood Sound Studios in 2016.

You can read more about The Coming of the Martians at sherwoodsoundstudios.com.

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Running time: 96 minutes

Director:Lisa Bowerman
Producer(s): Martin Johnson
Written by H. G. Wells
adapted by Nick Scovell
Release date: July 30, 2018

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The Scarifyers: The Secret Weapon of Doom - AudioReview

Article author: Alwyn Ash


"Lionheart investigates the disappearance of a fabled super weapon - and discovers they aren't the only ones searching for it... Death stalks our heroes at every turn. Lionheart and Dunning must fight for their lives..."

More rollicking good fun from those people at Bafflegab Productions (formerly Cosmic Hobo) with the fifth installment in their hugely popular "The Scarifyers" audio plays. Sadly this is also Nicholas Courtney's last appearance in the series, who passed away in 2011. Produced in 2009, "The Secret Weapon of Doom" ultimately serves as a swan song for the actor, whose other roles included that of Brigadier Lethbridge-Stewart in popular BBC production "Doctor Who".

As you can expect from such a fantastically-produced play, there is much in the way of word play, humour, frolics, mysterious happenings and a taste of the supernatural. It has to be said that both Terry Molloy (as Professor Edward Dunning) and Courtney (portraying the role of Lionheart) work well together, delivering fine entertainment and intriguing plot. Without doubt Simon Barnard and Paul Morris write something pretty amazing here, bringing prison escapes, murders, and phantoms into being with swift talent and passion. Just where do they get their ideas from?

Following an accident, Professor Dunning is temporarily out of action, allowing his partner Lionheart to team up with MI-13 agent Victor Bright (Nigel Havers). Together they engage in a new case: investigating the whereabouts of a new super weapon so secret that no one knows what it does, where to find it, or what it looks like! Just another day at the office for Lionheart, then? Bright is such a fun character, and Havers' casting is pure genius: "A man noble of brow, stooped of gait and fat of belly.."

Keeping himself occupied, Dunning decides to spend his spare time writing, collaborating with friends of his writing group the Fantasists. However, it looks as if this simple pastime could conceal dangers of its very own... The biggest question is: just what is the connection between the professor's recent experiences and Lionheart's investigation? Add to the mix legendary English actor Leslie Phillips as Colonel Black, a man whose obsession with wasps equals my own, and you have an ingredient for success! First mentioned in The Scarifyers debut "The Nazad Conspiracy" (published in 2007), Black had not appeared in a single story until "The Secret Weapon of Doom", so it makes for a nice addition.

Ever since discovering Bafflegab with their sixth installment of The Scarifyers, The Magic Circle (thank you, Simon Barnard), my appetite for more of this kind of audio play has grown. Set in the 1930s, The Scarifyers explores all manner of supernatural creatures, ghosts, demons and strange phenomenon. Inspector Lionheart had once refused to believe in unearthly beings, until life taught him otherwise. Professor Dunning is a naive and rather easy going horror writer - Oh crumbs! Together they make for an interesting team.

In this installment, prepare for more of Edwin Sykes' deliciously composed music, as Barnard and Morris dream up yet more ways for people to die. Voice artists David Benson, Alex Lowe, Lizzie Roper, and David Bickerstaff play multiple roles, as some face death in unusual ways: for example, what better way to kill Heinz Soss (Bickerstaff) than with some soup? Heinz... soup... Courtney's involvement brings humorous scenes such as face-offs with soup (yes, as previous) and out-smarting a matron (Roper). Did I mention soup? How can you also not enjoy a tale that throws such characters as "Jimmy the Spiv" and "Primula Manningtree" at you? What delightfully imagined names...

Anyone who appreciates the art of audiobooks will no doubt admire the sound design for The Scarifyers, this time around the work of Anthony Danbury, who has been with this audio series since its first outing; he was later replaced by Martin Johnson for "The Magic Circle". Another mention should go to Garen Ewing, whose fabulous cover art brings an extra dimension to each story - he is the writer and artist of award-winning comic "The Rainbow Orchid" featuring the character of Julius Chancer.

Carry On Scarifying (as I like to think of it) is a highly recommended series that will entertain all who enjoy their radio with a slice of sharp humour and wonderful fantasy. The quality improves with each, and the laughs increase. The perfect companion.


Purchase The Secret Weapon of Doom from Bafflegab Productions:
CD or download

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Zombies At Tiffany's - AudioReview

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Article author: Alwyn Ash
"At the right time, in the right light, everything is extraordinary"

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"A steampunked story of diamonds, chutzpah, death and horror from the blood-drenched pen of Sam Stone."

Author Sam Stone came to my attention after reading the first in her "The Vampire Gene" book series, "Killing Kiss", a tale of seventeenth century vampire Gabriele Caccini. I have been a fan of the vampire genre since my first taste of Hammer Films productions such as "Dracula AD 1972", and so this was just right down my street, along the darkest alley, and through the creepiest cemetery. In 2012, this talented lady published a title via the Telos Publishing label featuring my second favourite creature: "Zombies At Tiffany's", a novella set in 1862, gives us jewellery, Steampunk weaponry, balls, and enough narrative to satisfy. Having had the fortune to review an audiobook adaptation, skillfully produced by those hard-working people at Spokenworld Audio, it was time to review...

"Zombies" is the first in the "Kat Lightfoot Mysteries", a Steampunk adventure that will absorb from beginning to end. This is also my first step into Steampunk, so I had absolutely no idea what to expect... Set during the American Civil War, we first encounter Henry (the part read by Texas-born and award-winning voice artist Kaleo Griffith), whose own experiences of a strange sickness affecting fellow soldiers on the battlefield are recorded in a letter to his sister, Kat. Next we are introduced to Kat Lightfoot (this is where American-born Stephanie Cannon takes over as narrator), whose immediate worries are supporting her family. She is offered a job at Tiffany’s Jewellery Store, in New York, where her pleasant and sparky demeanor shines as an asset to the company. Things are going relatively well, for awhile. That is, until an evil reveals itself, engulfing the neighbourhood into a bloody battlefield of its very own! A zombie plague, manifesting in the bodies of the living, threatens to plunge America, and quite probably the world, into darkness.

Stone's attention to detail, and knowledge of historical events, is impressive as she weaves a fascinating drama quite different from what you would first expect. The American Civil War, and Tiffany's as a location, are superb choices; as are the characters, whose fates bring them together in a battle against the undead.

Reminiscent of Dan O'Bannon's 1985 comedy horror "Return of the Living Dead" ("Brains!"), Sam Stone's use of the "I'm hungry!" element really does add that extra shiver, giving her zombies a voice instead of just a shuffling presence. Though "dead", there is clearly something else within them, a presence... the sickness! This defines them as supernatural, and linked by a single consciousness, unlike zombies of other tales, who wander aimlessly. This is proven by their ability to turn on any zombie that truly "dies", thus no longer possessed by this horrifying illness. They are also able to communicate with one another, even when not in the same room, or building.

So just what is Kat's portrayal in the novella? Well, firstly she is a simple girl, but one with steel determination and guts. When the world falls apart she takes to defending Tiffany's with weaponry engineered by the store's jewellery designer, Martin, whose talents produce some remarkably sophisticated additions, to say the least. Though the majority of the characters are likable, it is Kat who shines, as well she should. This is her story, and one that illuminates throughout. The dialogue, sharp and widely descriptive, sets the scenes perfectly. Cut off from her mother and sister - and brother - the options are limiting. But this heroine refuses to give up the fight. Think Ellen Ripley's kick-ass attitude in the "Alien" films combined with the sophistication of Louisa May Alcott's "Little Women", and you get the idea...

I was intrigued by an email received from the author, following initial contact. Her research revealed that Tiffany and Co. had produced "surgical instruments and weapons for the American Civil War" - I looked a little closer into this and read on several websites that the store specialised in decorative guns and swords in the 1850s, with work on these rising during the 1861 to 1865 conflict. This knowledge adds extra dimension to "Zombies At Tiffany's", an audiobook that I just had to relisten to a second time.

Though it plays homage to Truman Capote's 1958 novella "Breakfast At Tiffany's", Stone's approach to "Zombies" allows for a world of its very own, with room for follow-ups such as "Kat on a Hot Tin Airship" (published by www.telos.co.uk). To make it clear, Kat Lightfoot's adventure is not a parody of Capote's story - as writer Seth Grahame-Smith's 2009 book "Pride and Prejudice and Zombies" did for Jane Austen's masterpiece - but an original tale with three-dimensional characters and a fine premise! You can be forgiven for thinking the former. However, it is recommended that any horror fan take a look at both this and the author's other collection of work, which includes "Zombies in New York and Other Bloody Jottings". Poor America, it is getting a terrible zombie battering of late...

(Just out of interest, the wonderful covers for both "Zombies At Tiffany's" and "Kat on a Hot Tin Airship" are designed by Martin Baines - both utterly delicious! Baines's work includes designing the cover for "White Witch of Devil's End", illustrating covers for Sam Stone's "A Vampire Gene" novels, and art for advertising)

And so to the audiobook itself: Spokenworld Audio always chooses wisely with narrators, and Stephanie Cannon is most definitely a treasure trove of genius! If you have ever listened to the audio samples on this lady's official website then you will know just how versatile and talented she can be. Cannon also narrated the audiobook of "Zombies in New York", produced by Ladbroke Audio and originally available via the now defunct AudioGO Ltd. Award-winning writer and producer Neil Gardner gives us a four-hour audiobook of the finest caliber, with Kaleo Griffith equally delivering as Kat's brother. And as you would expect for zombies, there are some scenes adult in nature, with strong language to match!

Conclusion? Sam Stone's gothic tale of steampunk offers gore delight and pleasant company with Kat Lightfoot. You may need a cat...

You can obtain the audiobook of "Zombies At Tiffany's" for download at Spokenworld Audio (£7.99 ex. VAT for UK/EU), or purchase Zombies At Tiffany's from the Starfoyer Enterprise Store: Book - Paperback

Picture courtesy of Spokenworld Audio

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Sometime Never - AudioReview

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Article author: Alwyn Ash

"This is my experiment, not yours!"

7th July 1983. Ghost hunter Nancy Timperley visits what used to be the Summervale Holiday Camp, on the East Yorkshire Coast - the location of a tragedy that took place many years earlier. Tape recorder at the ready, she calls out to the spirits, hoping for a connection with the supernatural. However, out of the darkness steps the mysterious David Voland... He is friendly, engaging, and seems to know a great deal... But what is his connection with Nancy's work? Come to think of it, just what is Nancy's connection with ghost hunting? There are mysteries to uncover...

"Sometime Never" is new ground for Spokenworld Audio, a company that has, until now, focused solely on single-voiced dramatic readings and radio documentaries. New territory perhaps, but not an unfamiliar one to award-winning writer and director Neil Gardner, whose hard work and dedication (along with his team, including partner Tanja Glittenberg) has seen an increase in productivity. And so, 2014 welcomes the first full-cast audio from Spokenworld, starring Simon Jones and Rosalyn Landor, with a thoroughly intruiging story written by Scott Harrison.

Almost half an hour in length, this is one tale that crafts an instant ear-grabber, enhanced with fabulous sound design, and music by James Dunlop. Nancy has been to Summervale before, as a child, the sole survivor of a devastating fire that caused the death of 500 people. David, however, is far from being just a passer-by, for he carries a secret that must remain hidden. Via flashback, we learn of the shocking truth, and the length someone must go to to protect their children. It is a look at morality and consequence. It does also make you think, about how we live our lives, and what defines us, and how we may be perceived. Loss plays a huge part in this story, perfectly performed by the cast.

Fans of popular sci-fi comedy series "The Hitchhiker's Guide to the Galaxy" (created by English writer Douglas Adams) will no doubt be familiar with Jones' work: he played lead character Arthur Dent in both the radio and television series! In addition, his career has graced both film and stage. Other work includes various voice acting and audiobooks such as "The Adventures of Sexton Blake", which originally broadcast on BBC Radio 2 in 2009. It is therefore rather delightful to find this highly-esteemed actor playing the part of David in "Sometime Never". That is the beauty of Spokenworld, casting actors of this caliber and really giving the listener something to cherish. Equally rewarding is the performance by Landor as Nancy - an award-winning audiobook narrator, this lady is known for roles including that of Helen Burns in the 1970 film adaptation of Charlotte Brontë's "Jane Eyre", as well as her being cast as Pru Standfast in British television series "C.A.T.S. Eyes", spin-off from police drama "The Gentle Touch".

Neil Gardner and James Dunlop have worked together previous to "Sometime Never" on the second series of "The Confessions of Dorian Grey", published by audio company Big Finish, in 2013. Clearly the working relationship established during this period has grown to developement of other equally as stunning projects, and we can only benefit from such a collaboration. Full-cast audios are enriched by skillful sound design and music, capturing vivid imagery that permeates the mind and senses, and Spokenworld know this all too well - Harrison's script has been brought to life in the best way possible, the perfect "calling card" for a new audience whilst pleasing regular fans too!

Gardner has been a champion of audio for over twenty-four years, with a deep passion for independent productions. He has always believed in the medium, and appreciates its qualities and diversity. After all, where else can you create kingdoms, universes and magic on a respectable budget? Sound has the ability to engage in history, culture, religion... and conflict, whether it be either personal or global. For him "Sometime Never" also signals a dream come true, as he says: "I launched Spokenworld Audio in 2010 specifically to get to a time and place where we would be able to do just this sort of thing, commission and produce our own audio drama."

With further two-person audiobooks coming in 2014, and a feature-length full-cast project in the pipeline, things are looking fantastic for the team. I, for one, cannot wait to see what develops at Spokenworld HQ over the coming months. Having recently reviewed shorts "Twin Points" and "Inside The Machine" (which precede a collection of science-fiction stories to be launched this year), I can honestly say the future of independent audio is safe in the hands of these fine people! And with past and present collaborations including such names as Nicola Bryant, Emma Darwall-Smith, Michael Fenton Stevens, Barnaby Edwards, and Debbie Chazen (along with many more yet to come), the passion for audiobooks is reaching out to a diverse public whose own tastes are as varied and appetising...

Final mention must go to Harrison, who not only engineers a well-thought out idea for "Sometime Never" but shows genius in his approach, masterfully teasing us with a plot that will not only surprise but satisfy too - with past work including projects for Big Finish such as "Blake's 7" and "The Confessions of Dorian Gray", what else can you expect?

You can obtain the audiobook of "Sometime Never" for download at
Spokenworld Audio (£3.99 ex. VAT for UK/EU)

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Twin Points - AudioReview

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Article author: Alwyn Ash

"With a shudder of despair he stepped forward into the lane, its illumination coming from battered old street lamps..."

If previous story Inside The Machine had an air of mystery about it, "Twin Points" takes that and enhances it with a vision of darkness. Written by Neil Gardner, and based on an original idea by Tanja Glittenberg, this is one tale every horror and thriller enthusiast will love to hear! And so welcome to a Twilight Zone-esque slice of unworldly fiction so intense and dramatic that, by the end, you will feel its cut! There is also a morality so in touch with real world events that the very words "poetic justice" immediately spring to mind; I applaud the ingenuity in its approach to this particular subject matter!

Enjoying it so much, I emailed Tanja, who kindly had this to say about her tale, "The Inspiration for this one was an idea I had for ages something to do with flickering lights and the uncomfortable feeling it always caused in me. So I told Neil about it and what I think should be part of the story (fear, terror, torture...) and he really liked the idea and a few moments later he started to type and came up with the finished story. I absolutely loved it and soon we had the luck to have the wonderful Michael Fenton Stevens to read it for us. He too liked it and gave the whole story an even bigger impact."

Though a short story, there is so much I would like to talk about in this review. However, I must adhere to caution for spoilers. And so... Without doubt, those at Spokenworld understand not only how to put an audiobook together but clearly enjoy working with all its many layers, perfecting sound and delivery, employing all their talents in producing masterpiece after masterpiece. If I am to place Spokenworld with company then who better than Big Finish, Bafflegab, and Textbook Stuff! This is the brilliance in which Spokenworld work, and if "Twin Points" is an example of their range then it is with pride that I write these words.

"It lay ahead of him, the long dark alleyway, a route without pity, a remorseless seemingly unending passageway of nightmares and fear..." As is clearly forewarned on the website, "Twin points" contains some rather disturbing imagery; indeed it is extremely graphic in those areas of the tale where pain and torture are explored precisely, an intense experience for the listener. Personally I enjoy these excursions into the downright creepy and mysterious. If you think that the darkness breeds horror, perhaps you have not yet embraced the light...?

Michael Fenton Stevens, an actor and comedian whose other audio work includes "Hitchhiker's Guide to the Galaxy" and Big Finish's "The Kingmaker", is absolutely the right choice as narrator for this piece, both timing and pitch perfect, his delivery so engaging that you feel the threat and tension build, all the while focusing on the source of two glowing dots at the far end of the alleyway. It is a walk through the unknown, a steadily paced nightmare that will have you mystified and suspicious, surmising and yearning for truth. No matter the intensity or agony, the obsession in discovering answers is too great for the unnamed protagonist of the tale. From the start, "Twin Points" has a focus of its own, and you instantly feel for the man as he is seemingly tortured by something intangible.

Like "Inside The Machine", there is a greater mind at work, an entity whose purpose is unclear until the last moment, in this case the eighth minute - and the revelation is a true eye-opener, I can assure you! The twist is so compelling that a second listening was required, if only to view the piece in a different... light, shall we say? It is most definitely an intriguing experience, comparing the two sets of emotions that you will no doubt touch upon. For the most part I was reminded of "Fire in the Sky" (1993), a sci-fi horror drama directed by Robert Lieberman, and that feeling of being subjected to a nightmarish scenario that specifically targets both psychological and physical, helpless, solely at the mercy of some unknown and emotionally detached force or greater power.

As already mentioned in my "Inside The Machine" review, this is both a taster of Spokenworld's wares and a sample of what is to come in 2014, specifically a collection of short sci-fi stories written by Neil Gardner. Other short tales available on the Spokenworld website include "The Sound Within" and "Saya's Last Gasp", read by John Banks and Louise Jameson respectively, so now is a good time to sample their delights, and get on board for what can only be a beautiful journey. Even comparing "Inside The Machine" and "Twin Points" there is much diversity, a sign that variety and surprise will always be employed in these fine productions. I am, therefore, excited at what is still to come...

You can obtain the audiobook of "Twin Points" for download at
Spokenworld Audio (FREE audiobook)

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Inside the Machine - AudioReview

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Article author: Alwyn Ash

"The mechanisms rotating and intertwining and reciprocating. The eternal operation... the infinite movement..."

The Machine. It exists. It is the whole, the centre, the life of all things. It is needed and hated. But regardless of feeling and change... there is always the Machine! It has accompanied time for so long that no one remembers its beginning...

One of the most popular four-word questions in the Universe, "Why am I here?" is the reality facing the female character in this intriguing and well-written tale from the mind of writer and audio producer Neil Gardner. Trapped inside the Machine, the woman cannot understand the reason for her being there, or comprehend the workings and reason for the Machine. An impossibility, for how can she truly be within such a place? Of course, throughout the course of just over 11 minutes we never learn of its function or even the woman's identity. It is enough to know that she is there, and needs to escape. "If the world revolves around the Sun then life revolved around the Machine."

Though a short story, "Inside The Machine" manages to create a sense of purpose, and design, and a world whose relationship with the Machine is divided by those who worship it and feel its power, to those who share no love for it at all and wish its demise. For the woman, it is neither, just an insignificant mechanical device. Now, however, the Machine has her fullest attention.

I applaud the mystery to this story, and the way in which the author crafts the wording to build up the true message here: the Machine is all! Its evolution has absorbed the knowledge of so many eras, taking what is required to make it a far more efficient entity, perhaps in the same way that Humans adapt to change, learning new skills and acquiring a little of everything throughout a lifespan to face tomorrow's challenges. The Machine, too, is growing within itself, developing. But, for all its mix of ingredients and mechanics, there is conformity.

If you have never explored the works available from Spokenworld Audio then you are honestly missing out on something really quite special. Founded in 2010, the company proudly shares its work with those passionate about audio books, featuring downloads covering many genres including horror, sci-fi and humour. The company also champions independent authors, working hard to promote and support. Rather than seeing a decline in audiobook production, Spokenworld believes that such a medium should be embraced by the majority, taking advantage of the digital market and enjoying instant entertainment. As someone who admires the audio form in all its colours, I am always keen to explore and experience what these creative people invent and realise.

And so back to "Inside The Machine". Not underestimating what is required to conceive an audio spectacle, Spokenworld gives us an excellent writer in Neil, atmospheric music to enhance the overall flavour, and the perfect narrator, in this case the lovely Nicola Bryant, whose other work includes film, stage and television - who can forget her wonderfully camp performance as Millicent in "Blackadder's Christmas Carol", or the part she is most famous for, that of Perpugilliam "Peri" Brown in the BBC sci-fi series "Doctor Who - perhaps you have even enjoyed her audio work reprising that same very role, for Big Finish? It is always a treat to hear Nicola narrating and performing, and with "Inside The Machine" it is indeed a delightful thought-provoking journey.

I am reminded of Dean Koontz's "Demon Seed", that feeling of something completely out of your control, a machine whose plans are unknown and unnerving, emotionless and precise. In this audio you feel the growing fear as the Machine's ultimate goal is still far from realised, though the tension increases dramatically in its intensity as the tale reaches its conclusion. Interestingly this story precedes a collection of sci-fi audio works by Neil Gardner to be released in 2014. Other short tales to listen to on the Spokenworld website include "The Sound Within" and "Saya's Last Gasp", read by John Banks and Louise Jameson respectively.

Descriptive and poetic, you will find yourself analysing the possibilities and meaning, as the Machine keeps its secrets from both the woman and the listener. That is the most intriguing part: giving just enough to tease and yet, never surrendering any where near the truth. Just like the Monoliths in Arthur C. Clarke's "2001: A Space Odyssey", a mystery is maintained. Only the Machine understands its true intent - or does it? To sum up: a delicious appetiser of what is to come, will be and what has already been. Though the bigger picture is far from clear, this snapshot is enough to terrify, conjuring up all kinds of nightmare scenarios. An engaging precursor...

You can obtain the audiobook of "Inside The Machine" for download at
Spokenworld Audio (FREE audiobook)

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Carmilla (Unabridged) - AudioReview

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Article author: Alwyn Ash

"You will think me cruel, very selfish, but love is always selfish; the more ardent the more selfish. How jealous I am you cannot know. You must come with me, loving me, to death; or else hate me, and still come with me, and hating me through death and after. There is no such word as indifference in my apathetic nature."

I have always enjoyed a walk through tales of vampires, those ghastly apparitions that must feed on the blood of their prey to survive. My journey has mostly explored cinematic portrayals, though in recent times I have discovered the works of authors such as Charlaine Harris and Rachel Caine. Until recently my only taste of Joseph Sheridan Le Fanu's classic novella, "Carmilla", had been via a screen adaptation by masters of horror Hammer Films. Titled "The Vampire Lovers", the 1970 feature starred actress Ingrid Pitt in the lead role, with Madeline Smith as her lover and victim. However, I am yet to read the tale in print, first published in 1872. Ironically, even though "Carmilla" predates "Dracula" by twenty-five years, it is Irish author Bram Stoker's 1897 novel that is most fondly remembered.

And so it is a heavenly treat to discover Textbook Stuff's unabridged audio adaptation of "Carmilla", narrated by British actress and voice artist Miriam Margolyes ("Blackadder", "Harry Potter"). Clearly much love has been invested into this retelling of Le Fanu's story, with crisp sound design and music by composer Howard Carter (known also for his Big Finish work including titles such as "Treasure Island", "Doctor Who" and "Jago & Litefoot"), which allow the listener to be immersed in the world that is being related. This, and Margolyes' perfectly-delivered narration, achieves something quite remarkable - you can feel yourself in every scene, witnessing every moment, as if you are actually there sharing someone else's life. The richness makes for a captivating audiobook...

The multi-talented Barnaby Edwards produces and directs this stunning telling of a gothic love story focusing on eighteen-year-old Laura, whose life is changed by the arrival of Carmilla to her home in Styria, Austria. The newcomer is equally young and beautiful, and a friendship is formed. However, there is much mystery concerning Carmilla, and before long Laura falls under her spell. Of course, this all follows the mysterious death of another young lady, Bertha Rheinfeldt, whose uncle General Spielsdorf states in a letter to Laura's father, "I thank God my child died without a suspicion of the cause of her sufferings. She is gone without so much as conjecturing the nature of her illness, and the accursed passion of the agent of all this misery. I devote my remaining days to tracking and extinguishing a monster. I am told I may hope to accomplish my righteous and merciful purpose. At present there is scarcely a gleam of light to guide me".

A theme that Le Fanu's text delivers is that of lesbian vampirism, Carmilla's interest in Laura quite clearly more than just an act of friendship. Though the tale is careful in its exploration of this, understandable given Carmilla's publication date, the unsettling attraction and affection that Carmilla displays for her new friend is unmistakable. What emotions play a part in this bond, however? Can a vampire truly love? That is surely the appeal of vampirism, the erotic taste of beauty and yet... the desire for blood is stronger still, an uncontrollable urge to survive, to exist. And then there are the vivid nightmares of a cat-like beast that stalks Laura's room, biting her before taking Human form and vanishing. Following this the young woman's health deteriorates...

You can quite clearly see the comparisons between "Carmilla" and Dracula", for they both share similar patterns: the presence of Professor Abraham Van Helsing in the latter is likely inspired by Le Fanu's character creation of Baron Vordenburg, both vampire hunters. And, just as Bertha in "Carmilla" succumbs to vampirism before Laura, so does Lucy before Mina in "Dracula". Though Stoker's masterpiece had created a universe of its own and helped to establish vampires further within the conscious mind, it is interesting to consider the possibility that, without Joseph Sheridan Le Fanu, there would have been no Count Dracula; "Carmilla" has almost certainly influenced other literature and media. Indeed, the same can be said of "Varney the Vampire", published in book form in 1847 - these early explorations of "vampyre" have set the foundations by which modern writers follow.

How the text from the original novella came to be transferred to audiobook is fascinating in itself. Barnaby Edwards' passion for resurrecting "Carmilla" began in May 2011, when he invited fellow horror fans and Textbook Stuff customers to support the project by pledging via wefund.com. An accompanying video featuring Barnaby and music by Carter explained what would be required to make the audiobook a reality. You will be astonished to learn, for example, that such an ambitious project costs approximately £10,000 to finance - one reason why independent companies such as Spokenworld Audio, Textbook Stuff and Big Finish should be applauded for their hard work and commitment.

Thankfully funding exceeded the £5,000 target (with Textbook Stuff meeting the remaining £5,000) and Laura's encounter with the terrifying and yet alluring Carmilla was recorded at Moat Studios, London, in July of that year. For this reviewer, rediscovering "Carmilla" in audio format is an eye-opener, and I passionately feel that a creature such as this is, in every way, just as enticing and seductive as her male counterpart. She is the perfect predator, a femme fatale whose empowering sexuality and charm is used to entrance and snare her prey. Vampires are the most fascinating of supernatural beings, their immortality and strength incomparable. Whether demon or tortured soul, these "creatures of the night" (and in some cases, "day" too) will continue to defy time, entertain and terrify, and find new ways of reaching out from beyond the grave.

You can purchase the audiobook of "Carmilla" for download at
Spokenworld Audio (MP3 sound files) - £14.99 ex. VAT

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Hammer Chillers: Don't Go There - AudioReview

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Article author: Alwyn Ash

Something to chill the very air...

For the sixth and final tale from the first anthology of spooky treats, writer Stephen Volk explores Greek legend. In one of the most adult of all, we visit a Greek island for partying and wild sex. Sadly for Andrew, however, his encounter with a mysterious woman leads to tragic consequences, causing a father to investigate the reason for his son's coma. While mother Laura Daulby (played by Lizzie Roper) is more concerned about Andrew's wellbeing, John Daulby (Tony Gardner) develops an obsession with the young Greek woman herself, Stheno (Daphne Alexander). But what at first appears to be a yearning for understanding quickly develops into a dangerous obsession.

Though Andrew's condition is simply believed to have been caused by a misuse of drugs, John isn't so sure, and his journey into the murky side of Greece brings with it its own nightmare. Who would have thought that a sexually-insatiable appetite would be so frightening to witness? Personally, I am not sure what to make of "Don't Go There", it doesn't feel eerie enough to be placed next to other titles in this series and yet... there is something altogether fascinating about this erotic audio affair, perhaps just as mesmerising as Stheno's alluring nature and mystery. I am not very well educated with Greek history and legend, and so reading up on the immortal Gorgon sisters Medusa, Stheno, and Euryale was interesting.

Hammer Films had visited a similar story once before, with the 1964 feature "The Gorgon", starring Christopher Lee as Professor Karl Meister and Peter Cushing as Dr. Namaroff. Set in the German village of Vandorf, in 1910, a father investigates mysterious deaths only to discover that the very last of the Gorgon sisters stalks a local castle. So it is nice, then, that a tale of the Gorgons has been updated with "Don't Go There".

As for casting, the choices are excellent: Gardner delivers a fine performance as a father consumed by intense dangerous obsession, disgusted by what he sees around him and a man whose single-minded goal is to locate the woman known as Stheno and get the answers he seeks; in contrast, Roper's character is far more interested in their son's immediate well-being, and it is she alone who must face organising Andrew's journey home to England - you can sympathise with Laura completely, wishing her husband would just stop his futile crusade and remain by her side. And then there is Stheno herself, Alexander's sensuous performance successfully brings a chill of its own - knowing this to be horror, you are never quite sure exactly who or what this woman is supposed to be: just a mentally-ill out-patient, or something far more sinister?

"Don't Go There" feels somewhat light in depth at times, perhaps there should have been more focus on the legend of the Gorgons? But then, with all honesty, time restraints call for direct storytelling, and it is certainly achieved here. It is chilling to hear how John's state of mind deteriorates rapidly, even to the point where he embraces insanity itself in his quest. This tale, for me, does share something in common with fellow audio outings "Spanish Ladies" and "Sticks and Stones, as much as in the gore factor is raised high when least expected. Something clearly stated in the closing scene is that the Daulby marriage was far from blissful. Perhaps that, in itself, is the message here: no need for a heart to be turned to stone when it had already been such in the first place...

The only negative for me is the overuse of swearing by character Fergus (portrayed by Angus King) - I'm sure I'll get sworn at for saying this - but it was deeply unnecessary and distracting. And, honestly, the atmosphere didn't require it.

Hammer Chillers has come a long way since its debut with Stephen Gallagher's "The Box", released on 7th June 2013. Much praise must be given to writers Gallagher, Mark Morris ("The Fixation"), Paul Magrs ("Spanish Ladies"), Robin Ince ("Sticks and Stones"), Christopher Fowler ("The Devil in Darkness") and Volk. In addition, the superb production of the entire series has lived up to expectations, with audio company Bafflegab delivering the shocks perfectly when required. And then, there is the wonderful cast assembled, such as Lauren Kellegher, Miles Jupp, Jacqueline King, Camille Coduri, and Daphne Alexander - every actor has shone in their role, giving "Hammer Chillers" that extra edge needed to make this kind of audio rewarding and spine-tingling.

It has been an intriguing trip through the layers of mind, myth, and terror. Whatever future lies ahead for Hammer Films, we shall always have the Box, a Spanish doll, or a haunted elevator shaft... Thanks must go to everyone involved, including Simon Barnard, Martin Johnson, and Edwin Sykes (for the brilliant music scores).

Recorded at Moat Studios, London, the Hammer Chillers tales can be downloaded direct from the official website, or purchased as a CD digipack.

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Hammer Chillers: Devil In The Darkness - AudioReview

Article author: Alwyn Ash


Something to chill the very air...

Those of us who suffer with claustrophobia, and a fear of elevators, will feel some sympathy in this fifth story as part of the Hammer Chillers audio anthology, a collaboration between Hammer Films and Bafflegab.

Mia (played by Lauren Kellegher), who works in the records department, takes the lift one Friday night while leaving the decommissioned St Petersburg International Archive. This, as it turns out, is a mistake and the young lady's nightmare scenario is played out, accompanied by Russian electrician Andrei (Dylan Charles). They are both trapped in the elevator between the third and fourth floors when there is a power cut. Minus a phone signal and emergency button, what should have been a short stay becomes something more - and darker...

The young woman's emotional, physical and mental wellbeing are tested as it becomes clear that there may not be any rescue at all. Even Mia's flatmate cannot be relied upon to notice that she is missing, and most of the staff have been transferred to the new archive. Shouts for help are unheard, and there is little in the way of food or drink.

This psychological drama plays out well, with Kellegher and Charles' characters facing the reality that this "bad building" has memories in the walls, as we learn that a thousand people died at the hands of the Cheka Security service 100 years ago in the basement - the lift shaft had been built where the stairwell once stood, which led to the interrogation room in the basement where those atrocities were committed.

Christopher Fowler's description of how those people died at the hands of Cheka officers a century ago never fails to haunt the imagination, adding to the sense of claustrophobia - ghosts of the dead as your only other companions in a nightmarish twist, superbly echoed by the sound design.

Devil In The Darkness sits perfectly with Hammer Chiller's debut tale The Box, which has a similar haunting theme. However, Fowler's play takes a positive step up, with a casting that couldn't have been better - Charles delivers a fine performance as the mysterious and intriguing Andrei, who develops a close relationship with his female companion. Kellegher, as the young English woman, delivers an equally fine performance as Mia's condition worsens over the following days, including a fever.

And still, the supernatural essence embraces further, two lost souls biding their time until that moment when the dead will claim them. Mia believes that the victims of the Cheka want revenge, and with this level of writing, it is easy to believe. Devil In The Darkness is indeed a powerful drama that upturns every emotion by exploring the depths of desperation and paranoia, all cooked up in the most perfect enclosed environment. The story also focuses on regret, the dreams that we desired in life but never quite reached.

Mention must always go to Simon Barnard, who has produced and directed this fascinating series, alongside Martin Johnson as Post-producer. Edwin Sykes' approach to sound is quite remarkable, a man who knows how to foil every scene with his own balance of apprehension and terror. Throughout every Hammer Chiller there has been nothing less than spine-tingling high quality drama, atmospheric and creepy, episodes that are reminiscent of those produced for the Hammer House of Horror television series! The bar has been raised from the very start and it is clear that each production can only add to an already glorious debut for this inspired collaboration. As far as firsts are concerned, this anthology of six can only be applauded for a job well done!

With Devil In The Darkness less is most definitely more: two talented actors, a great script, generously creepy sound design, all housed in the best production piece possible! Recorded at Moat Studios, London, the Hammer Chillers tales can be downloaded direct from the official website, or purchased as a CD digipack.

Whatever your choice, you are certain never to experience an elevator in the same way again. I mean, who knows what lies beneath...

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Hammer Chillers: Sticks and Stones - AudioReview

Article author: Alwyn Ash


Something to chill the very air...

Many of us have experienced trolling at one time or another, the disturbing online abuse that can mark you, victimisation from an unknown who makes it his/ or her mission to post cruel remarks or threats for all to see, and otherwise make the whole online experience a deeply unpleasant one. Perhaps internet trolls are just as repulsive inwardly as their grotesque supernatural counterparts are outwardly? They are certainly the most foul of Earthly beings, a real-life horror experience...

Hammer Chillers latest offering, the fourth installment in this new and exciting audio anthology of spooky tales, touches upon this subject with the tale of Sam Pinker (played by Zoe Lister), a talent-show contestant, who starts to receive online threats from such a troll. Strange, seeing as the man in question, Neil Stanley (Alex Lowe), seems to have the perfect life - and a supportive wife in Val (Frog Stone). However, events take a rather sinister turn and before long there are deaths, and a greater mystery. Neil's obsession doesn't appear altogether... Human. Is there something else at work, or is Neil merely suffering from a psychological illness?

The opening five minutes of Sticks and Stones firmly focuses on a scene in the medieval period, as a woman is burned alive for being a witch. "The smell of consorting with the devil", as the stench of her flesh drifts among the cheering crowd. There are flies, a recurring theme. And in another scene, a mysterious attack by something from the dark - "What are you?!"

The link between this and the present-day setting with Neil's obsession could have been better realised, however. That said, even from the start, it is clear that the "something" must be old, angry and hungry. A rage?

As with all the other tales in this anthology of audio greats, Sticks and Stones is most definitely not for the young, with both language and content of these stories adult in nature. Fans of Hammer, Bafflegab, horror, drama, or audiobooks in general will no doubt relish in the various scenarios that are created via the mind of writer and comedian Robin Ince (Infinite Monkey Cage - BBC Radio 4 comedy series). While Val believes her husband to be busy "working" in the attic, Neil is, in fact, devoting every available minute of his life to trolling. Though his motives are not absolutely clear, the threats in his vile campaign do start to come true. And still the flies... Sam is encouraged to ignore the horrid online abuse but the whole affair is clearly getting to her emotionally. Even her work is being affected. "It's like the troll has got right in to my head," she says.

The climax to this tale is both fascinating (just me?) and sickening, and not something to hear without a strong stomach, as Neil's depravity reaches even darker limits. Fans of this drama will notice that the stars of Hammer Chiller's debut story The Box have returned for this outing, joined by Cicely Giddings.

So how to sum up Sticks and Stones? Words are indeed the most powerful of weapons, and what is said can encourage or destroy lives - even the burning of the witch resulted from gossip and social stigma. They are simply words but, in the case of trolling, without a face their impact can be hard to understand. Even with a face they are just as destructive. The anonymity of the troll encourages things to be said that may have never been repeated face to face, the computer a perfect camouflage. Of course, take this subject matter and sprinkle it with some Hammer and Bafflegab magic, and you are given a delicious example of both sanity and insanity, obsession and intimidation.

The world is the computer - nothing else outside of our screen is real! And in a society where social networking is common place, it is easy to be drawn in.

Fine performances from everyone. Lowe, in particular, as the unnerving Neil, whose single-mindedness could have led in almost any direction. With production values as high as this and with every tale to date, a second series of Hammer Chillers must be on the cards? Audio at its finest! The best horror is that which takes the familiar and exposes it in a different light. Or perhaps, to switch the light off entirely and expose each and every one of us to the down-right unfamiliar and terrifying.

The audio series can be downloaded or purchased as a CD digipack, direct from the official website. Just be aware of the flies, the Spanish ladies, any trash bags in the community, or a helicopter escape simulator that you might come across...

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Hammer Chillers: Spanish Ladies - AudioReview

Article author: Alwyn Ash


Something to chill the very air...

Third in the fabulous Hammer Chillers audio anthology, a collaboration between Hammer Films and Bafflegab, the tensions are raised to a higher bar with a story that will almost definitely chill the air. In "Spanish Ladies", 36-year-old Phil (played by Ewan Bailey) lives with his Mummy (Jacqueline King) and, on the surface, life is pretty unremarkable. The former usually spends his days either sat in front of the television or out at the local pub; the latter enjoys a game at the Bingo hall with her friend Renee (Camille Coduri).

One day, having had suspicions that her son is seeing a "lady friend", Mummy questions Renee whether she has been aware of Phil's recent activities. From the off it is pretty clear that the son and mother relationship is a close one, perhaps too close, and the dominance that Mummy has over Phil is shocking though not unremarkable. His mother also enjoys making toilet roll covers out of dolls, calling them her Spanish Ladies. She also spends time prying into her son's life, reading his letters and looking under his bed in the search for mucky magazines; even the discovery of lingerie catalogues labels him a "dirty boy".

The knowledge that this installment was written by Paul Magrs (Doctor Who, Vince Cosmos) had this reviewer waiting impatiently to hear how this tale would be handled. The title alone was mystifying - I had imagined a twist on British sitcom "Duty Free" about a holiday from hell. However, delightfully, the author of "Brenda and Effie" had plenty of surprises up his sleeve and this allows for a step up in the gruesome stakes...

Jacqueline King (Doctor Who) is Mummy, a manipulative
parent who won't win any award for parenting

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Many years ago, far too many years sadly to remember the title, I watched an American drama set in a prison. The conclusion to that programme gave me nightmares for a very long time. It had connected with my fear of claustrophobia. Thank you Paul for reminding me of that episode in my life! "Spanish Ladies" does its job extremely well in putting the chill back in to "chiller" with a horror that, at first, touches upon control and jealousy, before reaching a terrifying shiver half way with its turn from soap opera to "Psycho".

Once it becomes clear that Mummy is unhinged, you find that anything is possible. It is even probable that the dolls themselves could be demonic in nature, influencing her into committing unforgivable terrors. And so you listen, drawn and captivated, in this eerie chapter, waiting, breathing heavily (just me?)... I was also reminded a little of 1994 American thriller "Mother's Boys", as Phil's part in all of this becomes clear. He is clearly a man with secrets and a compromising past. Mummy, on the other hand, is manipulative, sharp and far too dangerous to be allowed. Phil is her darling boy, and she will do anything to keep him with her for the rest of her days. No one shall ever keep them apart!

Interestingly, all three cast members also starred in previous Hammer Chiller The Fixation, though their roles couldn't be any more different this time around - especially Bailey and King, who in Paul's well-fashioned and skillfully written piece are simply oozing with eye-opening creepiness while being intriguing at the same time. No subtlety here, as you will discover at the end. No spoilers, either, but you will find your heart racing, as I did! The marvel of this series to take something ordinary and twist it into a distorted horrific shape of evil and suspense really should be applauded. The writing, direction and acting is simply first-class, and the sound design never fails to amaze me.

This, and other stories in the series, are available from the official website. If you are to discover something new today then let it be this: Hammer Chillers. You will be entertained, surprised, and will surely wish to hurriedly turn the lights back on if you listen to any of these tales at night, in the dark - go on, that's the best way! Just don't be surprised if you find some Spanish Ladies staring at you from the end of your bed, or table...

As mentioned previously, the series can be downloaded or purchased as a CD digipack, and is produced by Bafflegab Productions. Thank you to everyone involved for their hard work in creeping me out!

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Hammer Chillers: The Fixation - AudioReview

Article author: Alwyn Ash


Something to chill the very air...

Written by Mark Morris (author of "Vampire Circus"), the second of Hammer Chiller's audio plays focuses on Ian Hibbert (played by comedian Miles Jupp), a rather stubborn and fussy resident of Darwell who decides to clean up the town, persuading both his wife and a couple of like-minded neighbours to join him in clearing the trash that has become so ghastly in recent years. It is very easy to relate to Hibbert's cause, and the social issues that plague him. And it is equally easy to feel sympathy for both him and his wife Beth (Camille Coduri) as their attempts to improve the community come under constant attack and threats.

Of course, in the early days life was different, when their daughter Sam was a baby. Society seemed kinder, and far more tolerant. What followed was a decline in social well-being, a fall into degradation. Hibbert had noticed this and, until recently, had simply observed with frustration. However, after a hoodie dumps rubbish outside his house, enough is enough, forcing Hibbert to establish the Clean Up Darwell group - "CUD" as fellow resident Malcolm Beglin (Ewan Bailey) suggests, much to Hibbert's dislike. But the group's plans don't run smoothly...

"Darwell was a nice place to live back then. Look at it now: burglaries, muggings, vandalism, rubbish everywhere. People don't care about anything these days, they expect something for nothing and don't give a monkeys about anyone else." - Hibbert

Residents of Darwell

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Open hostility from the Darwell residents forces the group to abandon their first attempt at a clean-up operation, and it doesn't get any easier. It is clear that someone doesn't welcome their good-intentions. The over-zealous Hibbert refuses to back down, even after Malcolm's van is set alight and their other neighbour and "CUD" member Barbara Whitlow (Jacqueline King) vanishes in mysterious circumstances. Even Hibbert's own daughter Sam (played by the talented and lovely Lauren Kellegher) is attacked by a gang of hoodies while on her way home. Astonishingly, the local police - especially DS Bob Sharpe (Bailey's second role in this story) - fails to show any genuine concern for the aggression aimed at this small band of residents.

There is a little of "The Wicker Man" here, a society that in general seems to know more than the minority and keeps many secrets. As with Hammer Chiller's first tale, The Box, production is high once more, with perfect sound design and music. The casting is simply superb with Jupp, Coduri, Bailey, King and Kellegher working well together. Danny Horn, too, delivers his part well as the Hoodie; Doctor Who fans will of course remember Horn as a young Kazran from 2010's "A Christmas Carol". Another cast member who is no stranger to BBC One's flagship sci-fi show is Coduri, who portrayed the role of Jackie Tyler, mother to Billie Piper's Rose.

And, if you are not familiar with actress Lauren Kellegher then how about familiarising yourself with Bafflegab's Vince Cosmos, the story of young girl Poppy Munday whose life is changed forever after meeting glam rocker Cosmos. In addition, Kellegher stars in "The Devil In Darkness" (the fifth installment of Hammer Chillers), and various film and theatre work.

As said in my last review, good things are quite clearly originating from a partnership between Hammer Films and Bafflegab, and long may this collaboration continue. With the best talent involved, there is nowhere this project cannot go, from haunted helicopter escape simulators to Greek myth - and beyond... One half-hour tale from the first anthology of Hammer Chillers released per week, which began with "The Box" on 7th June 2013 and completes on 12th July 2013 with Stephen Volk's "Don't Go There". They are also available as a CD digipack, all purchasable from the official website.

Mention must be given to Simon Barnard, who produced and directed the collection, with post production by Martin Johnson. The excellently creepy music was composed by Edwin Sykes, and design by Mark Plastow (a web designer who has even worked his magic on several Big Finish products). And let us not forget Sam Smith's fabulous artwork for the series!

Thanks to these people, and the cast, Hammer Chillers is a must-have, an exciting journey into the darkest depths of the mysterious and dangerous, a walk through the eerie corridors of inexplicable horrors...

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Classic Radio Sci-Fi: Solaris - AudioReview

Article author: Alwyn Ash


When the mind is probed and its deepest memories brought to life...

Just imagine that heartbreaking moment when your wife dies, suicide. You have regret, and guilt, and the painful memories that will stay with you for the rest of your life. But what if you were confronted by those memories, what if something delved deep into your thoughts and conjured up a manifestation of the past, a physical entity? This is precisely what happens to psychologist Kris Kelvin when he arrives at a scientific research station high above the oceanic surface of Solaris. What he discovers will change how he sees the Universe forever.

Written by Polish author Stanislaw Lem and published in 1961 (Polish version), "Solaris" chronicled the first contact with extraterrestrial life on a planet whose ocean is discovered to be "alive". Using anti-gravity generators, the Terran-built station becomes the scene of psychological purgatory after the scientists, prior to Kris's visit, engage in unauthorized experimentation by bombarding the ocean lifeform with high-energy X-ray. The ocean's reaction? The creation of mysterious physical entities who have been plucked from the minds of the scientists, confronting them with their most inner painful thoughts.

Though we see little of the torment suffered by crew members Snow (Snaut in Polish) and Sartorius, through Kris we learn much as is relationship with the physical human *simulacrum of his wife, Rheya, develops. We learn that there had been a third scientist, Gibarian. His fate - suicide. The two other scientists are being plagued by manifestations that are gradually causing dangerous paranoia and deep emotional distress.


*which means "likeness, similarity"; late 16th century: from Latin, from simulare

And so to the full cast audio adaptation by BBC Audiobooks. Having known nothing much of this beautiful tale except for Steven Soderbergh's cinematic vision in 2002 (starring George Clooney as Chris Kelvin and Natascha McElhone as Rheya, though honestly I just hadn't taken to the story at that time), it was a delight to be given an opportunity to purchase "Solaris" on double CD. As this was an unknown for me, there was the chance that this story would not be to my liking - I didn't even realise that Joanne Froggatt was involved in the project until unwrapping the package and reading the details.

And so, with the knowledge that the role of Rheya would be handled with the right balance of emotion (anyone who has seen Froggatt perform - think Anna Smith in British period drama "Downton Abbey" - will know the versatility of this young and talented actor), I began listening to "Solaris". And what pure delight it was, from beginning to end!

One cannot help but be drawn firmly in with the direction, music and atmosphere, all handled exceptionally well by everyone involved. The haunting music by composer Alice Trueman certainly has an out-of-this-world feel while at the same time staying grounded enough to give a warmth needed for the gentler moments in the tale; I would almost have believed Gustav Holst to have composed the music, simply breathtaking. Steve Brooke's sound design cannot be faltered at all either, everything sharp, perfectly balanced and true to the piece. With the sound production in quite capable hands, now to the story...

Upon arriving at Solaris from Earth, Kris (played by Ron Cook) encounters the first of the scientists, Snow (Tim McMullan), who seems somewhat distant as their conversation fails to give much away except for the revelation that one of the other men, Doctor Gibarian, is dead. Even the second scientist, Sartorius (Stuart Richman), has locked himself in his laboratory. Something strange has overtaken the crew of the station: fear.

This is a ghost story that isn't about ghosts at all, but the embodiment of regret and guilt. For the most part Kris's only companions are Snow, who is less reclusive than Sartorius, and Rheya. Certainly, the scenes between Kris and his "dead wife" are the most touching and sensitive of all, especially as the former comes to love this simulacrum, developing true feelings for her. Of course, his initial encounter - and response - is somewhat heartbreaking and terrifying at the same time. But that is "Rheya's first visit, and Kris learns that he has been given a second chance. Or perhaps a third, for isn't this an opportunity to be reunited with his beloved, and make amends for a past that has haunted him ever since?

Beautifully dramatised from Lem's original work by Hattie Naylor, and directed by Polly Thomas, I have finally fallen in love with a story that had remained under my radar for far too many years. BBC Audio has produced many excellent titles, however "Solaris" is one that I will treasure for many years to come...


Purchase Solaris from the Starfoyer Enterprise Store:
Audio CD / Book.

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