Monday, July 22, 2019

Doctor Who: The Sirens of Time (1999) - AudioReview




Release date: July 1999
Writer: Nicholas Briggs. Director: Nicholas Briggs




The Doctor's back, and it's about time...

In 1989, the longest running science fiction show came to an abrupt end. No farewell story to thank the fans for their loyalty, no handshake for the cast and crew who had worked so passionately. Instead, actor Sylvester McCoy was required to add closing dialogue to the final serial, "Survival" - "There are worlds out there where the sky is burning, and the sea's asleep, and the rivers dream; people made of smoke and cities made of song. Somewhere there's danger, somewhere there's injustice, and somewhere else the tea's getting cold. Come on, Ace. We've got work to do." 

Of course, those weren't the last ever lines spoken for the series... in 1996 a television movie was produced, starring Paul McGann as the Eighth Doctor and featuring a guest appearance by McCoy. But, seeing as no further production followed writer Matthew Jacobs's attempt, the "Classic" era was over.

Big Finish will always have a special place in my heart, for they did something quite remarkable: resurrected the Doctor, and persuaded actors Peter Davison, Colin Baker and Sylvester McCoy to reprise their most famous of roles. I can still remember how it felt to own "The Sirens of Time" on CD. It was a magnificent feeling, knowing that I was about to embark on a new adventure with a Time Lord. 1999 was 1989 all over again, with the past ten years seeming as if they had never happened at all...

The plot: Gallifrey, and time itself, is being threatened by the presence of an alien race, whose technologically-advanced warships have surrounded the Time Lords' home planet. And it seems that the Doctor is somehow involved... Written and directed by the legendary Nicholas Briggs (should I mention that he was also responsible for the music and sound design?), this first step for Big Finish into official Doctor Who territory simply cannot be faulted. As with the majority of the early audios produced, "Sirens" is a four-part story, with the first three focusing on each Doctor - Seventh, Fifth and Sixth - and the final part bringing them all together to face the villains of the piece. And it is a welcome decision not to include Daleks in this debut outing...


No Ace up the Doctor's sleeve

Part One reintroduces us to the Seventh Doctor (portrayed by McCoy) as he is drawn to a planet where spacecraft are crashing; a mysterious old woman called Ruthley looks after an equally mysterious gentleman, Sancroft; and a young girl named Elenya (Sarah Mowat) needs rescuing. Out of the three, Ruthley is a very unpleasant creature indeed, with her prime focus being on her own survival above all else - those familiar with this audio range might be interested to know that Ruthley is played by Maggie Stables, who later goes on to portray the role of Evelyn Smythe, companion to the Sixth Doctor in the first "original" pairing for Big Finish. There is much to dislike about Ruthley, and her own feelings mirror similar dislike towards those who are unfortunate enough to be within her company.

Companionless in this one, McCoy easily fits back into the role he had briefly revisited during the 1996 TV movie. We are also introduced to The Knights of Velyshaa.


"The Time Lords really do want me dead!"

Part Two focuses on the Fifth Doctor, and his encounter with the crew of a German U-boat. He is also joined by Helen (Mowat), the only other survivor of a British freighter torpedoed moments earlier. Though rescued by the German crew, it is clear that the danger is far from over. Determined to recover his TARDIS, the Doctor finds himself at the hands of his own people when they use a crewmember, Schmidt, to try and kill him following time distortion. This is the work of Coordinator Vansell (Anthony Keetch), a member of the Celestial Intervention Agency. The situation is a desperate one as Vansell believes the Doctor is somehow responsible for history to be altered - preventing him from reaching his TARDIS is a priority in saving the Time Lords and restoring the course of history!


"Would you please keep the noise down, old chap?"

Part Three brings us a Sixth Doctor who finds himself at some conference on a spacecraft, the Edifice, in the Kurgon system. They are present to investigate the Kurgon Wonder, a spatial anomaly. Things turn bad when more time distortion affects the ship, killing everyone except for the Doctor, a waitress named Ellie (Mowat), and an android. One of the threads through all parts of the story is the young woman that the Doctor encounters in his three incarnations. Just who is she? Mowat certainly delivers a strong performance with each character. She would later go on to play Susan Mendes in Big Finish's Dalek Empire series.


"Beware the Sirens of Time..."

And so to Gallifrey, and the Doctors are brought together in the final fourth part. In television history we've only ever seen multiple Doctor adventures three times: The Three Doctors (1973), The Five Doctors (1983) and The Two Doctors (1985). We could include Dimensions in Time (1993) though it is not official canon as it was a charity event crossover with a British soap, Eastenders.

It is rather lovely hearing Peter, Colin and Sylvester meet up, it's definitely a reunion with old friends. As the plot evolves we learn that beyond the Doctor, the Time Lords, and even the Knights of Velyshaa, there is a menacing threat that feeds on the energies of chaos, and that it is these creatures who have been pulling the strings and manipulating since the start.

It is difficult to think of a better beginning than The Sirens of Time, it sets a nice standard that Big Finish absolutely builds on and improves over the following years. It seems unbelievable that, at time of writing this article, Sirens of Time is 20 years old! Just where has that time gone? I'm sure the Doctor knows...


Beyond the Sirens...

Co-ordinator Vansell will return in several audios including The Apocalypse Element, Neverland, and the spin-off Gallifrey range.




Wednesday, July 17, 2019

Doctor Who: The Curse of Davros (2012) - AudioReview




Release date: January 2012
Writer: Jonathan Morris. Director: Nicholas Briggs




Escaping The Daleks...

The return of the Daleks is always a welcome one. And if that story happens to include a certain Kaled scientist, then much the better. In The Curse of Davros we are reunited with Philippa "Flip" Jackson (Lisa Greenwood) and her boyfriend Jared Ramon, who we last encountered in The Crimes of Thomas Brewster (2011). This time, however, the Doctor is alone and in danger. He is wanted by the Daleks. As the plot progresses we learn that his enemy can swap minds with Humans, literally taking over their physical bodies, using mind swapping technology created by Davros. The use of this weapon is obvious enough, allowing Daleks to move freely on Earth.

When Flip and Jared witness a spacecraft crashing in London, they go to investigate. The incident hasn't gone unnoticed and so it isn't long before the area is swarming with military and police officers. What DOES go unnoticed is the escape capsule that ejected from the main ship and landed nearby. From within, the Sixth Doctor emerges...

It has to be said that the casting is first rate in this one, and Big Finish delivers more often than not with their catalogue of audio adventures featuring EVERY Doctor they are fortunate to direct. It has also been an opportunity for BF to create an extension to what came before, building not just on the original television series that Colin Baker contributed to from 1984-86 but to add extra mythology surrounding the character. In the world of audio, the Sixth Doctor has met new companions such as Evelyn Smythe and Charlotte Pollard. They have been positive role models, feisty and curious, determined and loyal. These qualities can also be found in Flip. From the start she is unstoppable, a modern girl with a no nonsense approach, although she certainly has a heart.

One of the things that we do get to see in The Curse of Davros is that the Doctor - our Doctor - isn't quite himself. This gives Baker a nice juicy opportunity to step into someone else's shoes for a while, and it delivers nicely. When Jared is mind-swapped with a Dalek, the Time Lord and Flip go on the run. As usual, we see just how ruthless his deadly foes are when they threaten to exterminate a group of innocent people unless the Doctor surrenders. They clearly keep their word, as they did in Destiny of the Daleks (1979) when similarly they began systematically killing slaves until the Fourth Doctor gave in. This is what they know, and the price of a life means nothing except its usefulness as a weapon.


Meddling in history...

One moment we are on modern day Earth, the next we're witnessing the Battle of Waterloo in 1815. This is such a fantastic contrast, bringing new dynamics to the development of the play. Davros plans on using his mind-swapping tech to change Human history and aid Napoleon Bonaparte in defeating the British and Prussian armies. It would be catastrophic! Just think how the lyrics in a certain pop song from 1974 would differ, no more "At Waterloo Napoleon did surrender". But far more than that, such meddling would change the course of Human history.

Those familiar with BBC Books will recall a previous Doctor Who adventure set at the Battle of Waterloo. World Game, written by Terrance Dicks and published in 2005, featured the Second Doctor in a plot involving the Celestial Intervention Agency, Lady Serena, and Players (immortal beings who liked to tamper with history).


Holmes Vs Moriarty

Ever since he first appeared on our screens in 1975, Davros has become Moriarty to the Doctor's Holmes. With only a single televised story between them, Revelation of the Daleks (1985), it was always welcome when Big Finish decided to bring the two together again in audio. 2003's "Davros" is a particular favourite of mine. Out of all the Doctor's, Baker's incarnation feels the best fit to Terry Molloy's mad scientist. It is also fitting that this particular Doctor finally understands and shows empathy for his enemy, though that in itself doesn't stop the Gallifreyan from defeating him. We've always known that Davros' life is one of pain and suffering, though it is these that have kept him focused and hateful. Has he always been evil, or just ruthlessly efficient and practical? For that answer we have to look no further than "I, Davros", the four-part story also from Big Finish.


The adventure continues...

Given the opportunity to return home with boyfriend Jared, Flip instead decides to travel with the Doctor. This is very reminiscent of Rose Tyler's own reaction to embracing the chance of adventure through time and space. It also helps that Flip is very likeable, thanks to both the writing of the character and Greenwood's solid performance.


"Shall I compare thee to a summers day?"

How does this story compare to previous Dalek adventures? Well, it's an interesting mix, that's for sure. Over the years we've been treated to so many Dalek plots that it could easily become monotonous. The Curse of Davros, however, manages to keep a few surprises and delivers in the right areas. This is actually less about Daleks and more to do with rivalry between two old enemies: imagine if Davros could live again, without pain and mental torment... Imagine if the Doctor could spend the rest of his days trapped in a different kind of prison... It is a frightening concept indeed.

Looking on the Big Finish website I notice that they had the working title Waterloo of the Daleks, I'm so glad they changed it. Mention must also go to cover artist Simon Holub, who's work also includes favourites of mine such as "Doctor Who - The Companion Chronicles: Here There Be Monsters" and "Doctor Who - Robophobia". The use of blues in his The Curse of Davros looks stunning. I've just found some up and coming titles featuring his cover art and "Doctor Who: Interstitial / Feast of Fear" is particularly amazing!

I absolutely recommend The Curse of Davros, it is certainly an enjoyable ride through history. And you get to spend more time with Flip Jackson.



Saturday, September 15, 2012

Big Finish: Energy of the Daleks - AudioReview

Article author: Alwyn Ash


Doctor Who: Fourth Doctor Adventures 1.04.

Founded in 1998, it was a relief for fans of Doctor Who when a license to produce official audio plays was awarded to Big Finish, their first story to be produced in this new range: The Sirens of Time (1999), a multi-Doctor adventure bringing together actors Peter Davison, Colin Baker and Sylvester McCoy. It was to be the perfect alternative to a series that had been brought to an end in 1989 after twenty-six years on television.

It is sad to think that actor Jon Pertwee had only died three years earlier, and there is absolutely no doubt, in this reviewer's mind at least, that this great man would have contributed to the birth of this new venture for the Doctor and his companions, there is no doubt about that.

Another Doctor who could have embraced the role further was actor Tom Baker; however, it looked as if the man who had played the Time Lord the longest would not find, or wish to find, a place in this long line of tales brought magically to life by a company that would go on to produce other works including Sapphire and Steel, Dark Shadows, Sarah Jane Smith, Bernice Summerfield, and, more recently, a revival of Blake's 7 for audio.

Storm Warning (a tale of His Majesty's Airship, the R101) would signal a return to Doctor Who for Paul McGann, the man who had been tasked with the portrayal of the Eighth Doctor for the 1996 television movie.






And so back to Tom Baker, and the news that was to be announced in 2011. Though not the first to be released, Energy of the Daleks was the first to be recorded by the Big Finish team, which included Louise Jameson (reprising her role as Leela), Alex Lowe, Mark Benton (no relation to Sergeant Benton, I can assure you!), Caroline Keiff, Dan Starkey, John Dorney; and the voice of Skaro's finest, Nicholas Briggs. Was it a sensible choice to bring back the Daleks alongside Baker's first audio adventure for Big Finish? Simple answer: Yes, absolutely! It almost evokes the exact same shivers that I experienced with McCoys The Genocide Machine - almost, if it had only been that little bit longer... (Energy comes in at approx 60 minutes compared to Genocide's 120 minutes)

That aside, there is much to admire about Nick Briggs' tale of the Kaled creatures plotting Mankind's downfall - yes, another fiendish plot - aided by Andy Hardwick's excellent music score and sound design. And, honestly, there will always be a place in this reviewer's heart for both Baker and Jameson, together as the Fourth Doctor and Leela. For the latter, it is indeed a thrill to see (or in this case, hear and imagine...) how the Doctor's companion takes on the might of the Daleks, a psychological battle in which Leela refuses to submit her will to the enemy. Knife at hand, she has always been one of the strongest to accompany the Doctor and it is a pleasure to rejoin the lovely Jameson for further travels.

It is also remarkable to note that Jameson had never featured in a Dalek story before, during her time on television, and so it feels only right that that mistake be rectified.






The tale of energy, friendship, and potential genocide (did I mention The Genocide Machine earlier?) has the correct balance to play with, enhanced by nostalgia and a feeling that this is a lost adventure, one of those that had been written during Baker's original occupation of the TARDIS in his seven-year run and had not, for whatever reason, been filmed. The Earth-Moon setting also inspires thoughts of the Patrick Troughton era and Cybermen. This has "Classic" written all over it - and yes, I do differentiate between Classic and Nu-Who!

Though short in length, Energy takes bold brisk steps, never pausing for breath and making the most of its use with both scene and character. The re-introduction of Robomen nicely reflects the magic of William Hartnell's The Dalek Invasion of Earth (1964) while permitting a brief recollection of Mark Gatiss's Roboman as heard in The Mutant Phase, another Big Finish production from 2000.

This outing for Baker and Co. has enough energy of its own to pack a punch and will surely be a favourite with fans for many years to come? Though it has some negatives and faults - yes, even Energy - it is unfair to criticize, as where would we be without our Fourth Doctor and Leela in audio? There are already plenty of possibilities for this pairing - including what will be Mary Tamm's last appearance as Time Lady Romanadvoratrelundar in another season of stories!

It is indeed sad that Elisabeth Sladen never had the opportunity to once more share in this pleasurable journey with co-star Tom Baker. I only hope that the Daleks aren't overused during Baker's time with Big Finish, although it will be an honour to experience the magic of Baker and Tamm in The Dalek Contract (featuring K9), expected for release in 2013.

It had been a long wait. But, in the end, the result of a Doctor at his best - marvellously acted by an equally marvellous actor - makes this a moment that all fans should experience. Further reading: Big Finish


Thursday, October 27, 2011

Big Finish: Robophobia - AudioReview

Article author: Alwyn Ash


Doctor Who: Serial 149.

The Doctor has been here before. Not the transport ship Lorelei, which has a cargo of over 157,000 robots on board, but the menace that stalks within. The Time Lord's first encounter with slave robots had been during his fourth incarnation, accompanied by then companion Leela. There had been deaths on a sandminer (named Storm Mine 4) and an attempt to murder the entire crew. But worse would have followed if it had not been for the Doctor's interference - his meddling had prevented further bloodshed. It appears that history, however, has been relegated to rumour, the tragedy never officially confirmed.

And so to the Lorelei... The Doctor, now in his seventh incarnation and companionless, is murdered, along with Tal Karus (portrayed by Matt Addis), a member of a support team from Kaldor City. And yet, only Tal's body is found.

Physician Liv Chenka (Nicola Walker) had known the deceased for a very short time and yet, she is saddened by his death. And then she meets the only man on the ship who knows more than he is letting on. The Doctor, mysterious and at his manipulative best, tries to help Liv see what he quite clearly does: someone, or something, is not what they seem.

A second murder and sabotage, and as usual the Doctor is suspect - the only stowaway on board! But just why has he activated the robots? And why do the slave humanoids refer to the Time Lord as Tal Karus?






"Robots cannot harm or kill humans, or by admission of action allow a Human to be harmed or killed. It is our primary command, we cannot deviate from it."

But does history say otherwise, and is such an incident happening again? As the Voc robots engage in their duties and offering help, as programmed, there is fear throughout the Lorelei. Panic and paranoia, and a sinister force at work.

There is a touch of Terror of the Vervoids here, an intriguing piece of mystery and suspense, sleight of hand by writer Nicholas Briggs that keeps you guessing until much of the way through. Fine performances from cast and crew as tension builds, the question being is Super-Voc SV10 (and the other robots) innocent in recent events or, like its counterpart in The Robots of Death, could the robot be manipulating the situation for a deadly purpose?

A further killing, this time Bas Pellico (played by William Hazell), and the crew prepare to fight. Evidence that at least one killer robot is indeed on board the transport ship is visible near the body. Communication between Kaldor City and the Lorelei is cut off and Security Chief Farel (Toby Hadoke) informs Leftenant Selerat (Nicholas Pegg) that robots have seized control of the long-range transceiver antenna. There is further robot activity and they are coming for the Humans!

The Doctor's faith in Liv eventually pays off and he gains her trust. Which is just as well... as a second attempt is made on the Time Lord's life. "This time I will kill you DOCTOR!"

The acting in Robophobia is strong and Jamie Robertson's sound design offers the right balance of spaceship background noise and music (including a beautiful theme that has a direct link to the plot) to enhance the experience. Sylvester McCoy is at his devious best, a Doctor who observes and advises, stepping in when required.

The lack of recaps at the start of Part Two, Three and Four is a little strange and could make the story feel a little disjointed. However that is a minor issue. A fabulous production! Credit to designer Simon Holub for his cover art which features Sylvester McCoy, Nicola Walker, and SV10.


INTERESTING FACT
Robophobia: an irrational fear of robots (also referred to as 'Grimwade's syndrome') - or is it an irrational fear? The robots are lurking...