The Scarifyers: The Secret Weapon of Doom - AudioReview

Article author: Alwyn Ash


"Lionheart investigates the disappearance of a fabled super weapon - and discovers they aren't the only ones searching for it... Death stalks our heroes at every turn. Lionheart and Dunning must fight for their lives..."

More rollicking good fun from those people at Bafflegab Productions (formerly Cosmic Hobo) with the fifth installment in their hugely popular "The Scarifyers" audio plays. Sadly this is also Nicholas Courtney's last appearance in the series, who passed away in 2011. Produced in 2009, "The Secret Weapon of Doom" ultimately serves as a swan song for the actor, whose other roles included that of Brigadier Lethbridge-Stewart in popular BBC production "Doctor Who".

As you can expect from such a fantastically-produced play, there is much in the way of word play, humour, frolics, mysterious happenings and a taste of the supernatural. It has to be said that both Terry Molloy (as Professor Edward Dunning) and Courtney (portraying the role of Lionheart) work well together, delivering fine entertainment and intriguing plot. Without doubt Simon Barnard and Paul Morris write something pretty amazing here, bringing prison escapes, murders, and phantoms into being with swift talent and passion. Just where do they get their ideas from?

Following an accident, Professor Dunning is temporarily out of action, allowing his partner Lionheart to team up with MI-13 agent Victor Bright (Nigel Havers). Together they engage in a new case: investigating the whereabouts of a new super weapon so secret that no one knows what it does, where to find it, or what it looks like! Just another day at the office for Lionheart, then? Bright is such a fun character, and Havers' casting is pure genius: "A man noble of brow, stooped of gait and fat of belly.."

Keeping himself occupied, Dunning decides to spend his spare time writing, collaborating with friends of his writing group the Fantasists. However, it looks as if this simple pastime could conceal dangers of its very own... The biggest question is: just what is the connection between the professor's recent experiences and Lionheart's investigation? Add to the mix legendary English actor Leslie Phillips as Colonel Black, a man whose obsession with wasps equals my own, and you have an ingredient for success! First mentioned in The Scarifyers debut "The Nazad Conspiracy" (published in 2007), Black had not appeared in a single story until "The Secret Weapon of Doom", so it makes for a nice addition.

Ever since discovering Bafflegab with their sixth installment of The Scarifyers, The Magic Circle (thank you, Simon Barnard), my appetite for more of this kind of audio play has grown. Set in the 1930s, The Scarifyers explores all manner of supernatural creatures, ghosts, demons and strange phenomenon. Inspector Lionheart had once refused to believe in unearthly beings, until life taught him otherwise. Professor Dunning is a naive and rather easy going horror writer - Oh crumbs! Together they make for an interesting team.

In this installment, prepare for more of Edwin Sykes' deliciously composed music, as Barnard and Morris dream up yet more ways for people to die. Voice artists David Benson, Alex Lowe, Lizzie Roper, and David Bickerstaff play multiple roles, as some face death in unusual ways: for example, what better way to kill Heinz Soss (Bickerstaff) than with some soup? Heinz... soup... Courtney's involvement brings humorous scenes such as face-offs with soup (yes, as previous) and out-smarting a matron (Roper). Did I mention soup? How can you also not enjoy a tale that throws such characters as "Jimmy the Spiv" and "Primula Manningtree" at you? What delightfully imagined names...

Anyone who appreciates the art of audiobooks will no doubt admire the sound design for The Scarifyers, this time around the work of Anthony Danbury, who has been with this audio series since its first outing; he was later replaced by Martin Johnson for "The Magic Circle". Another mention should go to Garen Ewing, whose fabulous cover art brings an extra dimension to each story - he is the writer and artist of award-winning comic "The Rainbow Orchid" featuring the character of Julius Chancer.

Carry On Scarifying (as I like to think of it) is a highly recommended series that will entertain all who enjoy their radio with a slice of sharp humour and wonderful fantasy. The quality improves with each, and the laughs increase. The perfect companion.


Purchase The Secret Weapon of Doom from Bafflegab Productions:
CD or download

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Hammer Chillers: Don't Go There - AudioReview

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Article author: Alwyn Ash

Something to chill the very air...

For the sixth and final tale from the first anthology of spooky treats, writer Stephen Volk explores Greek legend. In one of the most adult of all, we visit a Greek island for partying and wild sex. Sadly for Andrew, however, his encounter with a mysterious woman leads to tragic consequences, causing a father to investigate the reason for his son's coma. While mother Laura Daulby (played by Lizzie Roper) is more concerned about Andrew's wellbeing, John Daulby (Tony Gardner) develops an obsession with the young Greek woman herself, Stheno (Daphne Alexander). But what at first appears to be a yearning for understanding quickly develops into a dangerous obsession.

Though Andrew's condition is simply believed to have been caused by a misuse of drugs, John isn't so sure, and his journey into the murky side of Greece brings with it its own nightmare. Who would have thought that a sexually-insatiable appetite would be so frightening to witness? Personally, I am not sure what to make of "Don't Go There", it doesn't feel eerie enough to be placed next to other titles in this series and yet... there is something altogether fascinating about this erotic audio affair, perhaps just as mesmerising as Stheno's alluring nature and mystery. I am not very well educated with Greek history and legend, and so reading up on the immortal Gorgon sisters Medusa, Stheno, and Euryale was interesting.

Hammer Films had visited a similar story once before, with the 1964 feature "The Gorgon", starring Christopher Lee as Professor Karl Meister and Peter Cushing as Dr. Namaroff. Set in the German village of Vandorf, in 1910, a father investigates mysterious deaths only to discover that the very last of the Gorgon sisters stalks a local castle. So it is nice, then, that a tale of the Gorgons has been updated with "Don't Go There".

As for casting, the choices are excellent: Gardner delivers a fine performance as a father consumed by intense dangerous obsession, disgusted by what he sees around him and a man whose single-minded goal is to locate the woman known as Stheno and get the answers he seeks; in contrast, Roper's character is far more interested in their son's immediate well-being, and it is she alone who must face organising Andrew's journey home to England - you can sympathise with Laura completely, wishing her husband would just stop his futile crusade and remain by her side. And then there is Stheno herself, Alexander's sensuous performance successfully brings a chill of its own - knowing this to be horror, you are never quite sure exactly who or what this woman is supposed to be: just a mentally-ill out-patient, or something far more sinister?

"Don't Go There" feels somewhat light in depth at times, perhaps there should have been more focus on the legend of the Gorgons? But then, with all honesty, time restraints call for direct storytelling, and it is certainly achieved here. It is chilling to hear how John's state of mind deteriorates rapidly, even to the point where he embraces insanity itself in his quest. This tale, for me, does share something in common with fellow audio outings "Spanish Ladies" and "Sticks and Stones, as much as in the gore factor is raised high when least expected. Something clearly stated in the closing scene is that the Daulby marriage was far from blissful. Perhaps that, in itself, is the message here: no need for a heart to be turned to stone when it had already been such in the first place...

The only negative for me is the overuse of swearing by character Fergus (portrayed by Angus King) - I'm sure I'll get sworn at for saying this - but it was deeply unnecessary and distracting. And, honestly, the atmosphere didn't require it.

Hammer Chillers has come a long way since its debut with Stephen Gallagher's "The Box", released on 7th June 2013. Much praise must be given to writers Gallagher, Mark Morris ("The Fixation"), Paul Magrs ("Spanish Ladies"), Robin Ince ("Sticks and Stones"), Christopher Fowler ("The Devil in Darkness") and Volk. In addition, the superb production of the entire series has lived up to expectations, with audio company Bafflegab delivering the shocks perfectly when required. And then, there is the wonderful cast assembled, such as Lauren Kellegher, Miles Jupp, Jacqueline King, Camille Coduri, and Daphne Alexander - every actor has shone in their role, giving "Hammer Chillers" that extra edge needed to make this kind of audio rewarding and spine-tingling.

It has been an intriguing trip through the layers of mind, myth, and terror. Whatever future lies ahead for Hammer Films, we shall always have the Box, a Spanish doll, or a haunted elevator shaft... Thanks must go to everyone involved, including Simon Barnard, Martin Johnson, and Edwin Sykes (for the brilliant music scores).

Recorded at Moat Studios, London, the Hammer Chillers tales can be downloaded direct from the official website, or purchased as a CD digipack.

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Hammer Chillers: Devil In The Darkness - AudioReview

Article author: Alwyn Ash


Something to chill the very air...

Those of us who suffer with claustrophobia, and a fear of elevators, will feel some sympathy in this fifth story as part of the Hammer Chillers audio anthology, a collaboration between Hammer Films and Bafflegab.

Mia (played by Lauren Kellegher), who works in the records department, takes the lift one Friday night while leaving the decommissioned St Petersburg International Archive. This, as it turns out, is a mistake and the young lady's nightmare scenario is played out, accompanied by Russian electrician Andrei (Dylan Charles). They are both trapped in the elevator between the third and fourth floors when there is a power cut. Minus a phone signal and emergency button, what should have been a short stay becomes something more - and darker...

The young woman's emotional, physical and mental wellbeing are tested as it becomes clear that there may not be any rescue at all. Even Mia's flatmate cannot be relied upon to notice that she is missing, and most of the staff have been transferred to the new archive. Shouts for help are unheard, and there is little in the way of food or drink.

This psychological drama plays out well, with Kellegher and Charles' characters facing the reality that this "bad building" has memories in the walls, as we learn that a thousand people died at the hands of the Cheka Security service 100 years ago in the basement - the lift shaft had been built where the stairwell once stood, which led to the interrogation room in the basement where those atrocities were committed.

Christopher Fowler's description of how those people died at the hands of Cheka officers a century ago never fails to haunt the imagination, adding to the sense of claustrophobia - ghosts of the dead as your only other companions in a nightmarish twist, superbly echoed by the sound design.

Devil In The Darkness sits perfectly with Hammer Chiller's debut tale The Box, which has a similar haunting theme. However, Fowler's play takes a positive step up, with a casting that couldn't have been better - Charles delivers a fine performance as the mysterious and intriguing Andrei, who develops a close relationship with his female companion. Kellegher, as the young English woman, delivers an equally fine performance as Mia's condition worsens over the following days, including a fever.

And still, the supernatural essence embraces further, two lost souls biding their time until that moment when the dead will claim them. Mia believes that the victims of the Cheka want revenge, and with this level of writing, it is easy to believe. Devil In The Darkness is indeed a powerful drama that upturns every emotion by exploring the depths of desperation and paranoia, all cooked up in the most perfect enclosed environment. The story also focuses on regret, the dreams that we desired in life but never quite reached.

Mention must always go to Simon Barnard, who has produced and directed this fascinating series, alongside Martin Johnson as Post-producer. Edwin Sykes' approach to sound is quite remarkable, a man who knows how to foil every scene with his own balance of apprehension and terror. Throughout every Hammer Chiller there has been nothing less than spine-tingling high quality drama, atmospheric and creepy, episodes that are reminiscent of those produced for the Hammer House of Horror television series! The bar has been raised from the very start and it is clear that each production can only add to an already glorious debut for this inspired collaboration. As far as firsts are concerned, this anthology of six can only be applauded for a job well done!

With Devil In The Darkness less is most definitely more: two talented actors, a great script, generously creepy sound design, all housed in the best production piece possible! Recorded at Moat Studios, London, the Hammer Chillers tales can be downloaded direct from the official website, or purchased as a CD digipack.

Whatever your choice, you are certain never to experience an elevator in the same way again. I mean, who knows what lies beneath...

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Hammer Chillers: Sticks and Stones - AudioReview

Article author: Alwyn Ash


Something to chill the very air...

Many of us have experienced trolling at one time or another, the disturbing online abuse that can mark you, victimisation from an unknown who makes it his/ or her mission to post cruel remarks or threats for all to see, and otherwise make the whole online experience a deeply unpleasant one. Perhaps internet trolls are just as repulsive inwardly as their grotesque supernatural counterparts are outwardly? They are certainly the most foul of Earthly beings, a real-life horror experience...

Hammer Chillers latest offering, the fourth installment in this new and exciting audio anthology of spooky tales, touches upon this subject with the tale of Sam Pinker (played by Zoe Lister), a talent-show contestant, who starts to receive online threats from such a troll. Strange, seeing as the man in question, Neil Stanley (Alex Lowe), seems to have the perfect life - and a supportive wife in Val (Frog Stone). However, events take a rather sinister turn and before long there are deaths, and a greater mystery. Neil's obsession doesn't appear altogether... Human. Is there something else at work, or is Neil merely suffering from a psychological illness?

The opening five minutes of Sticks and Stones firmly focuses on a scene in the medieval period, as a woman is burned alive for being a witch. "The smell of consorting with the devil", as the stench of her flesh drifts among the cheering crowd. There are flies, a recurring theme. And in another scene, a mysterious attack by something from the dark - "What are you?!"

The link between this and the present-day setting with Neil's obsession could have been better realised, however. That said, even from the start, it is clear that the "something" must be old, angry and hungry. A rage?

As with all the other tales in this anthology of audio greats, Sticks and Stones is most definitely not for the young, with both language and content of these stories adult in nature. Fans of Hammer, Bafflegab, horror, drama, or audiobooks in general will no doubt relish in the various scenarios that are created via the mind of writer and comedian Robin Ince (Infinite Monkey Cage - BBC Radio 4 comedy series). While Val believes her husband to be busy "working" in the attic, Neil is, in fact, devoting every available minute of his life to trolling. Though his motives are not absolutely clear, the threats in his vile campaign do start to come true. And still the flies... Sam is encouraged to ignore the horrid online abuse but the whole affair is clearly getting to her emotionally. Even her work is being affected. "It's like the troll has got right in to my head," she says.

The climax to this tale is both fascinating (just me?) and sickening, and not something to hear without a strong stomach, as Neil's depravity reaches even darker limits. Fans of this drama will notice that the stars of Hammer Chiller's debut story The Box have returned for this outing, joined by Cicely Giddings.

So how to sum up Sticks and Stones? Words are indeed the most powerful of weapons, and what is said can encourage or destroy lives - even the burning of the witch resulted from gossip and social stigma. They are simply words but, in the case of trolling, without a face their impact can be hard to understand. Even with a face they are just as destructive. The anonymity of the troll encourages things to be said that may have never been repeated face to face, the computer a perfect camouflage. Of course, take this subject matter and sprinkle it with some Hammer and Bafflegab magic, and you are given a delicious example of both sanity and insanity, obsession and intimidation.

The world is the computer - nothing else outside of our screen is real! And in a society where social networking is common place, it is easy to be drawn in.

Fine performances from everyone. Lowe, in particular, as the unnerving Neil, whose single-mindedness could have led in almost any direction. With production values as high as this and with every tale to date, a second series of Hammer Chillers must be on the cards? Audio at its finest! The best horror is that which takes the familiar and exposes it in a different light. Or perhaps, to switch the light off entirely and expose each and every one of us to the down-right unfamiliar and terrifying.

The audio series can be downloaded or purchased as a CD digipack, direct from the official website. Just be aware of the flies, the Spanish ladies, any trash bags in the community, or a helicopter escape simulator that you might come across...

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Hammer Chillers: Spanish Ladies - AudioReview

Article author: Alwyn Ash


Something to chill the very air...

Third in the fabulous Hammer Chillers audio anthology, a collaboration between Hammer Films and Bafflegab, the tensions are raised to a higher bar with a story that will almost definitely chill the air. In "Spanish Ladies", 36-year-old Phil (played by Ewan Bailey) lives with his Mummy (Jacqueline King) and, on the surface, life is pretty unremarkable. The former usually spends his days either sat in front of the television or out at the local pub; the latter enjoys a game at the Bingo hall with her friend Renee (Camille Coduri).

One day, having had suspicions that her son is seeing a "lady friend", Mummy questions Renee whether she has been aware of Phil's recent activities. From the off it is pretty clear that the son and mother relationship is a close one, perhaps too close, and the dominance that Mummy has over Phil is shocking though not unremarkable. His mother also enjoys making toilet roll covers out of dolls, calling them her Spanish Ladies. She also spends time prying into her son's life, reading his letters and looking under his bed in the search for mucky magazines; even the discovery of lingerie catalogues labels him a "dirty boy".

The knowledge that this installment was written by Paul Magrs (Doctor Who, Vince Cosmos) had this reviewer waiting impatiently to hear how this tale would be handled. The title alone was mystifying - I had imagined a twist on British sitcom "Duty Free" about a holiday from hell. However, delightfully, the author of "Brenda and Effie" had plenty of surprises up his sleeve and this allows for a step up in the gruesome stakes...

Jacqueline King (Doctor Who) is Mummy, a manipulative
parent who won't win any award for parenting

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Many years ago, far too many years sadly to remember the title, I watched an American drama set in a prison. The conclusion to that programme gave me nightmares for a very long time. It had connected with my fear of claustrophobia. Thank you Paul for reminding me of that episode in my life! "Spanish Ladies" does its job extremely well in putting the chill back in to "chiller" with a horror that, at first, touches upon control and jealousy, before reaching a terrifying shiver half way with its turn from soap opera to "Psycho".

Once it becomes clear that Mummy is unhinged, you find that anything is possible. It is even probable that the dolls themselves could be demonic in nature, influencing her into committing unforgivable terrors. And so you listen, drawn and captivated, in this eerie chapter, waiting, breathing heavily (just me?)... I was also reminded a little of 1994 American thriller "Mother's Boys", as Phil's part in all of this becomes clear. He is clearly a man with secrets and a compromising past. Mummy, on the other hand, is manipulative, sharp and far too dangerous to be allowed. Phil is her darling boy, and she will do anything to keep him with her for the rest of her days. No one shall ever keep them apart!

Interestingly, all three cast members also starred in previous Hammer Chiller The Fixation, though their roles couldn't be any more different this time around - especially Bailey and King, who in Paul's well-fashioned and skillfully written piece are simply oozing with eye-opening creepiness while being intriguing at the same time. No subtlety here, as you will discover at the end. No spoilers, either, but you will find your heart racing, as I did! The marvel of this series to take something ordinary and twist it into a distorted horrific shape of evil and suspense really should be applauded. The writing, direction and acting is simply first-class, and the sound design never fails to amaze me.

This, and other stories in the series, are available from the official website. If you are to discover something new today then let it be this: Hammer Chillers. You will be entertained, surprised, and will surely wish to hurriedly turn the lights back on if you listen to any of these tales at night, in the dark - go on, that's the best way! Just don't be surprised if you find some Spanish Ladies staring at you from the end of your bed, or table...

As mentioned previously, the series can be downloaded or purchased as a CD digipack, and is produced by Bafflegab Productions. Thank you to everyone involved for their hard work in creeping me out!

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Hammer Chillers: The Fixation - AudioReview

Article author: Alwyn Ash


Something to chill the very air...

Written by Mark Morris (author of "Vampire Circus"), the second of Hammer Chiller's audio plays focuses on Ian Hibbert (played by comedian Miles Jupp), a rather stubborn and fussy resident of Darwell who decides to clean up the town, persuading both his wife and a couple of like-minded neighbours to join him in clearing the trash that has become so ghastly in recent years. It is very easy to relate to Hibbert's cause, and the social issues that plague him. And it is equally easy to feel sympathy for both him and his wife Beth (Camille Coduri) as their attempts to improve the community come under constant attack and threats.

Of course, in the early days life was different, when their daughter Sam was a baby. Society seemed kinder, and far more tolerant. What followed was a decline in social well-being, a fall into degradation. Hibbert had noticed this and, until recently, had simply observed with frustration. However, after a hoodie dumps rubbish outside his house, enough is enough, forcing Hibbert to establish the Clean Up Darwell group - "CUD" as fellow resident Malcolm Beglin (Ewan Bailey) suggests, much to Hibbert's dislike. But the group's plans don't run smoothly...

"Darwell was a nice place to live back then. Look at it now: burglaries, muggings, vandalism, rubbish everywhere. People don't care about anything these days, they expect something for nothing and don't give a monkeys about anyone else." - Hibbert

Residents of Darwell

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Open hostility from the Darwell residents forces the group to abandon their first attempt at a clean-up operation, and it doesn't get any easier. It is clear that someone doesn't welcome their good-intentions. The over-zealous Hibbert refuses to back down, even after Malcolm's van is set alight and their other neighbour and "CUD" member Barbara Whitlow (Jacqueline King) vanishes in mysterious circumstances. Even Hibbert's own daughter Sam (played by the talented and lovely Lauren Kellegher) is attacked by a gang of hoodies while on her way home. Astonishingly, the local police - especially DS Bob Sharpe (Bailey's second role in this story) - fails to show any genuine concern for the aggression aimed at this small band of residents.

There is a little of "The Wicker Man" here, a society that in general seems to know more than the minority and keeps many secrets. As with Hammer Chiller's first tale, The Box, production is high once more, with perfect sound design and music. The casting is simply superb with Jupp, Coduri, Bailey, King and Kellegher working well together. Danny Horn, too, delivers his part well as the Hoodie; Doctor Who fans will of course remember Horn as a young Kazran from 2010's "A Christmas Carol". Another cast member who is no stranger to BBC One's flagship sci-fi show is Coduri, who portrayed the role of Jackie Tyler, mother to Billie Piper's Rose.

And, if you are not familiar with actress Lauren Kellegher then how about familiarising yourself with Bafflegab's Vince Cosmos, the story of young girl Poppy Munday whose life is changed forever after meeting glam rocker Cosmos. In addition, Kellegher stars in "The Devil In Darkness" (the fifth installment of Hammer Chillers), and various film and theatre work.

As said in my last review, good things are quite clearly originating from a partnership between Hammer Films and Bafflegab, and long may this collaboration continue. With the best talent involved, there is nowhere this project cannot go, from haunted helicopter escape simulators to Greek myth - and beyond... One half-hour tale from the first anthology of Hammer Chillers released per week, which began with "The Box" on 7th June 2013 and completes on 12th July 2013 with Stephen Volk's "Don't Go There". They are also available as a CD digipack, all purchasable from the official website.

Mention must be given to Simon Barnard, who produced and directed the collection, with post production by Martin Johnson. The excellently creepy music was composed by Edwin Sykes, and design by Mark Plastow (a web designer who has even worked his magic on several Big Finish products). And let us not forget Sam Smith's fabulous artwork for the series!

Thanks to these people, and the cast, Hammer Chillers is a must-have, an exciting journey into the darkest depths of the mysterious and dangerous, a walk through the eerie corridors of inexplicable horrors...

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Hammer Chillers: The Box - AudioReview

Article author: Alwyn Ash


Something to chill the very air...

Funny the things you remember. Memories can be as haunting as any ghost. For instance, many years ago I recall listening to an audio drama on cassette I borrowed from my local library, a spooky tale of which the title sadly escapes me. But the spine-tingling and keep-the-light-on fear were clearly present, a sign that the production values had the right level of suspense. All this time later, and I have not forgotten its power.

Every media has its place. And legendary masters of horror Hammer Films has taken us on terrifying journeys in cinema with tales of vampires and zombies, cultists and freaks, murderers and ghouls. In print, too, we have enjoyed adaptations of some of these magnificent stories. It is therefore a pleasure when something new comes along to raise a few hairs and force the lights back on. Hammer Chillers is a collaberation between the Hammer studio and audio masters Bafflegab Productions (formerly Cosmic Hobo, founded in 2006 by award-winning radio producer Simon Barnard), the latter known for work including fantasy and science fiction outings "The Scarifyers" and "Vince Cosmos".

Beginning 7th June 2013 there will be a brand new horror anthology available for download, in six parts, with the collection later released on CD (including special bonus material). One of the writers, Stephen Gallagher, commented, "Doesn't matter when you were born, everyone's grown up with Hammer; the company developed a style and a brand that’s become a permanent part of our culture".

Personally I am a huge fan of the Dracula/Peter Cushing movies, "Dracula AD 1972" my all time favourite (starring Cushing, Christopher Lee, Stephanie Beacham, Christopher Neame and Caroline Munro). But the Hammer brand has always been something of interest, crypt-keepers of the terrifying, and makers of the finest cinematic achievements in British history; even the "revival" films are sure to become classics.

Having listened to the first of these six audios, entitled "The Box" and written by Gallagher, I can only say that there is something wonderful here, a tale of the finest drama starring a fine cast: Con O’Neill, Alex Lowe, Zoe Lister, and Scott Brooksbank. A question is asked, "What is the secret of The Box?", and indeed that is something the half hour story aims to uncover, as Kim Lavery (Lister) reports that her brother has begun to act very strangely after dropping out of a sea rescue and safety course at the Wainfleet Maritime College after experiencing something rather pecualiar in The Box, an underwater helicopter escape simulator that all candidates must undergo to pass the course.

As a second candidate falls foul to the terrors inside The Box, trainer Sean Dickens (O'Neill) decides to investigate, aided by colleague George ‘Buster’ Brown (Lowe). But what he discovers will stay with him for the rest of his life...

Other titles in this first anthology are: "The Fixation" (written by Mark Morris), "Spanish Ladies" (Paul Magrs), "Sticks and Stones" (Robin Ince), "The Devil In Darkness" (Christopher Fowler), and "Don't Go There" (Stephen Volk).

What I admire about "The Box" is its step into highlighting the realities of war, how ghosts of the past never truly leave us, no matter how much time has passed: the memories, regrets, guilt, flashbacks, and how the task of readjusting to every day life deserves much respect. As the character Sean says, "When you see your mates die, it takes more than a bit of work experience to get you through it". The drama is played out well, delivering the right amount of mystery and tension when required.

It is great to see both Hammer Films and Bafflegab expand into other areas within the business; for Hammer this is a first into radio-style plays, and the partnership with Bafflegab is indeed a major step in a direction that can only see good things emerge...

As for writer Stephen Gallagher, he is no stranger to horror having adapted 1991 television miniseries "Chimera" (based on his own novel of the same name), contributed to the "Chiller" 1995 television series, and written the film novelisation of classic sci-fi horror "Saturn Three". Gallagher has also written for "Doctor Who", the TV stories "Warriors' Gate" (1982) and Terminus (1983) - he adapted these into novelisations for Target Books under the pseudonym "John Lydecker".

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The Scarifyers: The Thirteen Hallows - AudioReview

Article author: Alwyn Ash


What do you get if you cross a haunted chessboard at the British Chess Championships, a magical horse at Kettering Agricultural Museum, and milk? A rollicking good yarn from the makers of Vince Cosmos...

And so begins a tale of The Thirteen Hallows, as Harry Crow and Professor Edward Dunning of MI:13 investigate another mysterious case, this time taking them to South Wales where they encounter bad weather, talking eggs and a forgotten knight in the form of Glewlwyd Gafaelfawr (a mouthful even for the soberest of people). Oh yes, and there is a plot to resurrect the greatest King of them all...

I first had the pleasure of listening to The Scarifyers in 2011 with The Magic Circle, and my review of that fantastic tale reflected Bafflegab's very own piece of magic and the excellence of production, casting and music. Then called Cosmic Hobo, the company's ability to blend drama and comedy engaged the listener with such beautiful storytelling that it was an honour to spend time in the company of these very talented people. Since then there has been The Horror of Loch Ness, another success for writers Simon Barnard, Paul Morris and the team.

And, of course, prior to The Magic Circle there had been five other adventures starring Nicholas Courtney and Terry Molloy; sadly, following the passing of Courtney, a change was required with the introduction of David Warner... So how does The Thirteen Hallows compare to the previous seven self-contained installments?

The humour, to begin with, is as fresh and tummy-tickling as ever, with the most amusing misunderstanding about milk I have ever heard! Every step of the way no trick is missed, or stone unturned, in the desire to entertain; as always, legends Terry Molloy and Warner as Professor Dunning and Harry Crow respectively are in fantastic form. Welsh actor Gareth David-Lloyd (Torchwood) also features as Gafaelfawr, the 1400-year-old knight whose task it has been to protect something of importance. Except...

As for the plot itself, how exciting to read about The Thirteen Hallows, or Thirteen Treasures of the Island of Britain, and discover just how rich this tale is in myth and legend. If you read about the "Thirteen Treasures..." you will learn that these were magical items of Welsh tradition believed to have been obtained by Merlin and protected until a time of King Arthur's awakening. In this wonderful tale, however, Bafflegab gives us Nazis who show up in the South West of England as archaeologist Ralegh Radford and his team prepare to unearth something rather splendid (or, as the British press call it, "Britain's Tutankhamen"). But all is well, as Germany is interested in forming an alliance with Britain as tensions rise against Russia.

With a cast that also includes David Benson, Margaret Cabourn-Smith, Ewan Bailey, David Bickerstaff and Nick Scovell (who all play several parts), there is no shortage of talent. In particular, Cabourn-Smith is delicious as Lady Miriam Gore. But all perfectly deliver the ingenious laugh out loud wit that Scarifyers has become known for...

David-Lloyd puts no foot wrong as a knight out of time, coming to terms with the present day he has now found himself in ("It is like some kind of fantasmagorical nightmare" and "Begad, it farts like a water horse...")

Whenever hearing these tales I cannot help but think of the British television series character Danger Mouse and his assistant Ernest Penfold, the latter whom I liken to Professor Dunning - with both Harry Crow (and Inspector Lionheart before him) portraying the role of the world's greatest secret agent. Oh crumbs, did I just compare Terry Molloy's character to a bespectacled hamster? There are plenty of nods to movies, too, including Star Wars Episode IV: A New Hope (with a Druid connection) and Indiana Jones...

I must pay respect to the work of Edwin Sykes for the music, Martin Johnson for sound design, and Garen Ewing for the wonderful cover art depicting Dunning and Crow emerging from a Ghost Train, sword and rifle at the ready. What a fabulous team Bafflegab has put together! With The Scarifyers and Vince Cosmos fighting the good fight, Planet Earth is well and truly safe from aliens, demons and all manner of foul stenches.


Further reading: Bafflegab - official website

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Vince Cosmos: Glam Rock Detective - AudioReview

Article author: Alwyn Ash

Digging the new sound, people! Welcome to another fun-filled ride from the makers of The Scarifyers...

Popular author Paul Magrs isn't new to creating spectacularly intriguing characters, having already given us the wonderful Iris Wildthyme; Whitby's tea-drinking Brenda and Effie also conjure up spellbinding yarns as they investigate a mystery or two. But his recent step into the audio Universe brings us a tale of cosmic proportions...

Lauren Kellegher plays Poppy Munday in this double-disc audio drama from Bafflegab (formerly Cosmic Hobo). She is a fangirl of glam rocker Vince Cosmos; the year is 1972. Released as an "album" of song titles, this ingenious tale revolves around the mystery of dwarf Mr Glister, who is living upstairs from Poppy and flatmate Trish, and the "assassination" of Vince during a concert. My first "delight", other than Kellegher herself, was the introduction of Katy Manning as dotty landlady Gilda Fairbanks - her charm and warmth shining through in every scene. Poppy chooses to spend her days listening to Vince Cosmos LPs whilst clearly avoiding any kind of job search.

The first half of the tale is fairly slow but not uninteresting; Kellegher's narration (joined by the endearing qualities that Manning touches upon throughout) keeps the spirits high and eager as the story progresses. As a debut, it is a safe choice to play it steady, whilst introducing the characters and setting everything in place for what is to come in both the second half of this play, and follow-up titles.

The music is wonderfully achieved here, embracing early 1970s glam rock with style - following this album with songs from T. Rex, David Bowie, Sweet, and Roxy Music is highly recommended! Julian Rhind-Tutt as the charismatic Cosmos is a perfect choice, the rocker so charismatic, compelling and narcissistic. But then, he is here on a mission - or so he claims!

What surprises me is the amount of style that has been put into the whole package, including a sleeve that promises a double disc of music with tracks such as "Intergalactic Visas", "Kinema Karma", "Those Crazy Martian Cats", and "Stellar Benedictions", along with the message, "This is the first full album of new songs by the already-legendary space icon Vince Cosmos! Take it home, glam yourselves up, and turn it on full blast, kiddos. The Saviour of the Solar System has come to teach you how to play!"

And so back to the story... Poppy, who is already the secretary of Vince Cosmos' fan club, cannot believe her luck when she discovers that her impossible dream is about to come true - she has won a competition to meet her idol. Oh yeah, man, groovy! This being Magrs' playground, it isn't long before we get to see (yes I know, "hear" and imagine) silver-eyed aliens and another assassination attempt on the life of Vince. This is where Poppy's life changes even more dramatically - and a shock revelation sends her running. However, it isn't long before she is drawn back into the life of a legend...

There is plenty here to satisfy any sci-fi fan, for the play promises Martian invaders intent on world domination after their failed attempt at the end of the last century. And, this time around, they are disguised as Humans! For those of you familiar with the 1988 War of the Worlds television series (starring Jared Martin) there will, no doubt, be a smile at the similarities, add a sprinkling of musical elements and you have a re-imagined War of the Worlds: The Musical on your hands, or tentacles, or whatever you may have been blessed with...

Though Julian Rhind-Tutt (Green Wing) is the big star, the debut of Vince Cosmos belongs to Lauren Kellegher; this is her journey, and I feel privileged to have shared it with the young actress! And, as one story ends, I am awaiting the next adventure with an excitement I haven't felt since first hearing The Scarifyers, also a Bafflegab production.

At this point, mention must also be given to Simon Barnard for producing and directing this heart-warming tale; Edwin Sykes for the music, performed by Chance; Paul Morris for his out-of-this-world lyrics; and the cast and crew in general, for a production that is filled with fun and humour, glam, and enough glitter to fill the London Palladium.


Bafflegab - official website
Lauren Kellegher - official website

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The Scarifyers: Issue #1 - ComixReview

Article author: Alwyn Ash


"The glass moved, faster, faster still."

I have to admit something: this reviewer is not much of a comics fan. Rarely read them. However there are exceptions: The Only Good Dalek (BBC Books) and The Walking Dead (Image Comics) are two that have lured me into the pages of comic. But I am always keen to experience new publications, be transported into the pages of a well-conceived story. And thank goodness for that, for there will now be a place in my heart with Cosmic Hobo's The Scarifyers comic, wonderfully brought to life by creator and writer Simon Barnard and illustrator Simon Gurr.

Firstly, a little about The Scarifyers. Originally this audio series followed the adventures of Inspector Lionheart and Professor Dunning, played brilliantly by Nicholas Courtney and Terry Molloy respectively, as they investigated the strange and spooky goings-on in 1930s Britain. These wonderful tales began with The Nazad Conspiracy and lasted for four more episodes before the sad passing of actor Courtney. However, with the introduction of new character Harry 'Thumper' Crow - portrayed by David Warner - Cosmic Hobo allowed the magic to continue. It is therefore exciting to see that The Scarifyers and MI:13 have branched out into the world of comics...

Issue #1 begins an adaptation of the aforementioned The Nazad Conspiracy, bringing the story to life in visual form and showcasing the talents of artist Gurr. If you are familiar with The Scarifyers already then you will no doubt hear actors Courtney and Molloy as you read the comic; if not, then that is okay too, for the humour still shines through: exampled by a Russian who doesn't speak English but quite clearly says so... in English; and London bobbies with about as much intelligence as a stick of Blackpool rock - thank goodness for Lionheart!

The opening pages deliver a man, running through snow in fear for his life. He arrives at London University in search of Dunning: "You must help me professor! It's after me!" And so begins a tale of black magic, clowns and demons...

I am a huge fan of these fabtabulous tales, always looking forward to the next thrilling installment. These reviews reflect and share thoughts on the genius of The Scarifyers. And the leap from audio to comic is a very smart move, expanding on the Universe of Dunning, Lionheart and Crow, and creating an outlet for stories we may never experience in audio format. Although the early issues are an adaptation of The Nazad Conspiracy, it is a certainty that the team behind this remarkable creation will explore further, delving into the unimaginable horrors of other occult, demonic, and bizarre creatures and people who dare to utterly bewilder the sharp-eyed professor and take on the might of the long arm of the law.

Perhaps it isn't too much of a hope that we will someday see a novel too?

So, thirty-two pages of black and white brilliance, a humour that is transferred to page just as easily as it was originally from script to audio, and the best pairing since 1989's Detective Michael Dooley and Jerry Lee (K-9). Oh crumbs, Dunning certainly wouldn't find that reference appealing!

The journey of The Scarifyers has been a fascinating one, for not only has it been broadcast on BBC Radio 4 Extra (formerly Radio 7) but, except for the comic, each and every story is available via Big finish Productions too, in addition to the official Cosmic Hobo website. So go explore, taste a piece of Scarifyers now...


US fans can purchase the comic via IndyPlanet.

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The Scarifyers: The Horror of Loch Ness - AudioReview

Article author: Alwyn Ash


Scotland. The search for the Loch Ness monster (or Nessy as he has long since been affectionately named) is yet to produce an actual "sighting", even though the best attempts have been made by professional hunters to locate and publicly exhibit proof of his existence.

A top secret speed trial and the mysterious disappearance of Sir Malcolm Campbell (played wonderfully by Alex Lowe) leads MI:13's Harry Crow and Professor Dunning to investigate, however not before toilet stops and heavy rain.

Under false pretences (reporter and photographer for the Uncanny Gazette) they make a stop to speak with Miss Vivian Beak (“What sort of person lives in a caravan?” - Harold Crow) concerning the disappearance of the Blue Bird (“Not a blue bird, Mr Dunning. The Blue Bird!”). Before long they encounter some very friendly people (“Who wants to know?”), Nessy hunters, and Doctor Pippin (local general practioner). Of course being The Scarifyers nothing is ever straightforward. Throw in a loch-full of humour and witty one-liners and you have a story worth its salt.

The seventh adventure in the audio series, The Horror of Loch Ness once more stars Terry Molloy as the quite incapable and ridiculously naive Dunning (who is far more at home as a professor and ghost writer) and David Warner as Harry Crow, a man who doesn't suffer fools gladly and is by far the most capable of the two. If previous outing The Magic Circle gave us a new ingredient with the introduction of Crow, respectably replacing the late Nicholas Courtney as Dunning's colleague, then The Horror of Loch Ness takes that situation by developing this new alliance further but still maintaining the quality that we have grown to appreciate and enjoy.

Written by Simon Barnard and Paul Morris, there is no sign of a let-up in the magic as both characters and plot are driven along at full throttle (perfectly complimented by excellent music and sound design), never allowing for pause as one intriguing scene leads directly to another equally mind-boggling encounter or mystery. This is the world of The Scarifyers and nothing is as it appears.

The inclusion of actor Philip Madoc as Doctor Pippin is, in itself, inspirationally achieved: who else could have brought such power to the role other than a man who has brought us Shakespeare; had a cameo in a Dalek feature film (as smuggler Brockley, not to be confused with "broccoli") and appeared in numerous roles in Doctor Who between 1968-79, returning to the serial briefly for two Big Finish audio adventures? And, quite frankly, if you are going to have someone portray Pippin then why not cast someone who has already played a fanatical scientist with a Frankenstein-approach to resurrecting a criminal Time Lord? (Doctor Who: The Brain of Morbius)

The Horror of Loch Ness is also Madoc's last performance - he sadly passed away earlier this year. A touching farewell, it now seems, and a dedication to a man who was the the best of his generation.

From its first outing with The Nazad Conspiracy, The Scarifyers has been an outstanding contribution to audio storytelling. Cosmic Hobo (established in 2006), the company responsible for its genesis, has quite clearly embraced the art of audio with both hands, developing fine high-quality drama. Other projects released by CH include Sherlock Holmes and Peter Cushing reading his own autobiography (Peter Cushing: Past Forgetting).

The Horror of Loch Ness is a sequel "of sorts" to one of the earlier adventures, The Devil of Denge Marsh (starring Molloy and Courtney), but there is no need to worry - you do not require any knowledge of the aforementioned title to enjoy this hilarious romp.

This adventure, and indeed the series as a whole, is highly recommended for those who enjoy their audio with a touch of genuine affection and genius - the team's love for the characters and genre is clearly reflected in their work (they are Doctor Who fans, too, so a big plus). So go on, take a trip to the sleepy lock-side village of Inverfarigaig... Oh crumbs!


The Scarifyers is available from Bafflegab Productions (formerly Cosmic Hobo Productions).

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The Scarifyers: The Magic Circle - AudioReview

Article author: Alwyn Ash


Oh crumbs! The Scarifyers back for a new adventure!

It is always a delight to discover something new, especially when it is as wonderfully scripted as The Scarifyers: The Magic Circle, an audio adventure following the exploits of Professor Dunning as he attempts to find his old friend, Inspector Lionheart.

To understand a little about this audio series you must take a step back to the first five stories - in 2006 actors Nicholas Courtney and Terry Molloy were cast as Lionheart and Dunning respectively, two characters brought together to investigate mysterious happenings; Dunning is a ghost writer and professor of Ancient History at London University, Lionheart works for the Metropolitan Police.

Over the course of five stories the two investigators face sinister clowns, Russian demons, an inter-dimensional being and far more, resulting in Lionheart setting up top-secret government department MI-13 in second adventure The Devil of Denge Marsh.

There is no doubt that Lionheart is the man who gets things done while Dunning, though obviously very enthusiastic, is not someone to face the darkness alone.

And so to The Magic Circle, the sixth adventure in the series. Nicholas Courtney died in early 2011, leaving behind fond memories from a fanbase who dearly loved him and a remarkable career. The decision was made to continue with The Scarifyers, casting seasoned actor David Warner in the role of Harry Crow, Lionheart’s former colleague in the force.

The plot for The Magic Circle revolves around Professor Dunning's concerns and search for Lionheart. The tale is both touching and electrifying, oozing humour throughout. Molloy's delivery as Dunning never fails to make me smile, his reaction the perfect treat; in one scene, he clearly fails to realise that there is no such thing as a talking rabbit! Although, I suppose, in the world of the Scarifyers, perhaps it is always a possibility...?

Warner, too, hits the mark with an eagle-eye approach and years of police force experience behind Crow.

Produced by Cosmic Hobo Productions, The Scarifyers: The Magic Circle is written by Simon Barnard (who produces & directs) and Paul Morris, with music by Edwin Sykes.

There is a touch of magic about The Scarifyers and this outing offers an emotional twist in its tale, thanks to the acting talent of Stephen Thorne, who portrays a very special character indeed.

And lastly, as an extra treat, a beautiful tribute to Nicholas Courtney from cast and crew: Terry Molloy, Simon Barnard and Paul Morris, David Benson, Lizzie Roper, Ewan Bailey, David Bickerstaff, Scott Brooksbank, Cicely Giddings and Stephen Thorne share their memories of the actor and talk about the story and their characters - includes thoughts about Lionheart from the great man himself!

There is no doubt that all involved in this fine production respected and loved Nicholas, and the treatment of his character's memory really does reflect that. Lily Wighton's introduction (played beautifully by Cicely Giddings) is a further lasting tribute to both man and character.

I suppose The Magic Circle represents a new phase for the series. Linking up with The Scarifyers at this point makes it easy to join in with the adventures; whereas most audio titles have a story arc that is impossible to absorb the further in they are, now you have an opportunity to enjoy the experience with The Magic Circle or The Nazad Conspiracy (the first in the series).

If previous stories are anything like The Magic Circle, you will find them intriguing and extremely good fun, both story lines and wit at the highest level possible, the acting equal to the standards raised by all involved.

I am now a fan!



Originally published on Nebula One (News)
Review © Alwyn Ash 2011

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