Monday, July 22, 2019

Doctor Who: The Sirens of Time (1999) - AudioReview




Release date: July 1999
Writer: Nicholas Briggs. Director: Nicholas Briggs




The Doctor's back, and it's about time...

In 1989, the longest running science fiction show came to an abrupt end. No farewell story to thank the fans for their loyalty, no handshake for the cast and crew who had worked so passionately. Instead, actor Sylvester McCoy was required to add closing dialogue to the final serial, "Survival" - "There are worlds out there where the sky is burning, and the sea's asleep, and the rivers dream; people made of smoke and cities made of song. Somewhere there's danger, somewhere there's injustice, and somewhere else the tea's getting cold. Come on, Ace. We've got work to do." 

Of course, those weren't the last ever lines spoken for the series... in 1996 a television movie was produced, starring Paul McGann as the Eighth Doctor and featuring a guest appearance by McCoy. But, seeing as no further production followed writer Matthew Jacobs's attempt, the "Classic" era was over.

Big Finish will always have a special place in my heart, for they did something quite remarkable: resurrected the Doctor, and persuaded actors Peter Davison, Colin Baker and Sylvester McCoy to reprise their most famous of roles. I can still remember how it felt to own "The Sirens of Time" on CD. It was a magnificent feeling, knowing that I was about to embark on a new adventure with a Time Lord. 1999 was 1989 all over again, with the past ten years seeming as if they had never happened at all...

The plot: Gallifrey, and time itself, is being threatened by the presence of an alien race, whose technologically-advanced warships have surrounded the Time Lords' home planet. And it seems that the Doctor is somehow involved... Written and directed by the legendary Nicholas Briggs (should I mention that he was also responsible for the music and sound design?), this first step for Big Finish into official Doctor Who territory simply cannot be faulted. As with the majority of the early audios produced, "Sirens" is a four-part story, with the first three focusing on each Doctor - Seventh, Fifth and Sixth - and the final part bringing them all together to face the villains of the piece. And it is a welcome decision not to include Daleks in this debut outing...


No Ace up the Doctor's sleeve

Part One reintroduces us to the Seventh Doctor (portrayed by McCoy) as he is drawn to a planet where spacecraft are crashing; a mysterious old woman called Ruthley looks after an equally mysterious gentleman, Sancroft; and a young girl named Elenya (Sarah Mowat) needs rescuing. Out of the three, Ruthley is a very unpleasant creature indeed, with her prime focus being on her own survival above all else - those familiar with this audio range might be interested to know that Ruthley is played by Maggie Stables, who later goes on to portray the role of Evelyn Smythe, companion to the Sixth Doctor in the first "original" pairing for Big Finish. There is much to dislike about Ruthley, and her own feelings mirror similar dislike towards those who are unfortunate enough to be within her company.

Companionless in this one, McCoy easily fits back into the role he had briefly revisited during the 1996 TV movie. We are also introduced to The Knights of Velyshaa.


"The Time Lords really do want me dead!"

Part Two focuses on the Fifth Doctor, and his encounter with the crew of a German U-boat. He is also joined by Helen (Mowat), the only other survivor of a British freighter torpedoed moments earlier. Though rescued by the German crew, it is clear that the danger is far from over. Determined to recover his TARDIS, the Doctor finds himself at the hands of his own people when they use a crewmember, Schmidt, to try and kill him following time distortion. This is the work of Coordinator Vansell (Anthony Keetch), a member of the Celestial Intervention Agency. The situation is a desperate one as Vansell believes the Doctor is somehow responsible for history to be altered - preventing him from reaching his TARDIS is a priority in saving the Time Lords and restoring the course of history!


"Would you please keep the noise down, old chap?"

Part Three brings us a Sixth Doctor who finds himself at some conference on a spacecraft, the Edifice, in the Kurgon system. They are present to investigate the Kurgon Wonder, a spatial anomaly. Things turn bad when more time distortion affects the ship, killing everyone except for the Doctor, a waitress named Ellie (Mowat), and an android. One of the threads through all parts of the story is the young woman that the Doctor encounters in his three incarnations. Just who is she? Mowat certainly delivers a strong performance with each character. She would later go on to play Susan Mendes in Big Finish's Dalek Empire series.


"Beware the Sirens of Time..."

And so to Gallifrey, and the Doctors are brought together in the final fourth part. In television history we've only ever seen multiple Doctor adventures three times: The Three Doctors (1973), The Five Doctors (1983) and The Two Doctors (1985). We could include Dimensions in Time (1993) though it is not official canon as it was a charity event crossover with a British soap, Eastenders.

It is rather lovely hearing Peter, Colin and Sylvester meet up, it's definitely a reunion with old friends. As the plot evolves we learn that beyond the Doctor, the Time Lords, and even the Knights of Velyshaa, there is a menacing threat that feeds on the energies of chaos, and that it is these creatures who have been pulling the strings and manipulating since the start.

It is difficult to think of a better beginning than The Sirens of Time, it sets a nice standard that Big Finish absolutely builds on and improves over the following years. It seems unbelievable that, at time of writing this article, Sirens of Time is 20 years old! Just where has that time gone? I'm sure the Doctor knows...


Beyond the Sirens...

Co-ordinator Vansell will return in several audios including The Apocalypse Element, Neverland, and the spin-off Gallifrey range.




Wednesday, July 17, 2019

Doctor Who: The Curse of Davros (2012) - AudioReview




Release date: January 2012
Writer: Jonathan Morris. Director: Nicholas Briggs




Escaping The Daleks...

The return of the Daleks is always a welcome one. And if that story happens to include a certain Kaled scientist, then much the better. In The Curse of Davros we are reunited with Philippa "Flip" Jackson (Lisa Greenwood) and her boyfriend Jared Ramon, who we last encountered in The Crimes of Thomas Brewster (2011). This time, however, the Doctor is alone and in danger. He is wanted by the Daleks. As the plot progresses we learn that his enemy can swap minds with Humans, literally taking over their physical bodies, using mind swapping technology created by Davros. The use of this weapon is obvious enough, allowing Daleks to move freely on Earth.

When Flip and Jared witness a spacecraft crashing in London, they go to investigate. The incident hasn't gone unnoticed and so it isn't long before the area is swarming with military and police officers. What DOES go unnoticed is the escape capsule that ejected from the main ship and landed nearby. From within, the Sixth Doctor emerges...

It has to be said that the casting is first rate in this one, and Big Finish delivers more often than not with their catalogue of audio adventures featuring EVERY Doctor they are fortunate to direct. It has also been an opportunity for BF to create an extension to what came before, building not just on the original television series that Colin Baker contributed to from 1984-86 but to add extra mythology surrounding the character. In the world of audio, the Sixth Doctor has met new companions such as Evelyn Smythe and Charlotte Pollard. They have been positive role models, feisty and curious, determined and loyal. These qualities can also be found in Flip. From the start she is unstoppable, a modern girl with a no nonsense approach, although she certainly has a heart.

One of the things that we do get to see in The Curse of Davros is that the Doctor - our Doctor - isn't quite himself. This gives Baker a nice juicy opportunity to step into someone else's shoes for a while, and it delivers nicely. When Jared is mind-swapped with a Dalek, the Time Lord and Flip go on the run. As usual, we see just how ruthless his deadly foes are when they threaten to exterminate a group of innocent people unless the Doctor surrenders. They clearly keep their word, as they did in Destiny of the Daleks (1979) when similarly they began systematically killing slaves until the Fourth Doctor gave in. This is what they know, and the price of a life means nothing except its usefulness as a weapon.


Meddling in history...

One moment we are on modern day Earth, the next we're witnessing the Battle of Waterloo in 1815. This is such a fantastic contrast, bringing new dynamics to the development of the play. Davros plans on using his mind-swapping tech to change Human history and aid Napoleon Bonaparte in defeating the British and Prussian armies. It would be catastrophic! Just think how the lyrics in a certain pop song from 1974 would differ, no more "At Waterloo Napoleon did surrender". But far more than that, such meddling would change the course of Human history.

Those familiar with BBC Books will recall a previous Doctor Who adventure set at the Battle of Waterloo. World Game, written by Terrance Dicks and published in 2005, featured the Second Doctor in a plot involving the Celestial Intervention Agency, Lady Serena, and Players (immortal beings who liked to tamper with history).


Holmes Vs Moriarty

Ever since he first appeared on our screens in 1975, Davros has become Moriarty to the Doctor's Holmes. With only a single televised story between them, Revelation of the Daleks (1985), it was always welcome when Big Finish decided to bring the two together again in audio. 2003's "Davros" is a particular favourite of mine. Out of all the Doctor's, Baker's incarnation feels the best fit to Terry Molloy's mad scientist. It is also fitting that this particular Doctor finally understands and shows empathy for his enemy, though that in itself doesn't stop the Gallifreyan from defeating him. We've always known that Davros' life is one of pain and suffering, though it is these that have kept him focused and hateful. Has he always been evil, or just ruthlessly efficient and practical? For that answer we have to look no further than "I, Davros", the four-part story also from Big Finish.


The adventure continues...

Given the opportunity to return home with boyfriend Jared, Flip instead decides to travel with the Doctor. This is very reminiscent of Rose Tyler's own reaction to embracing the chance of adventure through time and space. It also helps that Flip is very likeable, thanks to both the writing of the character and Greenwood's solid performance.


"Shall I compare thee to a summers day?"

How does this story compare to previous Dalek adventures? Well, it's an interesting mix, that's for sure. Over the years we've been treated to so many Dalek plots that it could easily become monotonous. The Curse of Davros, however, manages to keep a few surprises and delivers in the right areas. This is actually less about Daleks and more to do with rivalry between two old enemies: imagine if Davros could live again, without pain and mental torment... Imagine if the Doctor could spend the rest of his days trapped in a different kind of prison... It is a frightening concept indeed.

Looking on the Big Finish website I notice that they had the working title Waterloo of the Daleks, I'm so glad they changed it. Mention must also go to cover artist Simon Holub, who's work also includes favourites of mine such as "Doctor Who - The Companion Chronicles: Here There Be Monsters" and "Doctor Who - Robophobia". The use of blues in his The Curse of Davros looks stunning. I've just found some up and coming titles featuring his cover art and "Doctor Who: Interstitial / Feast of Fear" is particularly amazing!

I absolutely recommend The Curse of Davros, it is certainly an enjoyable ride through history. And you get to spend more time with Flip Jackson.



Sunday, February 16, 2014

Sometime Never - AudioReview



Article author: Alwyn Ash

"This is my experiment, not yours!"

7th July 1983. Ghost hunter Nancy Timperley visits what used to be the Summervale Holiday Camp, on the East Yorkshire Coast - the location of a tragedy that took place many years earlier. Tape recorder at the ready, she calls out to the spirits, hoping for a connection with the supernatural. However, out of the darkness steps the mysterious David Voland... He is friendly, engaging, and seems to know a great deal... But what is his connection with Nancy's work? Come to think of it, just what is Nancy's connection with ghost hunting? There are mysteries to uncover...

"Sometime Never" is new ground for Spokenworld Audio, a company that has, until now, focused solely on single-voiced dramatic readings and radio documentaries. New territory perhaps, but not an unfamiliar one to award-winning writer and director Neil Gardner, whose hard work and dedication (along with his team, including partner Tanja Glittenberg) has seen an increase in productivity. And so, 2014 welcomes the first full-cast audio from Spokenworld, starring Simon Jones and Rosalyn Landor, with a thoroughly intruiging story written by Scott Harrison.

Almost half an hour in length, this is one tale that crafts an instant ear-grabber, enhanced with fabulous sound design, and music by James Dunlop. Nancy has been to Summervale before, as a child, the sole survivor of a devastating fire that caused the death of 500 people. David, however, is far from being just a passer-by, for he carries a secret that must remain hidden. Via flashback, we learn of the shocking truth, and the length someone must go to to protect their children. It is a look at morality and consequence. It does also make you think, about how we live our lives, and what defines us, and how we may be perceived. Loss plays a huge part in this story, perfectly performed by the cast.







Fans of popular sci-fi comedy series "The Hitchhiker's Guide to the Galaxy" (created by English writer Douglas Adams) will no doubt be familiar with Jones' work: he played lead character Arthur Dent in both the radio and television series! In addition, his career has graced both film and stage. Other work includes various voice acting and audiobooks such as "The Adventures of Sexton Blake", which originally broadcast on BBC Radio 2 in 2009. It is therefore rather delightful to find this highly-esteemed actor playing the part of David in "Sometime Never". That is the beauty of Spokenworld, casting actors of this caliber and really giving the listener something to cherish. Equally rewarding is the performance by Landor as Nancy - an award-winning audiobook narrator, this lady is known for roles including that of Helen Burns in the 1970 film adaptation of Charlotte Brontë's "Jane Eyre", as well as her being cast as Pru Standfast in British television series "C.A.T.S. Eyes", spin-off from police drama "The Gentle Touch".

Neil Gardner and James Dunlop have worked together previous to "Sometime Never" on the second series of "The Confessions of Dorian Grey", published by audio company Big Finish, in 2013. Clearly the working relationship established during this period has grown to developement of other equally as stunning projects, and we can only benefit from such a collaboration. Full-cast audios are enriched by skillful sound design and music, capturing vivid imagery that permeates the mind and senses, and Spokenworld know this all too well - Harrison's script has been brought to life in the best way possible, the perfect "calling card" for a new audience whilst pleasing regular fans too!

Gardner has been a champion of audio for over twenty-four years, with a deep passion for independent productions. He has always believed in the medium, and appreciates its qualities and diversity. After all, where else can you create kingdoms, universes and magic on a respectable budget? Sound has the ability to engage in history, culture, religion... and conflict, whether it be either personal or global. For him "Sometime Never" also signals a dream come true, as he says: "I launched Spokenworld Audio in 2010 specifically to get to a time and place where we would be able to do just this sort of thing, commission and produce our own audio drama."

With further two-person audiobooks coming in 2014, and a feature-length full-cast project in the pipeline, things are looking fantastic for the team. I, for one, cannot wait to see what develops at Spokenworld HQ over the coming months. Having recently reviewed shorts "Twin Points" and "Inside The Machine" (which precede a collection of science-fiction stories to be launched this year), I can honestly say the future of independent audio is safe in the hands of these fine people! And with past and present collaborations including such names as Nicola Bryant, Emma Darwall-Smith, Michael Fenton Stevens, Barnaby Edwards, and Debbie Chazen (along with many more yet to come), the passion for audiobooks is reaching out to a diverse public whose own tastes are as varied and appetising...

Final mention must go to Harrison, who not only engineers a well-thought out idea for "Sometime Never" but shows genius in his approach, masterfully teasing us with a plot that will not only surprise but satisfy too - with past work including projects for Big Finish such as "Blake's 7" and "The Confessions of Dorian Gray", what else can you expect?

You can obtain the audiobook of "Sometime Never" for download at
Spokenworld Audio (£3.99 ex. VAT for UK/EU)


Wednesday, November 20, 2013

The Night of the Doctor - WebReview



Article author: Alwyn Ash

"I'm a Doctor... but probably not the one you were expecting."

Had anyone seen this coming? There has been so much focus on the 50th anniversary that it is impossible to escape the madness of a mad man with a blue box, no matter what incarnation he appears or body he wears. The excitement of a landmark occasion such as this must overwhelm. And if anyone was in doubt as to whether there would be any involvement from classic Doctors, then now is the time to rejoice. To mark the approaching 50th anniversary story entitled "The Day of the Doctor", the BBC launched its prequel mini webcast episode "The Night of the Doctor", a tale that would not only introduce in chronological order the arrival of Hurt's mysterious character but also treat us to a glimpse of the last moments of the Eighth Doctor - a character so under-serviced by the show, having never featured in a season of his own. Yes, actor Paul McGann was back, and it most definitely is about time!

Battered and tired but still a man of hope, this version of the Doctor has witnessed the Time War escalate to a point where existence itself is threatened, as Time Lords and Daleks engage in the bloodiest of battles, a continuing campaign that has lasted since quite possibly "Genesis of the Daleks" (1975), when the Fourth Doctor was asked by the Time Lords to avert the creation of their Skaro-born enemy. Another example of this feud can be seen in "Resurrection of the Daleks" (1984) in which the Daleks attempt to clone the Fifth Doctor and his companions, and use the Doppelgängers to assassinate the High Council of Time Lords on Gallifrey. It is a theme that has run through many Big Finish audio plays also.

Though only about 6-7 minutes in length, "The Night of the Doctor" is a welcome part of Whovian mythology and a final glimpse into the last moments of the Eighth Doctor. It feels kind of ironic that, in 1996 we witnessed his birth after a gang shooting, only to now watch his final sacrifice. The serious tone of the piece is welcome, this is precisely how Doctor Who should be: powerful drama!







So what does the episode tell us about the Doctor, the Universe and the Time War? Much, quite frankly. We see that the Doctor is his usual self, even in the darkness of war he is looking to save lives. Cass a typical example, the solitary figure of a gunship whose fate has already been decided, having transported her crew to safety and with no means of escape for herself. The hero of time wants to rescue her, and together they race to the TARDIS at the back of the ship. However, upon discovering that her saviour is a Time Lord, Cass withdraws, locking herself In the front section of the vessel, separating herself from the Doctor and salvation. Her feelings for the Time Lords are clear: they are as destructive and ruthless as the Daleks in this chaotic war, and she would rather die than trust even one of them. The Doctor refuses to leave her, and the gunship crashes...

The planet Karn, once a Gallifrey colony. The Doctor has been here before, in the Fourth Doctor televised serial "The Brain of Morbius" (1976), and in Big Finish audio adventures "Sisters of the Flame" (2008) and "The Vengeance of Morbius" (2008). The Sisterhood of Karn has a long and interesting history regarding the Time Lords: in the days before Rassilon, old Gallifrey was ruled by the Pythia, matriarchal leaders who possessed psychic and precognition abilities. When the very last Pythia to rule Gallifrey was exposed for spying on Rassilon, she sent her followers to live on Karn and committed suicide. It is her followers who later became known as the Sisterhood of Karn.

And so the Doctor has returned, but he perished in the crash. Resurrecting him for four minutes, the Sisterhood offers him a lifeline - the ability to choose a regeneration, and bring an end to the Time War once and for all! At first the Time Lord refuses, knowing that he is the Doctor, a man of moral goodness. But seeing Cass's body forces him to make one of the darkest decisions of his lives... "I don't suppose there's any need for a doctor any more. Make me a warrior now."

Given a chalice, the Time Lord pays respect to old companions (for the first time in television history the show references characters from the Big Finish range of audiobooks) before saying, "Physician, heal thyself" and drinking from the cup, sparking a forced regeneration. The glow, and the Doctor, our Doctor, is no more. In his place, via a reflection, we see a young John Hurt as "The War Doctor". The very last words, "Doctor no more" do send a slight chill - for this is an enigma of a character, a man whose only purpose is to commit the most desperate of acts to bring an end to bloodshed.







One of the strangest of opinions concerning the Eighth Doctor is that... he is not canon at all, just a displaced character perhaps similar to that of Peter Cushing's Dr Who? Not my opinion, you understand, but the misguided belief from a small pocket of Whovians. This I find totally preposterous, for if this were true and Paul McGann's Doctor is so far from canon, then why did Seventh Doctor Sylvester McCoy reprise his role to guest star in the 1996 TV movie? And why link the two Doctors with a direct regeneration sequence if not to satisfy a continuation of the legendary show instead of a total reboot? One fan has even had the nerve to suggest that McGann's Doctor never appeared on "television", so how can he be a true Doctor? Well, what is a TV movie if not for television?

For such a long time there has been a strong desire for McGann to resurrect his role as the Eighth Doctor beyond his already popular audio outings for the Big Finish range. And whether or not a spin-off series is likely, the fans' wishes have been granted! He not only returned after a seventeen year television absence, but McGann performed such brilliance that his place in Doctor Who's legacy is unquestionable and assured.

For this review it is also important to highlight the wonderful work of both Clare Higgins (as Ohila, Sisterhood of Karn) and Emma Campbell-Jones (portraying the role of Cass). Higgins, an award-winning English actress, is known for her role as Julia Cotton in the horror feature "Hellraiser" (1987). Doctor Who fans will also remember Campbell-Jones for her performance on "The Wedding of River Song" (2011) in which she played Dr. Kent - you do feel that McGann and Campbell-Jones would have been good together if a spin-off series was to be commissioned; perhaps Big Finish should take note...

It is inspiring that showrunner Steven Moffat had the vision to reunite the Eighth Doctor with his fans, feeling that the "completist" in him needed to see the regeneration scene finally happen on screen. Talking about the idea in an interview, Moffat said, "Well, we had our new ‘hidden mystery’ Doctor and I was thinking, what else can we do for our anniversary year... I thought... Why don't we get Paul McGann in and regenerate him into John Hurt? I’d like to see that! And we had this possibility that we could do it as a surprise, so we got in touch with Paul who was dead keen and I’m delighted to say he was so happy to join in with the idea of keeping it secret. He was childishly excited about it!"

Of course, every fan has been "childishly excited" about it, too, since the surprise was first unveiled. We now have the bookends of a Time Lord, with Big Finish providing the filling as the audio adventures of McGann's Doctor continue. If you have never discovered the magic of these stories, then begin now. If you are a regular listener, perhaps revisit your favourites. For both, it is an absolute magical treat to experience "The Light At The End", a true celebration of Doctor Who's classic years. Be sure to watch an interview with Paul McGann over at Flicks And The City, where the actor talks "Night of the Doctor".

Purchase The Light At The End from the Store:
(Standard Edition)
CD Audio - Feature running time: 120 minutes


Friday, October 25, 2013

Doctor Who: Dimensions In Time - TVReview



Article author: Alwyn Ash

"Mayday, mayday. This is an urgent message for all the Doctors. It's vitally important that you listen to me for once. Our whole existence is being threatened by a renegade Time Lord known only as the Rani..."

I have never understood the dislike for Doctor Who's 1993 two-part charity event "Dimensions In Time", designed as a nod and a celebration of the show's 30th anniversary. According to statements that have been made since, "Dimensions" was to be a rather different affair, with intelligible plot and solid dialogue. However, due to time restraints, cost issues, and other requirements, Doctor Who marked an important occasion with a host of faces old and new, and monsters galore. The Daleks were perhaps absent, due to legal reasons, but this was something quite special - utilizing a 3D method called the "Pulfrich effect" (accompanied by the viewer wearing special spectacles with one darkened lens and one transparent one) to give an extra dimension to the Doctor's adventure. It was not, as some see it, a "final insult" - perhaps proceeds raised going to charity is irrelevant?

I can fully appreciate the fans' longing for something quite special, in line with previous celebrations "The Three Doctors" (1973) and "The Five Doctors" (1983), and I for one wished a grander affair had been approved. But let us not forget that, sadly, the show itself had been cancelled in 1989, and there was not a single sign that Doctor Who would ever return as a drama series every again. Even the originally planned 30th Anniversary feature-length drama "Lost in the Dark Dimension" failed to materialise, which would have starred Tom Baker reprising his role as the Fourth Doctor and joined by companions and fellow Doctors - as various actors and production crew have stated in interviews following the cancellation of "Dark Dimension", the presence of Jon Pertwee, Peter Davison, Colin Baker and Sylvester McCoy would have been little more than cameos, which was not only a disappoint to the actors but would not have become the true equal gathering of the show's stars that fans would have surely wished for at that time...

Had "Dark Dimension" been both produced and a huge success, perhaps the BBC would have given the green light for a new season, but that is now uncertain. And so, with nothing else on the agenda other than a documentary entitled "Thirty Years in the TARDIS", it was decided to go ahead with "Dimensions In Time". One of the ideas settled upon during the genesis of this "Children In Need" reunion was that Doctor Who must intergrate with another popular BBC drama show at that time, "Eastenders", a soap opera following the residents of Albert Square in London. Not such a strange notion when you take into consideration that this was to be a fundraiser for children, and not a canon-based chapter in a long-running television series...







This is perhaps where I feel slightly amused. It is hard to believe that some members of Doctor Who's fanbase have tried to place or explain "Dimensions In Time" into the canon, as if just accepting that it was nothing more than a charity event is too difficult an idea for them to comprehend. It was a sketch, nothing more. And if it is true that "Dimensions" raised over £101,000 for Children in Need, perhaps just a thank you to everyone who took part is required, instead of criticism? 3-D week, which televised a number of special BBC shows using the Pulfrich 3D technique, included "Dimensions" as part of its one-off programming.

The story. Well, the "plot" focuses on renegade Time Lady the Rani (Kate O'Mara) attempting to trap all of the Doctor's incarnations in a time loop. The First and Second Doctors have already been snared, and the Fourth Doctor (played by Tom Baker) sends out a distress message to his remaining other selves; one can only watch and admire the man who had portrayed the role of the Doctor the longest. Following this scene we meet the Seventh Doctor (McCoy) and companion Ace (Sophie Aldred) who arrive in London, 1973, after the TARDIS is drawn off course - McCoy was, at the time of filming "Dimensions", the current Doctor, having starred in the show's last classic canon serial "Survival" in 1989. Using the method of time jumps, we are introduced to other Doctors and companions as the Time Lord attempts to understand the reason for this phenomenon.

Seeing familiar faces again such as the wonderful Nicola Bryant, Sarah Sutton, and Carole Ann Ford (playing companions Peri Brown, Nyssa and Susan Foreman respectively) is always a delight, and the all-too short scene between Colin Baker and Nicholas Courtney is a reminder of just how good the Sixth Doctor and his old friend Brigadier Lethbridge-Stewart would have been together in a televised story had Baker remained for further seasons. Talking of a union between these two fabulous actors, it is always a blessing to hear them perform in Big Finish's audio drama "The Spectre of Lanyon Moor", released in 2000, featuring a Cornish landscape and a haunted moor...

I do find it quite a shame that "Dimensions In Time" may never be available, even as a DVD extra. Due to both cast and crew giving their services free of charge, conditions were laid down unequivocal by Equity, the actors' union, which stipulated that "Dimensions" would be transmitted the once only and should never be "exploited commercially in any way". Though I am sure there are some who would not care if this light-hearted sketch was ever seen again, it does make a nice example of what can be achieved when people are brought together to help those who are less fortunate. Television presenter Noel Edmonds (whose popular UK show "Noel's House party" aired both parts of the Doctor Who charity special) could not have worded it better when, referring to a phone-in to decide the outcome of a moment in the sketch, said, "When you make your call you will be invited to make a pledge for Children In Need. So you'll not just be helping the Doctors, but you'll actually be helping children everywhere..."

Ironically, during the special two-parter, we see Jon Pertwee and Elisabeth Sladen visit Albert Square in 2013 - it seems they are with us in spirit for the 50th Anniversary! And a final word from McCoy, who says at the end, "Certainly I, I mean 'we', are difficult to get rid of." Never a truer word said.

Purchase More Than 30 Years In The TARDIS from the Store:
(Included in The Legacy Collection)
DVD - Feature running time: 200 minutes (Includes "Shada")


Tuesday, October 15, 2013

Carmilla (Unabridged) - AudioReview



Article author: Alwyn Ash

"You will think me cruel, very selfish, but love is always selfish; the more ardent the more selfish. How jealous I am you cannot know. You must come with me, loving me, to death; or else hate me, and still come with me, and hating me through death and after. There is no such word as indifference in my apathetic nature."

I have always enjoyed a walk through tales of vampires, those ghastly apparitions that must feed on the blood of their prey to survive. My journey has mostly explored cinematic portrayals, though in recent times I have discovered the works of authors such as Charlaine Harris and Rachel Caine. Until recently my only taste of Joseph Sheridan Le Fanu's classic novella, "Carmilla", had been via a screen adaptation by masters of horror Hammer Films. Titled "The Vampire Lovers", the 1970 feature starred actress Ingrid Pitt in the lead role, with Madeline Smith as her lover and victim. However, I am yet to read the tale in print, first published in 1872. Ironically, even though "Carmilla" predates "Dracula" by twenty-five years, it is Irish author Bram Stoker's 1897 novel that is most fondly remembered.

And so it is a heavenly treat to discover Textbook Stuff's unabridged audio adaptation of "Carmilla", narrated by British actress and voice artist Miriam Margolyes ("Blackadder", "Harry Potter"). Clearly much love has been invested into this retelling of Le Fanu's story, with crisp sound design and music by composer Howard Carter (known also for his Big Finish work including titles such as "Treasure Island", "Doctor Who" and "Jago & Litefoot"), which allow the listener to be immersed in the world that is being related. This, and Margolyes' perfectly-delivered narration, achieves something quite remarkable - you can feel yourself in every scene, witnessing every moment, as if you are actually there sharing someone else's life. The richness makes for a captivating audiobook...

The multi-talented Barnaby Edwards produces and directs this stunning telling of a gothic love story focusing on eighteen-year-old Laura, whose life is changed by the arrival of Carmilla to her home in Styria, Austria. The newcomer is equally young and beautiful, and a friendship is formed. However, there is much mystery concerning Carmilla, and before long Laura falls under her spell. Of course, this all follows the mysterious death of another young lady, Bertha Rheinfeldt, whose uncle General Spielsdorf states in a letter to Laura's father, "I thank God my child died without a suspicion of the cause of her sufferings. She is gone without so much as conjecturing the nature of her illness, and the accursed passion of the agent of all this misery. I devote my remaining days to tracking and extinguishing a monster. I am told I may hope to accomplish my righteous and merciful purpose. At present there is scarcely a gleam of light to guide me".







A theme that Le Fanu's text delivers is that of lesbian vampirism, Carmilla's interest in Laura quite clearly more than just an act of friendship. Though the tale is careful in its exploration of this, understandable given Carmilla's publication date, the unsettling attraction and affection that Carmilla displays for her new friend is unmistakable. What emotions play a part in this bond, however? Can a vampire truly love? That is surely the appeal of vampirism, the erotic taste of beauty and yet... the desire for blood is stronger still, an uncontrollable urge to survive, to exist. And then there are the vivid nightmares of a cat-like beast that stalks Laura's room, biting her before taking Human form and vanishing. Following this the young woman's health deteriorates...

You can quite clearly see the comparisons between "Carmilla" and Dracula", for they both share similar patterns: the presence of Professor Abraham Van Helsing in the latter is likely inspired by Le Fanu's character creation of Baron Vordenburg, both vampire hunters. And, just as Bertha in "Carmilla" succumbs to vampirism before Laura, so does Lucy before Mina in "Dracula". Though Stoker's masterpiece had created a universe of its own and helped to establish vampires further within the conscious mind, it is interesting to consider the possibility that, without Joseph Sheridan Le Fanu, there would have been no Count Dracula; "Carmilla" has almost certainly influenced other literature and media. Indeed, the same can be said of "Varney the Vampire", published in book form in 1847 - these early explorations of "vampyre" have set the foundations by which modern writers follow.

How the text from the original novella came to be transferred to audiobook is fascinating in itself. Barnaby Edwards' passion for resurrecting "Carmilla" began in May 2011, when he invited fellow horror fans and Textbook Stuff customers to support the project by pledging via wefund.com. An accompanying video featuring Barnaby and music by Carter explained what would be required to make the audiobook a reality. You will be astonished to learn, for example, that such an ambitious project costs approximately £10,000 to finance - one reason why independent companies such as Spokenworld Audio, Textbook Stuff and Big Finish should be applauded for their hard work and commitment.

Thankfully funding exceeded the £5,000 target (with Textbook Stuff meeting the remaining £5,000) and Laura's encounter with the terrifying and yet alluring Carmilla was recorded at Moat Studios, London, in July of that year. For this reviewer, rediscovering "Carmilla" in audio format is an eye-opener, and I passionately feel that a creature such as this is, in every way, just as enticing and seductive as her male counterpart. She is the perfect predator, a femme fatale whose empowering sexuality and charm is used to entrance and snare her prey. Vampires are the most fascinating of supernatural beings, their immortality and strength incomparable. Whether demon or tortured soul, these "creatures of the night" (and in some cases, "day" too) will continue to defy time, entertain and terrify, and find new ways of reaching out from beyond the grave.

You can purchase the audiobook of "Carmilla" for download at
Spokenworld Audio (MP3 sound files) - £14.99 ex. VAT


Monday, March 11, 2013

Destiny of the Doctor: Shadow of Death - AudioReview

Article author: Alwyn Ash


Celebrating the longest-running science fiction show, Destiny of the Doctor delivers a mysterious and atmospheric tale that is worthy of an anniversary release...

Following on from January's First Doctor adventure Hunters of Earth, the second part of Big Finish and AudioGO's Destiny of the Doctor 50th anniversary series stars Frazer Hines as he narrates the tale, joined by Evie Dawnay as Doctor Sophie Topolovic. So what does Shadow of Death have to offer in terms of plot and production...?

First off, it can definitely be said that listening to Hines' performance is an absolute dream; his impersonation of Patrick Troughton's Doctor is beautifully acted, a genuine surprise following David Troughton's own achievement in Serpent Crest stories The Hexford Invasion and Survivors in Space, also released by AudioGO. There are moments when you just forget it is actually Hines who is playing the part. We are introduced to a base on the surface of a planet orbiting a pulsar, in the year 2724, where its crew are investigating the disappearance of the planet's original occupants, The Quiet Ones. Typically the TARDIS is forced to make an emergency landing and the Doctor, Jamie and Zoe find themselves in yet further danger...

Introducing the base-under-siege theme is so appropriate for this Doctor, and both music and sound design (courtesy of Simon Hunt) superbly recreates the show's sixties feel. Simon Guerrier's writing, perfectly polished by director John Ainsworth, offers a tale that will engage and intrigue for an hour.






With a theme that covers time distortion and pioneering, it just goes to show that you should never annoy your neighbours! It is also interesting to see a linked strand in these tales, a jigsaw puzzle reaching out and piecing every Doctor together. In previous story Hunters of Earth Susan sensed danger, "Something terrible is coming... I can feel it. Something that will affect, everything..."

In Shadow... the Doctor himself has an encounter with an element that will be instantly recognisable to Doctor Who fans. No spoilers. The Second Doctor's reaction to this event, however, is quite familiar, "You know you're breaking all the laws of time!"

Pairing in these tales so far works well (there is no doubt that Carole Ann Ford and Tam Williams were perfect choices in the debut for Destiny of the Doctor) and Dawnay as Sophie is no exception, opposite Hines. In January, writer Guerrier blogged, "the magnificent Evie Dawnay plays a character I named after my GCSE astronomy teacher".

Anyone not familiar with Dawnay will be interested to know that she has appeared in previous Big Finish audio drama Survival of the Fittest (opposite Seventh Doctor Sylvester McCoy) and Bernice Summerfield adventure Year Zero, as Pallis; in addition to voice overs for TV and radio, there have been television parts including that of Vanessa Marsh in Law & Order UK (produced by Kudos Film & TV - other Dr Who actors to have appeared include Peter Davison and Freema Agyeman); film credits include The Fairbank Hotel (2003), where she portrayed the role of Aurora Dawn Phillips.

As for Hines, what else can be said? He is known for his roles as Jamie McCrimmon in Doctor Who from 1966 to 1969 (returning to the role twice, in 1983 and 1985) and Joe Sugden in British soap opera Emmerdale (1972-94). In Shadow... he not only reprises the role of Jamie but takes the story's heart and enlarges it to such an extent with his performance and narration that we, the listener, are treated to something... timeless.


Further reading: AudioGO - official website



Tuesday, February 5, 2013

Destiny of the Doctor - Vengeance of the Stones

Article author: Alwyn Ash


The big celebration to see launch of exciting stories for every Doctor...

Eleven Doctors, eleven months! These magnificent tales continue with Destiny of the Doctor 3 adventure Vengeance of the Stones, featuring the Third Doctor (as regularly played by actor Jon Pertwee from 1970-74).

Written by Andrew Smith and directed by John Ainsworth, Vengeance of the Stones is sure to be a winner, following on from January's First Doctor story Hunters From Earth and this month's Shadow of Death. Richard Franklin and Trevor Littledale perform as Mike Yates and Garlin respectively.

"Two RAF fighter jets are on a training flight over North East Scotland when one of them is plucked from the air and promptly disappears. UNIT are called in, and the Doctor and Brigadier Lethbridge-Stewart are soon on the scene. They enlist the help of a local military officer - a young lieutenant by the name of Mike Yates. The Doctor discovers a link to the recumbent stone circles that are plentiful in this part of Scotland. The stones are thousands of years old, and are soon revealed to hold a terrible secret. Then Mike Yates disappears, abducted by an alien race that has a grievance with humanity. Their intention is to harness the power of the stones in order to take their revenge. For the Doctor and the Brigadier, the race is now on to save their new friend Mike and the entire planet Earth."






It has been worked out rather nicely so that the current Doctor (played by Matt Smith in the television series) will appear in his own title in November, the Anniversary month! All stories are produced by Big Finish for AudioGO. Performers for each adventure will be announced through the year.

These audiobooks will be available for download, or on a single CD (RRP £10.20). With music and sound design courtesy of Simon Hunt, what better way to celebrate the 50th Anniversary of the greatest sci-fi show on Planet Earth than to add each of these to your audio collection...

Andrew Smith wrote the 1980 Doctor Who television serial Full Circle (and the Target novelisation that followed, released in 1982); and audio scripts The Invasion of E-Space and The First Sontarans for Big Finish.


Further reading: AudioGO - official website

These adventures can also be purchased via the official Big Finish website.


Destiny of the Doctor - Shadow of Death

Article author: Alwyn Ash


The big celebration to see launch of exciting stories for every Doctor...

Eleven Doctors, eleven months! These magnificent tales continue with Destiny of the Doctor 2 adventure Shadow of Death, this time featuring the Second Doctor (as regularly played by actor Patrick Troughton from 1966-69).

Written by Simon Guerrier and directed by John Ainsworth, Shadow of Death is sure to be another success, following on from last month's First Doctor story Hunters From Earth. Frazer Hines and Evie Dawnay perform as Jamie McCrimmon and Sophie.

"Following an emergency landing, the TARDIS arrives on a remote world orbiting a peculiar star - a pulsar which exerts an enormous gravitational force, strong enough to warp time. On further exploration the Doctor and his friends, Jamie and Zoe, discover a human outpost on the planet surface, inhabited by scientists who are there to study an ancient city. The city is apparently abandoned, but the scientists are at a loss to explain what happened to its sophisticated alien architects. The Doctor discovers that something dark, silent and deadly is also present on the world - and it is slowly closing in on the human intruders..."






It has been worked out rather nicely so that the current Doctor (played by Matt Smith in the television series) will appear in his own title in November, the Anniversary month! All stories are produced by Big Finish for AudioGO. Performers for each adventure will be announced through the year.

These audiobooks will be available for download, or on a single CD (RRP £10.20). With music and sound design courtesy of Simon Hunt, what better way to celebrate the 50th Anniversary of the greatest sci-fi show on Planet Earth than to add each of these to your audio collection...

Simon Guerrier has penned the BBC Doctor Who novels The Time Travellers, The Pirate Loop, and The Slitheen Excursion; his work for Big Finish includes Key 2 Time adventure The Prisoner's Dilemma, Companion Chronicles tale Shadow of the Past (featuring Caroline John as Liz Shaw), and Sapphire and Steel outing The School. He also brought us Graceless, starring Ciara Janson and Laura Doddington as Abby and Zara respectively.


Further reading: AudioGO - official website


Saturday, September 15, 2012

Big Finish: Energy of the Daleks - AudioReview

Article author: Alwyn Ash


Doctor Who: Fourth Doctor Adventures 1.04.

Founded in 1998, it was a relief for fans of Doctor Who when a license to produce official audio plays was awarded to Big Finish, their first story to be produced in this new range: The Sirens of Time (1999), a multi-Doctor adventure bringing together actors Peter Davison, Colin Baker and Sylvester McCoy. It was to be the perfect alternative to a series that had been brought to an end in 1989 after twenty-six years on television.

It is sad to think that actor Jon Pertwee had only died three years earlier, and there is absolutely no doubt, in this reviewer's mind at least, that this great man would have contributed to the birth of this new venture for the Doctor and his companions, there is no doubt about that.

Another Doctor who could have embraced the role further was actor Tom Baker; however, it looked as if the man who had played the Time Lord the longest would not find, or wish to find, a place in this long line of tales brought magically to life by a company that would go on to produce other works including Sapphire and Steel, Dark Shadows, Sarah Jane Smith, Bernice Summerfield, and, more recently, a revival of Blake's 7 for audio.

Storm Warning (a tale of His Majesty's Airship, the R101) would signal a return to Doctor Who for Paul McGann, the man who had been tasked with the portrayal of the Eighth Doctor for the 1996 television movie.






And so back to Tom Baker, and the news that was to be announced in 2011. Though not the first to be released, Energy of the Daleks was the first to be recorded by the Big Finish team, which included Louise Jameson (reprising her role as Leela), Alex Lowe, Mark Benton (no relation to Sergeant Benton, I can assure you!), Caroline Keiff, Dan Starkey, John Dorney; and the voice of Skaro's finest, Nicholas Briggs. Was it a sensible choice to bring back the Daleks alongside Baker's first audio adventure for Big Finish? Simple answer: Yes, absolutely! It almost evokes the exact same shivers that I experienced with McCoys The Genocide Machine - almost, if it had only been that little bit longer... (Energy comes in at approx 60 minutes compared to Genocide's 120 minutes)

That aside, there is much to admire about Nick Briggs' tale of the Kaled creatures plotting Mankind's downfall - yes, another fiendish plot - aided by Andy Hardwick's excellent music score and sound design. And, honestly, there will always be a place in this reviewer's heart for both Baker and Jameson, together as the Fourth Doctor and Leela. For the latter, it is indeed a thrill to see (or in this case, hear and imagine...) how the Doctor's companion takes on the might of the Daleks, a psychological battle in which Leela refuses to submit her will to the enemy. Knife at hand, she has always been one of the strongest to accompany the Doctor and it is a pleasure to rejoin the lovely Jameson for further travels.

It is also remarkable to note that Jameson had never featured in a Dalek story before, during her time on television, and so it feels only right that that mistake be rectified.






The tale of energy, friendship, and potential genocide (did I mention The Genocide Machine earlier?) has the correct balance to play with, enhanced by nostalgia and a feeling that this is a lost adventure, one of those that had been written during Baker's original occupation of the TARDIS in his seven-year run and had not, for whatever reason, been filmed. The Earth-Moon setting also inspires thoughts of the Patrick Troughton era and Cybermen. This has "Classic" written all over it - and yes, I do differentiate between Classic and Nu-Who!

Though short in length, Energy takes bold brisk steps, never pausing for breath and making the most of its use with both scene and character. The re-introduction of Robomen nicely reflects the magic of William Hartnell's The Dalek Invasion of Earth (1964) while permitting a brief recollection of Mark Gatiss's Roboman as heard in The Mutant Phase, another Big Finish production from 2000.

This outing for Baker and Co. has enough energy of its own to pack a punch and will surely be a favourite with fans for many years to come? Though it has some negatives and faults - yes, even Energy - it is unfair to criticize, as where would we be without our Fourth Doctor and Leela in audio? There are already plenty of possibilities for this pairing - including what will be Mary Tamm's last appearance as Time Lady Romanadvoratrelundar in another season of stories!

It is indeed sad that Elisabeth Sladen never had the opportunity to once more share in this pleasurable journey with co-star Tom Baker. I only hope that the Daleks aren't overused during Baker's time with Big Finish, although it will be an honour to experience the magic of Baker and Tamm in The Dalek Contract (featuring K9), expected for release in 2013.

It had been a long wait. But, in the end, the result of a Doctor at his best - marvellously acted by an equally marvellous actor - makes this a moment that all fans should experience. Further reading: Big Finish


Thursday, October 27, 2011

Big Finish: Robophobia - AudioReview

Article author: Alwyn Ash


Doctor Who: Serial 149.

The Doctor has been here before. Not the transport ship Lorelei, which has a cargo of over 157,000 robots on board, but the menace that stalks within. The Time Lord's first encounter with slave robots had been during his fourth incarnation, accompanied by then companion Leela. There had been deaths on a sandminer (named Storm Mine 4) and an attempt to murder the entire crew. But worse would have followed if it had not been for the Doctor's interference - his meddling had prevented further bloodshed. It appears that history, however, has been relegated to rumour, the tragedy never officially confirmed.

And so to the Lorelei... The Doctor, now in his seventh incarnation and companionless, is murdered, along with Tal Karus (portrayed by Matt Addis), a member of a support team from Kaldor City. And yet, only Tal's body is found.

Physician Liv Chenka (Nicola Walker) had known the deceased for a very short time and yet, she is saddened by his death. And then she meets the only man on the ship who knows more than he is letting on. The Doctor, mysterious and at his manipulative best, tries to help Liv see what he quite clearly does: someone, or something, is not what they seem.

A second murder and sabotage, and as usual the Doctor is suspect - the only stowaway on board! But just why has he activated the robots? And why do the slave humanoids refer to the Time Lord as Tal Karus?






"Robots cannot harm or kill humans, or by admission of action allow a Human to be harmed or killed. It is our primary command, we cannot deviate from it."

But does history say otherwise, and is such an incident happening again? As the Voc robots engage in their duties and offering help, as programmed, there is fear throughout the Lorelei. Panic and paranoia, and a sinister force at work.

There is a touch of Terror of the Vervoids here, an intriguing piece of mystery and suspense, sleight of hand by writer Nicholas Briggs that keeps you guessing until much of the way through. Fine performances from cast and crew as tension builds, the question being is Super-Voc SV10 (and the other robots) innocent in recent events or, like its counterpart in The Robots of Death, could the robot be manipulating the situation for a deadly purpose?

A further killing, this time Bas Pellico (played by William Hazell), and the crew prepare to fight. Evidence that at least one killer robot is indeed on board the transport ship is visible near the body. Communication between Kaldor City and the Lorelei is cut off and Security Chief Farel (Toby Hadoke) informs Leftenant Selerat (Nicholas Pegg) that robots have seized control of the long-range transceiver antenna. There is further robot activity and they are coming for the Humans!

The Doctor's faith in Liv eventually pays off and he gains her trust. Which is just as well... as a second attempt is made on the Time Lord's life. "This time I will kill you DOCTOR!"

The acting in Robophobia is strong and Jamie Robertson's sound design offers the right balance of spaceship background noise and music (including a beautiful theme that has a direct link to the plot) to enhance the experience. Sylvester McCoy is at his devious best, a Doctor who observes and advises, stepping in when required.

The lack of recaps at the start of Part Two, Three and Four is a little strange and could make the story feel a little disjointed. However that is a minor issue. A fabulous production! Credit to designer Simon Holub for his cover art which features Sylvester McCoy, Nicola Walker, and SV10.


INTERESTING FACT
Robophobia: an irrational fear of robots (also referred to as 'Grimwade's syndrome') - or is it an irrational fear? The robots are lurking...