Monday, November 14, 2011

The Double Life of Cora Parry - BookReview

Article author: Alwyn Ash


"Angela McAllister manages to capture the mood, smell, danger, and desperation of the piece, a cookbook of Victorian London’s chaotic and seething community."

What a treat this is. Yes, Victorian-based novels are ten a penny, but with The Double Life of Cora Parry you are given so much more for your money...

It all begins with Cora, a young girl recently returned from her guardian's funeral, that of Martha Parry. It is quite clear from the opening that there is no love lost between the two; indeed, with her guardian dead, Cora has an opportunity to be free. Even the opening paragraph tells you so much about the life of this child:

"Cora Parry stood in the lane, staring at the house she’d lived in for eleven years as if she’d never seen it before. To anyone passing, the neat cottage and tidy country garden appeared the same as usual, but for Cora everything was different today. Everything had changed forever."

A weight has obviously been lifted. And it is with relief that Cora enters the house, exploring it for the first time without her guardian’s presence breathing over her. To shed a little light on the matter of guardianship; Cora’s other guardian had been Martha’s husband, Elijah. It had been he who had saved Cora from the workhouse when she was three years old. Elijah had shown her the kindness that Martha never did. The latter only resented her company; the very presence of Martha’s black cane, next to the front door, only served as a reminder of those unpleasant, painful days.








At last a time to rejoice. However, not for long unfortunately...

The situation soon changes and Cora finds herself back where it all began - stood outside the gates of the workhouse. No family. No home. And matters quickly deteriorate from there. Rescued from the kidsman, a recruiter for gangs (think a mix of Fagin and Bill Sikes and you get the idea), the young girl is introduced to Fletch, a street-wise figure of mystery and cunning. This is where everything really does get complicated. Led to a damp and dingy cellar, Cora discovers that Fletch shares her “patch” with others. More to the point, she doesn’t just share, Fletch is in sole charge of the cellar and its mix of unfortunates.

Author Angela McAllister manages to capture the mood, smell, danger, and desperation of the piece, a cookbook of Victorian London’s chaotic and seething community. This is a world in which you will either sink or swim, survive or perish. And as the novel progresses we begin to see a different side to the central character - something far darker than the streets she visits at night.

The Double Life of Cora Parry changes over half way through, bringing with it further mystery and discovery. There is certainly something eerie going on with Cora’s alter-ego, and the lines become blurred. Not saying more than that. But it does keep you firmly hooked from start to finish.

On a lighter note, Cora develops a beautiful friendship with young boy Joe and his pet monkey, Pip. Joe's father works at a pawnbroker's and it is here where Cora spends some of her time, teaching the boy to read. But even this close friendship masks a secret or two.


Review summary

After reading this book, do I now feel tempted to explore further works by Angela McAllister? Yes, absolutely no question. And it would be a pleasure to do so!


The Double Life of Cora Parry publication date: 2011


Thursday, November 3, 2011

The Tannery - BookReview

Article author: Alwyn Ash


Life for Dolly Ramsden, a six-year-old child, is never an easy one, but what does that matter, really matter, when she has the love of a mother and protection – and financial security - of her father?

Mr Ramsden works at the local tannery and Dolly shares a vision with her mother, one of travel and adventure. Life is good. But the arrival of war changes all of that, snatching away her comfort blanket and stealing her dreams.

With her father gone, joining the war effort in 1941, Dolly faces a world where her mother subsidizes rations by taking on cleaning jobs. One, in particular, helps out financially until a fateful day when Dolly is responsible for her mother losing work. We reach a moment when emotional changes occur - her mother slaps Dolly across the face, both taken aback by the actions of a desperate woman.

This is when the bitterness pours out, blackening everything around both mother and daughter, sending them along a spiralling path of uncertainty and despair.

The hard times that both face are clearly realised, as Hewson develops the story further. We are in 1943, and Dolly, now twelve, is taken out of school to help with house chores and other work. By this time her mother is clearly struggling to face reality and instead looks for answers at the bottom of a bottle. The washing that they collect from people in the neighbourhood certainly brings in some cash, never enough.

Dolly’s mother, increasingly out of control, her flirtatious ways evolving into a far darker affair - eventually turns to prostitution!






1945. The war ends. But Dolly’s nightmarish life refuses to close with it. At this point there has been no word from Mr Ramsden, nor any sign that he is still alive. Dolly is also worried that, if he does return home, the truth about his wife's sordid liaisons will break him. What might the neighbours, who are all too familiar with Mrs Ramsden’s many male visitors, tell him?

One fateful day Dolly’s father does return and, for the briefest of moments, life appears to be returning to some kind of normality. Her mother, who had lost pride in her appearance during his absence, begins making an effort to look good. The “visits” stop, and something resembling calmness casts a gentle hand around family life. Until Mr Ramsden announces that he has been re-employed at the Tannery...

Mrs Ramsden’s dislike for his job is well and truly realised from the start of the book, and news of him returning to that damn awful place acts like a flick of a switch, undoing all the good that had been done since his arrival. It is sad to see a family without love, its soul ripped out. And it is Dolly I feel most for.

Stanley, the son of a funeral director, is the young girl’s salvation - now a young woman. They fall in love, Stanley’s feelings genuine and true. It is also a relationship that is kept between them, for the time being. However, they know that the secret must be told as some point.

Which leads to a climax that will startle, and sadden. That is all I am going to say about this stage of the book. What surprises me is just how good this story is, both in style and atmosphere. Okay, seeing as this is a "Quick Reads" there is certainly no room for indepth character and location development, but Hewson manages to delivery without compromising the plot. A début perhaps - but an excellent beginning to a writing career!



INTERESTING FACT
The novel was written as part of a five-part British television talent contest called Murder Most Famous (which aired on 3-7th March 2008, BBC2). Host Minette Walters tutored and judged six competing celebrity writers (Diarmuid Gavin, Angela Griffin, Matt Allwright, Kelvin MacKenzie, Sherrie Hewson, Brendan Cole), with the winner having his or her crime fiction novel published by Pan Macmillan on World Book Day, March 2009.




Thursday, October 27, 2011

Big Finish: Robophobia - AudioReview

Article author: Alwyn Ash


Doctor Who: Serial 149.

The Doctor has been here before. Not the transport ship Lorelei, which has a cargo of over 157,000 robots on board, but the menace that stalks within. The Time Lord's first encounter with slave robots had been during his fourth incarnation, accompanied by then companion Leela. There had been deaths on a sandminer (named Storm Mine 4) and an attempt to murder the entire crew. But worse would have followed if it had not been for the Doctor's interference - his meddling had prevented further bloodshed. It appears that history, however, has been relegated to rumour, the tragedy never officially confirmed.

And so to the Lorelei... The Doctor, now in his seventh incarnation and companionless, is murdered, along with Tal Karus (portrayed by Matt Addis), a member of a support team from Kaldor City. And yet, only Tal's body is found.

Physician Liv Chenka (Nicola Walker) had known the deceased for a very short time and yet, she is saddened by his death. And then she meets the only man on the ship who knows more than he is letting on. The Doctor, mysterious and at his manipulative best, tries to help Liv see what he quite clearly does: someone, or something, is not what they seem.

A second murder and sabotage, and as usual the Doctor is suspect - the only stowaway on board! But just why has he activated the robots? And why do the slave humanoids refer to the Time Lord as Tal Karus?






"Robots cannot harm or kill humans, or by admission of action allow a Human to be harmed or killed. It is our primary command, we cannot deviate from it."

But does history say otherwise, and is such an incident happening again? As the Voc robots engage in their duties and offering help, as programmed, there is fear throughout the Lorelei. Panic and paranoia, and a sinister force at work.

There is a touch of Terror of the Vervoids here, an intriguing piece of mystery and suspense, sleight of hand by writer Nicholas Briggs that keeps you guessing until much of the way through. Fine performances from cast and crew as tension builds, the question being is Super-Voc SV10 (and the other robots) innocent in recent events or, like its counterpart in The Robots of Death, could the robot be manipulating the situation for a deadly purpose?

A further killing, this time Bas Pellico (played by William Hazell), and the crew prepare to fight. Evidence that at least one killer robot is indeed on board the transport ship is visible near the body. Communication between Kaldor City and the Lorelei is cut off and Security Chief Farel (Toby Hadoke) informs Leftenant Selerat (Nicholas Pegg) that robots have seized control of the long-range transceiver antenna. There is further robot activity and they are coming for the Humans!

The Doctor's faith in Liv eventually pays off and he gains her trust. Which is just as well... as a second attempt is made on the Time Lord's life. "This time I will kill you DOCTOR!"

The acting in Robophobia is strong and Jamie Robertson's sound design offers the right balance of spaceship background noise and music (including a beautiful theme that has a direct link to the plot) to enhance the experience. Sylvester McCoy is at his devious best, a Doctor who observes and advises, stepping in when required.

The lack of recaps at the start of Part Two, Three and Four is a little strange and could make the story feel a little disjointed. However that is a minor issue. A fabulous production! Credit to designer Simon Holub for his cover art which features Sylvester McCoy, Nicola Walker, and SV10.


INTERESTING FACT
Robophobia: an irrational fear of robots (also referred to as 'Grimwade's syndrome') - or is it an irrational fear? The robots are lurking...



Wednesday, October 12, 2011

Triangle (2009) - FilmReview

Article author: Alwyn Ash


Just when you think you know what's coming, writer and director Christopher Smith grabs the plot and distorts it to such a level that you begin to find yourself watching a clever psychological thriller with more twists and turns than a complicated road system.

It is also thanks to actress Melissa George's fabulous acting that you believe every step of this journey of madness. I am not often so overwhelmed by a film, but Triangle is, in my opinion, a must-see! So why is it such a success?

George plays Jess, a young woman and single mother who is quite clearly failing to cope with her autistic son, played so wonderfully here by Joshua McIvor. We next see her agreeing to join some friends on a boat trip. However, there is a sinister electrical storm and the group is capsized. So when they are rescued by an ocean liner everything turns out to be OK, right? Wrong!

In a cross between Dead Calm and The Twilight Zone, we, the viewers, are taken on a journey of our own through the corridors of the liner and director Smith's manipulative mind. Something, or someone, is stalking the survivors, and before long there is the twist that'll have you whooping and gripped! They are not alone and the villain is...

... oh my god - not so straight forward!







It is amazing to see how far George has come since her days as Angel Parish in Australian soap opera Home And Away - she has appeared in both The Amityville Horror remake (2005) and vampire horror 30 Days of Night (2007), yet she is no scream queen and there is absolutely no danger of this talented actress being typecast by such parts!

Triangle is both intense and emotional, you really want George's character to find a way out of this nightmarish world, and return to her son, unharmed both physically and psychologically.

But as the insane scenario develops we come to realise that you just cannot out-think destiny, or you'll go mad trying! How many times have we watched those poor helpless victims in Final Destination think they've out-guessed Death, only to die in a neat and unpredictable way?

Except, for Jess, it isn't a matter of dying, as you'll discover. There is more agony in mental torture than there is in the last moments of life - the dead are rewarded with peace of mind, at some point.

Jess is not!


Review summary

One of the finest psychological horror films ever produced, brought together with such skill that the plot will keep you guessing. Melissa George at her best. Highly recommended! Triangle written by Christopher Smith


Thursday, September 22, 2011

The Scarifyers: The Magic Circle - AudioReview

Article author: Alwyn Ash


Oh crumbs! The Scarifyers back for a new adventure!

It is always a delight to discover something new, especially when it is as wonderfully scripted as The Scarifyers: The Magic Circle, an audio adventure following the exploits of Professor Dunning as he attempts to find his old friend, Inspector Lionheart.

To understand a little about this audio series you must take a step back to the first five stories - in 2006 actors Nicholas Courtney and Terry Molloy were cast as Lionheart and Dunning respectively, two characters brought together to investigate mysterious happenings; Dunning is a ghost writer and professor of Ancient History at London University, Lionheart works for the Metropolitan Police.

Over the course of five stories the two investigators face sinister clowns, Russian demons, an inter-dimensional being and far more, resulting in Lionheart setting up top-secret government department MI-13 in second adventure The Devil of Denge Marsh.

There is no doubt that Lionheart is the man who gets things done while Dunning, though obviously very enthusiastic, is not someone to face the darkness alone.






And so to The Magic Circle, the sixth adventure in the series. Nicholas Courtney died in early 2011, leaving behind fond memories from a fanbase who dearly loved him and a remarkable career. The decision was made to continue with The Scarifyers, casting seasoned actor David Warner in the role of Harry Crow, Lionheart’s former colleague in the force.

The plot for The Magic Circle revolves around Professor Dunning's concerns and search for Lionheart. The tale is both touching and electrifying, oozing humour throughout. Molloy's delivery as Dunning never fails to make me smile, his reaction the perfect treat; in one scene, he clearly fails to realise that there is no such thing as a talking rabbit! Although, I suppose, in the world of the Scarifyers, perhaps it is always a possibility...?

Warner, too, hits the mark with an eagle-eye approach and years of police force experience behind Crow.

Produced by Cosmic Hobo Productions, The Scarifyers: The Magic Circle is written by Simon Barnard (who produces & directs) and Paul Morris, with music by Edwin Sykes.

There is a touch of magic about The Scarifyers and this outing offers an emotional twist in its tale, thanks to the acting talent of Stephen Thorne, who portrays a very special character indeed.

And lastly, as an extra treat, a beautiful tribute to Nicholas Courtney from cast and crew: Terry Molloy, Simon Barnard and Paul Morris, David Benson, Lizzie Roper, Ewan Bailey, David Bickerstaff, Scott Brooksbank, Cicely Giddings and Stephen Thorne share their memories of the actor and talk about the story and their characters - includes thoughts about Lionheart from the great man himself!

There is no doubt that all involved in this fine production respected and loved Nicholas, and the treatment of his character's memory really does reflect that. Lily Wighton's introduction (played beautifully by Cicely Giddings) is a further lasting tribute to both man and character.

I suppose The Magic Circle represents a new phase for the series. Linking up with The Scarifyers at this point makes it easy to join in with the adventures; whereas most audio titles have a story arc that is impossible to absorb the further in they are, now you have an opportunity to enjoy the experience with The Magic Circle or The Nazad Conspiracy (the first in the series).

If previous stories are anything like The Magic Circle, you will find them intriguing and extremely good fun, both story lines and wit at the highest level possible, the acting equal to the standards raised by all involved.

I am now a fan!



Originally published on Nebula One (News)
Review © Alwyn Ash 2011