Tuesday, September 1, 2020

The Walsh Journals - Exploring Star Wars: The Clone Wars






A long time ago in a galaxy far far away, Ayn Walsh starts an epic journey through the Star Wars: The Clone Wars animated series, currently streaming on Disney+


Originally published on The Dreamcage.


'Star Wars: The Clone Wars' has really expanded the galaxy and explored characters I had completely taken for granted in the Prequel Trilogy. Looking back, it's a missed opportunity that Jedi Masters such as Plo Koon and Aayla Secura weren't given proper screen time. Thankfully the animated series takes us back to that period in Star Wars history and gives us a glimpse of life beyond the Skywalkers.

I collect both Star Wars Attax trading cards and figures in the Black Series line but I've not often bought anything associated with Sith or Jedi who I don't recognise or have much knowledge of. Except, I'm really missing out because there are some fabulous characters in the franchise who aren't very well known unless you read Legends or watch either The Clone Wars or Rebels. For example, Thrawn was someone who totally went under my radar for far too long! If you don't know him, Thrawn is an Imperial tactician whose talents have helped him rise through the ranks. He's a threat to the rebel alliance and a cunning warrior.

This week I've started The Clone Wars: Season 1. It's been around for 12 years (TCW debuted in 2008) and I'm only just now 'discovering' it. Still, the computer animation is cute and the storytelling nothing short of spectacular. Though only about 25 minutes in length, each episode is tightly written with nice character development and plenty of space battles or lightsaber duels. One of my favourite characters is young Ahsoka Tano, Padawan to Anakin Skywalker - she's confident, wise and brave, and I know her story will evolve as she grows.

It's important not to get The Clone Wars mixed up with an animated series called 'Star Wars: Clone Wars' that was broadcast from 2003-2005, as they're not the same show! In fact, after Disney acquired the rights to Lucasfilm in 2012, the latter was made non-canonical. So, it's the 2008-2020 CGI fest that I'm accepting as Canon.

In 'A New Hope' it was once a mystery as to who the Jedi were. When referring to the lightsaber, Obi-wan said to Luke, "An elegant weapon for a more civilized age". The Jedi hermit also gave a mention to Darth Vader and how the Jedi were hunted down. George Lucas visualised these events in The Prequel Trilogy; we got to see the Jedi as observers and negotiators, peacekeepers and warriors. Because the films were focused on telling Anakin's fall to the Dark Side of the Force, we didn't get to see anything more. The Clone Wars rectifies this, being set between Episodes 2 (Attack of the Clones) and 3 (Revenge of the Sith).

Of course we do know how things will turn out: Palpatine will execute Order 66 and the Jedi will face the wrath of the Sith. Some are destined to survive - Ahsoka, Obi-wan, and Yoda are three of them! But life in the galaxy far, far away will never be the same again…

As my journey through this series continues I'll write up some more thoughts and discoveries. I'll try not to give away important spoilers but I'll flag such content if they shall rise. I'm already looking forward to the conclusion of Season 1.

MTFBWY — "The winding path to peace is always a worthy one, regardless of how many turns it takes."


Thursday, August 30, 2018

FilmLight - Star Wars: Beyond The Last Jedi




Rey and Kylo. Images source: starwars.com




In December 2017, I wrote 'Star Wars: A Return To Childhood'. Decided it was about time I revisited that piece and add further thoughts since Rian Johnson's contribution to George Lucas' created Universe...


A Galaxy For Fans Young And Old


I was three-years old When 'Star Wars: A New Hope' hit cinemas across the globe. It wasn't for a few more years that I was able to enjoy the magic of Luke Skywalker and his adventures in a galaxy far, far away. By then follow-up 'The Empire Strikes Back' had been given its cinematic release in 1980, and fans got to witness the shocking revelation that Darth Vader was more than just a dark lord of the Sith. The original trilogy concluded with a final on-screen battle between the Galactic Empire and Rebel Alliance, in 1983's 'Return of the Jedi'. It was a neat ending to a fabulous run of sci-fi movies. They had even spawned a toy line and other merchandise, cartoons and a couple of Ewok television films called 'Caravan of Courage: An Ewok Adventure' and 'Ewoks: The Battle for Endor'.

But it was the trilogy that stood the test of time.

It took over a decade for another trilogy to surface, this time prequel movies exploring the life and times of the Jedi Order, and the early years of Anakin Skywalker and Obi-One Kenobi. 'The Phantom Menace' arrived in 1999 to mixed reviews and opinions, some fans hating it outright. It did, however, become the first Star Wars for many young and old, introducing them to a Universe they would grow to embrace.

Between 2002 and 2005 came the inevitable sequels 'Attack of the Clones' and 'Revenge of the Sith', again either liked or disliked depending on a fan's relationship with the franchise at that time. I had not fully embraced the Prequel Trilogy back then either, though I didn't understand the dislike for Naboo resident Jar Jar Binks, who was simply a fun addition to 'The Phantom Menace'. I did feel the new instalments lacked firm direction, contained far too many weak scenes and dialogue, and some of the casting was questionable. In later years I've grown to appreciate these flicks as part of the whole, like finding the last three pieces in the jigsaw box and finally completing the puzzle. Perhaps they weren't necessary, but their existence doesn't ruin what came before.


The Petition


That is what really baffles me when I still hear phrases like "You've ruined my childhood" thrown about on social networking. This brings me nicely to the new trilogy, which began with The Force Awakens, in 2015. But the most shocking example of fan obsession comes with The Last Jedi, a movie directed by Johnson and one that has even seen a fan petition set up on Change.org to try and have it removed from Star Wars canon. Yes, this is a thing! Fan Henry Walsh started the petition to The Walt Disney Company 8 months ago, and it has (as of 11th August 2018) gained 109,782 signatures out of the 150,000 set. Not bad going.

Thankfully, these people don't speak for both myself and the other true fans who love this movie and its place in the franchise! I find it amusing that the petition states, "Episode VIII was a travesty. It completely destroyed the legacy of Luke Skywalker and the Jedi. It destroyed the very reasons most of us, as fans, liked Star Wars. This can be fixed. Just as you wiped out 30 years of stories, we ask you to wipe out one more, the Last Jedi. Remove it from canon, push back Episode IX and re-make Episode VIII properly to redeem Luke Skywalker's legacy, integrity, and character".

Well, it has been confirmed that actor Mark Hamill is returning to Chapter IX; his character is far from over. Perhaps Luke didn't die in The Last Jedi but simply transformed from one state to another, from physical to energy. It would be great to see him as a Force Ghost, joining the ranks of Obi-One, Yoda and Anakin Skywalker.






Luke Skywalker: Force Ghost


I'm not at all knowledgeable of the Star Wars Legends Universe, but a quick Google and I found something quite interesting. While reading about another character, Cade Skywalker, I noticed a quote from a scene involving Luke Skywalker as a Force Ghost, visiting Cade. During the visitation, Luke says, "Every generation has its challenges to face, its own battles to win. Why should yours be any different? Running away from your responsibilities won't solve anything!"

This is exactly how I see Luke's actions in The Last Jedi, running away from everything and embracing self exile to an island on the planet of Ahch-To, losing faith and confidence, feeling that the galaxy is better off without him. Following his encounter with young Rey, and a beautifully filmed sequence with Force Ghost Yoda, the Jedi Knight understands that very message: "Running away from your responsibilities won't solve anything!"

He later leaves the safety of Ahch-To and faces off against the First Order, buying time for his sister General Leia Organa and her band of resistance to escape an abandoned Rebel Alliance base before they are captured or killed. Luke's presence at the base is a Jedi trick, an illusion. He is later seen, still on his island, where he appears to fade like a ghost, physically and emotionally exhausted from the task of projecting his being far across space.

I always felt like there would be more to come.


An End To A Saga...


And with Star Wars: Episode IX in production, this time directed by J. J. Abrams (The Force Awakens being his first taste of the franchise), lose ends will get firmly tied, loved characters shall return, and the petition to erase The Last Jedi from canon will become irrelevant. To those fans who have nothing but admiration for Star Wars as a complete entity, no such petition means anything anyway.

May the Force be with you...



Friday, December 15, 2017

FilmLight - Star Wars: A Return To Childhood




BB-8 and R2-D2. Image source: starwars.com




I love movies! I’m extremely passionate about them. And like everyone I have my all time favourites, also understanding how deeply that passion goes. I’m not a fan of sequels or prequels that add nothing to the whole. Tron: Legacy, for example, left me cold. Joseph Kosinski’s 2010 sci-fi sequel to the far better Tron (1982) felt unnecessary and out of place, to me at least. But there are others who like it very much. I never complained on social media, or criticised those others by insulting them and making it personal. We all enjoy different things, and sometimes share equal passions. If we were identical in every way, boy would this Universe be boring! In childhood I remember seeing Star Wars: A New Hope for the very first time in the 1980s, not at the local theatre but on a pirated Betamax cassette tape. The magic of Steven Spielberg’s powerful cinematic tales captured my imagination, and so it wouldn't be unthinkable for George Lucas to achieve a similar feat. And Star Wars was such a skillful adventure, full of space battles, droids, a beautiful princess, a wise old man, the scoundrel and a young farm boy, all brought together by fate. As the years passed, further instalments came and went. But the magic, and fond memories, remained.

The trilogy ended with an evil Empire in ruin, and heroes celebrating. I owned Kenner action figures, and so reenacted my favourite moments. It was a beautiful time that will be cherished always. I grew up. And Lucas unleashed a new instalment trilogy opening with The Phantom Menace (1999). It was the first VHS purchased by me that year. I enjoyed it. Thankfully there was no internet then, so I wouldn’t be aware of any backlash from fans. No name calling, threats or the usual we sadly see today. Did I like it as much as the original trilogy? Perhaps not as deeply, though it still maintained a welcomed escapism from the real world. By the time of Revenge of The Sith (2005), my interest in the prequel series diminished quite a lot. And over the next few years I would join the internet, set up a website, and become actively involved in entertainment news and review writing.

Maybe I see much of the world through rose-tinted glasses, but I rarely slam a movie, instead preferring to look for the good points. If there are no good points to be found then I’d refrain from reviewing at all. I like to enjoy my work, so crucifying a film isn’t my thing. I’ll leave that to others. I also don’t go into a movie with great expectations that may never be delivered by the director. We all love to develop plotlines in our own heads, don’t we? “This is how it should have been” and “What a waste of a good idea”. “Why didn’t they do it my way?” Nowadays we’re all reviewers and filmmakers. We all know better than those whose job it is to bring the plot to screen.

In 2015, Star Wars: The Force Awakens hit theaters and introduced us to characters new and old. I was shocked by the murder of Han Solo (played so brilliantly by actor Harrison Ford since 1977). How dare they! I hate J. J. Abrams for letting this happen! Someone end his career before more childhoods are ruined! Seriously though, my childhood was never ruined, it remains intact as beautiful memories, and movies are a time machine, so I can easily go back and watch Luke, Han and Leia defeat the Empire as many times as I wish. Yes, I struggled seeing a favourite hero die in such a way, even today, but that is because I care about the character. I also acknowledge that time moves forward, situations and people change, one momentous victory can be replaced by yet another soul destroying battle. The end of Return of the Jedi wasn’t ruined, at least in my opinion, by the rising of the First Order and the events portrayed in The Force Awakens. It happens. Think of those who survived the First World War only to see the darkness rise again in 1939. They had once celebrated a victory, too. It may be only a sci-fi movie series, but Star Wars acts as a reminder that we shouldn’t take anything for granted, and that freedom and peace are precious. Celebrate today because we never know what tomorrow will bring.

I am yet to see The Last Jedi, though I have read spoilers (I won’t give anything away here). I have also witnessed a lot of negativity online, not just disappointment from true fans who had envisioned something different from director Rian Johnson, but real venom even directed in the path of other fans who have genuinely embraced the movie and its many twists and turns. As I have said, we are all different, and so there will always be diversity among the fanbase. Yes, fans are passionate, and wish to air any grievances; some reactions, however, are voiced in such a way that it is impossible, and depressing, to join online discussions these days. Remember, the cinematic experience is meant to be pleasurable escapism, and if you can’t enjoy it then at least respect that others are having the time of their lives. Why violate their own happiness and excitement by name calling and branding them as not “proper” fans? Yes, I know, “it’s the internet”.

I guess people will be people.

Cinema has always been about change. Sequels bring about a change in circumstances and ideals. What worked in one film might need a drastic turn of events in a follow-up. Nothing stays the same. It can’t. We grow older, and old classics do sit nice and comfortable in our hearts and memories. It is never easy letting go. But that’s why movies are time travel, while we are able to revisit those classics - nothing ever truly dies. Even Han Solo lives, just put in a DVD or Blu-ray of A New Hope and catch the magic.

No childhood is ruined. No franchise is destroyed. We can’t like every new instalment, but what we do love is still there, for the feels and chills.

And before you say it, yes I am not disregarding the changes George Lucas has made to the original trilogy. But, it is not the end of the world, some of those digital alterations actually look quite cool. What the fans want is a choice: original or special edition. That is likely to happen at some point in the near future, we just have to be patient. I’m thankful for Star Wars on Blu-ray regardless. Thankful to Lucas for making it happen, and grateful to those who keep the flame alive.

The Last Jedi will give opportunity for my child self to get out for a while, feel those tingles and experience something truly out of this world.


Thursday, May 25, 2017

Ewoks: Battle For Endor (1985) - FilmReview



Terak, the Sanyassan warlord who seeks all power
As reviewed previously, 1984 Star Wars spin-off Caravan Of Courage: An Ewok Adventure left a vastly positive impression on my childhood. I was in love with Ewoks, owned most of the Kenner action figures in the 1980s and do consider Return of The Jedi to be my favourite of the original trilogy. The funny thing is I recall seeing Ewoks: The Battle For Endor, the 1985 television movie sequel to Courage, on VHS cassette in a video rental store back in the day. For some reason it wasn't picked up and taken home for a viewing. Perhaps my father refused to rent it out - I never received any pocket money so always had to rely on parental generosity on occasions such as these. In some ways I am now grateful the events of The Battle For Endor were unseen by my younger eyes. How heartbreaking would it have been to witness Cindel Towani, recently reunited with the parents she helped rescue from the Gorax lair in Courage, become an orphan and lose her older brother Mace (Eric Walker) in a Marauder attack on the Ewok village? Cruel, and so unnecessary, clearly bruising the happy ever after nature of the previous installment's conclusion, in my opinion. Still, I promised myself a fresh look at this fantasy sci-fi classic and so DVD disc at the ready...

Escaping the Sanyassan Marauders (who have already captured many Ewoks and are transporting them to their castle), Cindel and Wicket meet up with Teek, a tiny furry rodent-like, simian creature with a faster than light drive installed in his rear - in other words, he can move with incredible speed thanks to an accelerated metabolism. The friendly but mischievous creature leads them back to the hut he shares with Noa Briqualon (Wilford Brimley), a shipwrecked space trader. At first the old man refuses to let his new guests stay, but eventually shows a softer side. Think Heidi (another orphaned little girl created by Swiss author Johanna Spyri) and you get the idea. Besides, who could resist Cindel's porridge and muffins?

One morning the young girl hears a song, the very song her mother used to sing to her, coming from somewhere close by. Investigating, she encounters a beautiful young woman with a white horse. It is, of course, a trap - the woman transforms into Charal, a Nightsister and witch who serves as second-in-command to the Sanyassan warlord who ordered the attack on the Ewoks. Cindel is taken to the castle also as a prisoner. Once there, she learns that Terak (the warlord) wants her to activate a crystal oscillator from a wreckage, believing it will bring him great "power". His lack of knowledge regarding general technology proves him to be an ignorant savage. One wishes a Jedi Knight would rise to show him what true power looks like. Neither Cindel or Charel are able to meet his demands, and are both imprisoned with the Ewoks. Noa, Wicket, and Teek make a daring rescue by scaling the walls and infiltrating the heart of the Marauders.

Heidi and her grandfather. Sorry, Cindel (Aubree Miller) with Noa (Wilford Brimley)
The rescue storyline is comparable to its predecessor though clearly lacking in similar scale and ambition. The Marauders make a poor army and the overall direction feels clumsy. Directors Jim Wheat and Ken Wheat fail to really bring anything new to the table - at least Caravan had the Gorax, evoking thoughts of those early monster features that displayed Ray Harryhausen's work. Hard to believe that the Wheat brothers would go on to write the screenplay for Pitch Black (2000), one of my favourite movies starring Radha Mitchell. I am also a little surprised by Wilford Brimley, who I adore in Cocoon (1985) but fail to enjoy in the role of Noa, he just doesn't feel right in the part. Perhaps it has more to do with the feeling that the character isn't particularly significant, the film instead needing a much stronger Obi-Wan Kenobi-esque hero to lead. Imagine Alp-Öhi (Heidi's grandfather) with a lightsaber. In an interview with Eon Magazine, Ken Wheat said of the movie, "Lucas guided the creation of the story over the course of two four-hour sessions we had with him. He'd just watched Heidi with his daughter the weekend before these took place, and the story idea he pushed was having the little girl from the first Ewok TV movie become an orphan who ends up living with a
grumpy old hermit in the woods. We'd been thinking about the adventure films we'd liked as kids, like Swiss Family Robinson and The Seventh Voyage of Sinbad, so we suggested having space marauders, which was fine with George - as long as they were 7 feet tall, of course! The rest of the brainstorming was done along those lines. Joe Johnston (the production designer and second unit director) and Phil Tippett (the creature supervisor) were involved in the second day's story session, and they contributed an assortment of bits and pieces".

Undoing the good of the first instalment to fit Cindel into the Heidi role is very unfortunate, as they could have easily cast a new young actress for an altogether newer role. That said, Aubree Miller is a sweetheart and it is rather nice to see her again, especially as Cindel's friendship with Wicket the Ewok continues to grow. Wicket W. Warrick has been played (in costume) by Warwick Davis in all three Stars Wars movies to feature him, but did you know that it was Darryl Henriques who voiced Wicket in the two Ewok spin-off films? The actor is best known to sc-fi fans as the Romulan Ambassador Nanclus in Star Trek VI: The Undiscovered Country (1991). Personally I'm still wondering why Lucas had Wicket talk at all, you don't have to understand a pet dog to be its friend and life companion.

There are many Star Wars fans who loathe Ewoks and their movies, who feel Return of The Jedi (1983) would have been a much better chapter without them. So perhaps I'm in a minority for liking the residents of the Moon of Endor? I just can't help embracing fond childhood memories. The fact that Battle For Endor was not part of that nostalgia might explain my dislike for the story, it's entirely possible.

Remember Daffy, the cross-eyed Gremlin from Gremlins 2? Well Teek quite reminds me of him. There's always one goofball who steals the show, though there isn't anything particularly stupid about him. He's clearly intelligent and loyal, playful and kind. Originally intended to be a puppet, the character was eventually portrayed by Niki Botelho. Actor Brimley had refused to work with a puppet and the quick decision was made to fit someone into costume - sixteen-year old Botelho was chosen from set.

Ewoks: The Battle for Endor premiered as a television special on 24th November 1985. It saw a limited UK theatrical release in the Spring of 1986. It was later released on home video in 1990, and on DVD in 2004 as a double feature paired with its predecessor Caravan of Courage. Neither film are considered canon since Disney's reorganisation of the franchise, I believe, which is a shame. Ewoks: A Star Wars Story would go so nicely with the company's current run of spin-off material. At the very least they should be given a re-release on bluray. I am sure many would rather see old copies burn alongside the body of Anakin Skywalker on his funeral pyre. That's the fun thing about fandom - we are all different...





Alwyn Ash
Alwyn is a genius with the pen. Give him a keyboard and he's in heaven. He lives in Chester with his personal collection of books, movies and a pocket Universe.




Monday, May 23, 2016

Caravan of Courage: An Ewok Adventure (1984) - FilmReview



Cindel and Wicket - the cutest couple in Hollywood.
Originally published on the /G-f website to celebrate Ernest Cline's Ready Player One.

I am one of the lucky ones, I fell in love with Ewoks from their first appearance in Star Wars VI: Return of the Jedi, and owned most of the action figures - my collection needing only the Ewok village to complete an otherwise fun set. "You'll live the adventure... You'll love its heroes." The tagline for George Lucas’ 1984 spin-off made-for-TV film promised excitement and adventure, and it certainly delivered. I was ten years old, and Star Wars crazy. Honestly, I was likely crazy about a great many things being so full of wonder with that twinkle in my eye, but the space opera in a “galaxy far, far away...” was unlike anything I’d seen before, or since.

The Caravan of Courage took me further into a world I had briefly experienced through the eyes of rebel soldiers as a last stand against the Galactic Empire took hold. Now, in An Ewok Adventure, we got to explore the forest moon of Endor with two children, Mace and Cindel Towani, who are separated from their parents following a crash landing; unbeknown to them, their mom and dad (played by Fionnula Flanagan and Guy Boyd) have been taken by the Gorax, a giant of a beast that keeps them caged in its mountain lair. It is these very kids that are found by Ewoks and taken back to their village. Mace, being the protective older brother, is temporarily regarded as a threat and bound after he tries to overcome the furry warriors. Thankfully trust is gained and medicine is given to his young sister, who quickly develops a friendship with Wicket, the lively Ewok from Return of the Jedi.

After consulting Logray, the wisest Ewok, Mace and Cindel go on the very adventure promised in the film’s title. They are joined by Wicket and other Ewoks who wish to help reunite the Towani family and defeat the monstrous Gorax. What follows reminds me of Dr Who & The Daleks, the feature length movie that had Peter Cushing’s Dr Who join a group of Thals to infiltrate the Dalek city; both even share a deadly lake. Then again, same could be said about Krull. No wonder I geek out on these films!

The Towani family and Ewoks. They're all furry (very) photogenic.
Caravan of Courage was filmed on a much smaller budget than that available to the original Star Wars trilogy, and it shows. It’s safe to say that the effects haven’t aged well. That aside, it remains a beautiful piece of television history that is just as warm and cuddly as the Ewok animated series that aired the following year. Director John Korty works well with a screenplay by George Lucas and Bob Carrau, and the inserted narrative featuring the voice of Burl Ives gives the film a nice storybook quality perfect for children. Without doubt the true stars of this feature are Eric Walker as Mace, Aubree Miller as Cindel, and Warwick Davis as Wicket. Though Walker and Miller aren’t perfect child actors they do get the job done and manage to deliver touching performances nonetheless.

It is nice to finally explore more of the world’s terrain than just forest, as we get to experience a desert of acid pools and dry lakes, and the treacherous mountainous regions.

Lucas understandably had full control over each step of production, not wishing this to become a second Star wars Holiday Special, which has never been positively received by critics, Star Wars fans, or Lucas himself. Even a TV ad featuring Walker in character to promote the movie was prevented from airing because Lucas disliked it so. There is also the question of the films continuity within the franchise, it has been said that An Ewok Adventure takes place between events depicted in The Empire Strikes Back and Return of the Jedi, but that plausibility doesn’t quite add up – as time progresses, Wicket learns to speak some English thanks to his blossoming friendship with Cindel (as we see in Ewok sequel The Battle For Endor), and yet his encounter with Princess Leia in Jedi clearly projects him as a creature without that ability. It is more than likely that the Ewok movies follow events in the original trilogy, it would also explain why there are so few Ewoks present in Caravan. No? Well, it’s always fun to speculate, and it doesn’t truly matter either way, I’m just glad to experience its light-hearted magic.

What I do find discouraging is the way in which the film has been treated in recent years regarding international release: though a double feature DVD was greenlit to include the sequel, there has been no attempt since at restoring either movie for blu-ray. Whether regarded as canon or not, it would be a shame to overlook the beauty and simplicity of Caravan of Courage – the Star Wars universe is full of wonder, and some of it can be found on the forest moon of Endor.




Alwyn Ash
Alwyn is a genius with the pen. Give him a keyboard and he's in heaven. He lives in Chester with his personal collection of books, movies and a pocket Universe.




Saturday, November 14, 2015

Star Wars Episode I: The Phantom Menace (1999) - FilmReview



"Hello, I'm going to be responsible for helping to eliminate the Jedi."
It had to happen! Following on from my review of Star Wars II: Attack of the Clones comes a look at how it all began: Midi-chlorians included!

Back in 1999 I had been excited at the news concerning brand new Star wars; George Lucas was a Hollywood God in my eyes, a man who could do no wrong: he had given my childhood an amazing gift, one that I am eternally grateful for, so no "He's ruined my childhood" comments in this article! I was 25 years-old when the eagerly awaited Star Wars I: The Phantom Menace was released, and there was so much excitement it could barely be contained in one body. Thankfully I didn't explode. But witnessing the birth of a new trilogy in the Star wars saga was almost like discovering a single rare crystal leading to a pool of treasure. My first taste of this new movie wasn't at the theatre but on VHS cassette - yes, I was yet to embrace the beauty of the DVD player! And so, crystal in hand, I sat to watch this magnificent piece of cinematic magic...

Trade dispute? Strange-looking aliens out of lip sync? Not exactly the beginning I was looking for, but still... plenty of promise... Then come the Battle droids, not exactly Stormtroopers, are they? So we are introduced to the Trade Federation. I guess the main issue with TPM is just how political it becomes, and how we witness Senator Palpatine's manipulation as a shadow threatens to engulf the Senate. We already know that it is Palpatine who ends up playing such a vital part in the "original trilogy", and that he is actually Sith Lord Darth Sidious. But it seems we must learn just how he becomes so powerful politically. And we get to meet a young Anakin Skywalker, portrayed by Jake Lloyd (who has gone on record saying that the film actually did ruin his childhood, and acting career - I've seen "Jingle All The Way", so I can honestly say George Lucas can't be completely blamed).

Of all the actors to star in TPM, Ewan McGregor is the most interesting, a young Obi-Wan Kenobi, apprentice to Liam Neeson's Jedi Master Qui-Gon Jinn. Originally played by legend Sir Alec Guinness, Obi-Wan remains an intriguing character, whose eventual escape following Order 66 (Star Wars Episode III: Revenge of the Sith) leads him to live as a hermit on the planet Tatooine. In "Episode I" he is young and impatient, more reflective of how Luke Skywalker appeared in Star Wars V: The Empire Strikes Back. That said, the "prequels" are less about the heroes and more about how Anakin Skywalker becomes the evil Darth Vader. Young he may well be but Anakin is already showing signs of being exceptional, even if he does ask the strangest questions: "Are you an angel?" No, she's co-star Natalie Portman aka Queen Padmé Amidala!

"Meeza fan!"
I find it fascinating how any actor can claim that a movie either destroyed their career, or nearly did so, and Portman is another reported to have made such a statement. Personally I rate her highly, and have enjoyed performances in movies such as Léon (1994), V for Vendetta (2006), and The Other Boleyn Girl (2008). To step away from near disaster and actually make good is a sign of a talented actor! I like Padmé very much. And though she doesn't have the strong character of Leia Organa, her presence in TPM is a vital one, giving warmth to an otherwise lifeless world. Considering how the next two instalments connect the Queen of Naboo and a future Sith Lord romantically, it certainly would have been far more consistent for Anakin to have been represented by someone older than Lloyd, too - I find it odd how we leap from Lloyd to Hayden Christensen in the first two films.

Just imagine if, for Star Wars Episode IV: A New Hope, we had had someone other than Mark Hamill to play a young Luke Skywalker, only for Hamill to take the reigns in TESB (The Empire Strikes Back).

Much is made of the mystery surrounding the Sith Master (Palpatine) and his apprentice (I shall come to Darth Maul in a moment), just as TPM seems obsessed with suspicion and plot: it could almost be a futuristic Guy Fawkes feature, with the Jedi Council stepping in for Parliament. If it had morphed into a sci-fi thriller then okay, I'm totally fine with that, but George Lucas' script fails to satisfy any need for true suspense or drama. Instead, everything feels convoluted and in need of strict editing. The Battle Droids make for a weak nemesis. Even the Jedi never live up to expectations - "For over a thousand generations, the Jedi Knights were the guardians of peace and justice in the Old Republic. Before the dark times... before the Empire." If Ben Kenobi's mention of this ancient "religion" felt exciting and mysterious then going back to a time when they were still present only goes to show them as lacking in greatness. Sad but true! Only Nute Gunray, viceroy of the Trade Federation, seemed wary of them. There is also so much going on in this movie, including the Battle of Naboo, that most Jedi are off "investigating", it seems, or sat around pondering. After doing some research into Jedi mythology, I am amazed by its richness, something that is never truly realised onscreen.

Many fans have taken dislike to both the Midi-chlorians explanation regarding the Force, and the introduction of Gungan Jar Jar Binks. The latter is fine with me, a character that brings light relief. Let's face it, the original trilogy had enough light-hearted humour to entertain, such as the Ewoks, Chewbacca's Tarzan antics, and most of C-3PO's scenes. Is a native of Naboo (Jar Jar) really that big of a deal? And I certainly don't get the racial caricature allegations: he's an alien from a galaxy far far away, not a Jamaican... He certainly doesn't deserve to be described as "the most hated character in cinema". How wude!

Alistair Crighton writes an interesting article on Star Wars stereotypes for Aljazeera. On a personal note, all I see are characters whose motivations have nothing to do with the real world - it's called escapism...

So, back to the film. If TPM delivers an ace from up its sleeve then let's take a look at Sith apprentice Darth Maul, whose presence is severely lacking and needed much development. For the most part he skulks, only fully engaging in the movie twice: both times to clash lightsabers with Jedi master Qui-Gon Jinn (Liam Neeson). The climax sees both Qui-Gon and Maul killed, but what a waste of an opportunity to extend the latter's legacy - it could have been him instead of Christopher Lee's Count Dooku who faces off against Yoda in Attack of the Clones and is eventually executed by Anakin (at Palpatine's invitation) in Revenge of the Sith after he outlives his usefulness, marking a path for the new Galactic Empire (and Darth Vader's rise to power within). Just like Vader, Maul is portrayed by two people: Ray Park and Peter Serafinowicz (the latter for the voice). It is a crime that this Sith wasn't given more to do other than looking like a model for a toy line. Yes, in the end it's all about profit but let's make the character earn his money, shall we?

As Qui-Gonn is cremated on a funeral pyre, Yoda says, "Always two there are, no more, no less. A master and an apprentice." We know the answer. But the mystery remains for the Jedi, as the Clone War approaches. Thankfully by then C-3PO will be less "naked"; Jar Jar will appear less frequently, and Anakin will have grown to fancy his "angel". Sadly, Samuel L. Jackson's look of boredom will continue. At least Mace Windu has something exciting to do in the sequel, with a purple lightsaber...





Article author: Alwyn Ash




Monday, January 26, 2015

Star Wars Episode 2: Attack of The Clones (2002) - FilmReview


Article author: Alwyn Ash
"At the right time, in the right light, everything is extraordinary"


Star Wars Image


"There is unrest in the Galactic Senate. Several thousand solar systems have declared their intentions to leave the Republic."

It has been ten years since the battle on Naboo, and yet there is still much to discover regarding the Sith and its plans. Following a failed assassination attempt on the life of Padmé Amidala (former Queen of Naboo and now a Senator of the Republic), Jedi Knight Obi-Wan Kenobi and his Padawan Anakin Skywalker are assigned to protect her. It is during a second attempt that they chase after a female shapeshifter assassin named Zam Wesell (Google is a wondrous creature) through the city, finally confronting her; she is, however, quickly silenced by her accomplice, a bounty hunter later to be revealed as Jango Fett (portrayed by New Zealand actor Temuera Morrison), who fires a toxic dart before fleeing the scene. Meanwhile, there is much unrest as war threatens to take hold of a galaxy so close to the brink...

What began with "The Phantom Menace", in 1999, George Lucas' extended vision has been in danger of tarnishing what had preceded it all those many years ago. For fans who lived through the original trilogy, this new installment was far from what had been expected. If Episodes IV-VI gave us adventure, and hope, then "Episode I" (Phantom Menace) tore through the very fabric with politics and conspiracies, a formula that neatly repeated itself in the second chapter of this prequel trilogy. I will, however, let you into a little secret - after fresh viewing, I am now prepared to look favourably upon Lucas' prequel trilogy. Perhaps the passing of time has made it easier to relive the films without anger or frustration; an awkward acceptance, if you will. But, in truth, there really are some good moments in "Attack of The Clones" that make worthy contributions to the Star Wars Universe.

Getting this out of the way early, it is still a major gripe that the over-used CGI regarding battle scenes and alien lifeforms should have been religiously employed by Lucas - far too much feels artificial and digitally contaminated. That said, the world of Naboo is beautifully recreated and realised, as Padmé and Anakin's relationship develops; it is just a shame that actor Hayden Christensen (who was still a better choice for the role than young Jake Lloyd, from the previous film) doesn't rise up to the occasion (so to speak) during what could have been some truly heartfelt scenes.

I will say this for Lucas, when he does get it right there can be no doubt of his creative talent. Obi-Wan's arrival on Kamino, for example, is a wonderful moment. An ocean planet, Kamino conceals a secret: an army of clone troopers being grown and trained for the Republic. The tall Kaminoans are a sight to behold, and have to be one of the most magnificent CGI creations in the film series. Even the Jedi Knight's first encounter with Jango and a very young Boba Fett in their room in Tipoca City on Kamino works well, later resulting in a fight sequence between Obi-Wan and the bounty hunter on a landing platform, only to follow on into an exciting space sequence as Jango attempts to destroy the Jedi and his ship after the latter planted a homing beacon to the outer hull of Jango's craft.

If Christensen does manage to steal any part of this installment then the death of Anakin's mother, Shmi Lars (née Skywalker), and the resulting execution of the Tusken Raiders ("Sand People") who held her captive and tortured her, truly demonstrates that the actor wasn't entirely miscast. With a vengeful look in his eyes, opening his soul to the dark side for the first time, Anakin raises his lightsaber and cuts them down, slaughtering the tribe, women and children. It is this loss of a parent that will ultimately send him on a path to seek the power to prevent death. For now, he mourns for the woman he loved but could not save: his mother. It may have been a brief role for Swedish actress and screenwriter Pernilla August (reprising the role from Chapter I), but Shmi's final moments are played beautifully.

The final act of "Attack of The Clones" certainly makes up for some of the earlier slower pieces, as Obi-Wan (Ewan McGregor's excellent portrayal of this maturing Jedi should be applauded), Anakin and Padmé fight for their lives in an arena against grotesque monsters. They triumph, but face an execution squad of droideka (battle droids). This is when an appearance by various Jedi Knights leads to one of the most impressive lightsaber battles in Star Wars history. It is breathtaking, a visual feast of action and well-structured choreography. Even actor Samuel L. Jackson as Jedi Master Mace Windu gets to join in. By comparison, the lightsaber duel between Yoda (voiced by Frank Oz) and Count Dooku (Christopher Lee) is a little bland and stilted, including the "Force lightening" and object manipulation scene as the Sith Lord tries to crush his opponent. Perhaps this is as a result of there being an actor verses CGI character, opposed to the powerfully realised duel between Luke Skywalker and Darth Vader in "Return of the Jedi". It should be noted that Vader's similar moment in "The Empire Strike Back", use of the Force to manipulate matter in a sequence against Luke in Cloud City, holds much more skill of direction, emotion and drama, however.

So, to the end. And the sight of a Clone army, preparing for battle... The final scene falls on Anakin and Padmé, in a nod to the closing seconds from "The Empire Strikes Back". It gives hope for a third chapter, as something dark approaches. A war. And, just as in the original trilogy, nothing will ever be the same again. As a fan, I can now put to rest one ghost: though deeply troubled, "Attack of The Clones" does at least manage to impress far more than "Phantom Menace" ever could, both in story and set pieces. There are glimpses of the original trilogy style in the mix, though more would have been better.

Final thought on actress Natalie Portman. Padmé Amidala is clearly no Leia Organa. They share a determination, but the latter reveals a fiery nature, stubborn and easily frustrated. By comparison, Padmé is patient, a romantic with ideals. Portman's performance works well considering the shortage of great dialogue or direction. Sadly however, Padmé serves to be a less memorable character than Leia. That said, I do like her. And was that actress Rose Byrne (Insidious) in a brief scene as handmaiden to Padmé in this feature?

"Attack of the Clones" certainly has its problems: one example, C3PO is suddenly a rather too flexible-looking CGI in one of the factory scenes on the planet Geonosis, making him look like a computer game character rather than something in a big budget motion picture - a major problem with much of Lucas' prequels. And please don't get me started on Anakin and Padmé's assembly line shenanigans! Still, there is much to be thankful for, and revenge is just around the corner, as "Episode III" waits to work its magic. Or does it?


Image source courtesy of lucasfilm.com. Article © Alwyn Ash 2015.
Quotes (if applicable) used for publicity purposes only; no infringement of copyright is intended.

Tuesday, November 6, 2012

Star Wars - A new trilogy is born, the legacy continues...

Article author: Alwyn Ash


"The prequel trilogy felt like such a letdown, more akin to a television movie spin-off - polished, grand, but ultimately weak-scripted..."

There is absolutely no doubt that now is the time to feel excited again about the Universe that gave us lightsabers, Ewoks, a dark Empire, Princess Leia Organa's slave costume, and so much more.. The announcement that Disney was to buy LucasArts took many by surprise. Soon after the rumour mill started... With a seventh Star Wars film slated for a 2015 release, it surely cannot be long until specifics are unearthed. Well, maybe? Cast news, plot details, rumours confirmed or denied, the usual process that fans and critics go through while, behind closed doors, contracts are signed and plans are afoot.

I have been a Star Wars fan for years, and embrace the original trilogy absolute - the casting, script writing, plot developement, everything about it just... works, including originality and special effects (though there really was no need for Lucas to tinker with his creation in later years). There was, and still is, magic about those first three movies. However, the 1999 disappointment that was Star Wars Episode I: The Phantom Menace did nothing to enhance an already perfect story. Nothing new had been handed out to the fans, the casting was poor and Lucas' obsession with CGI overuse had watered down what could have been potentially a decent idea. Though, of course, we already knew who Darth Vader had once been, that he had lived as Luke Skywalker's father, Anakin...






The prequel trilogy felt like such a letdown, more akin to a television movie spin-off - polished, grand, but ultimately weak-scripted, with bad dialogue and a casting that should have been reconsidered carefully long before production started on the project. Jake Lloyd just didn't cut it as a likable Anakin, he was far too annoying. Darth Maul was spectacular and underused, imagine how much different things could have been if the Sith apprentice had appeared in all three prequel films...?

Which leads me to Star Wars Episode II: Attack of the Clones (2002) and Star Wars Episode III: Revenge of the Sith (2005). Though much better than the previous outing, problems still remained: Hayden Christensen was disappointing as an older Anakin (his portrayal felt like he had been cast in a teen drama) and, once more, CGI overload meant a lack of everything else. To be frank, it all felt like a routine affair, George Lucas simply going through the motions to give us what we already knew. So, Episodes Seven, Eight, and Nine...

As we have seen with Indiana Jones and the Kingdom of the Crystal Skull (2008), reprising a famous role doesn't always equal success similar to the glory days of filmmaking. And so what are the possibilities of a new Star Wars trilogy, and just who should be involved?

In my opinion no past stars should reprise their original roles. Simple as that. Not unless there is a genuine reason for this decision - and they must physically suit the part in older age. Neither should past characters be recast, like in the prequel. If Lucas had played it clever, he could have set all three trilogies at different time periods and focused on seperate characters within the same Universe, allowing for multiple stories that are merely linked by conflicts against the Sith.

So the third trilogy installment would see a new group of heroes and villains, fresh battles against the remnants of an Empire that has crumbled, and perhaps a Jedi Order that begins to re-establish itself following the tragic events of Order 66, which witnessed the mass murder of Jedi Knights throughout the Star Wars Universe.

However, whichever path it takes, I am sure every fan will agree that, in the end, we just want to feel proud. Taste the excitement of its return but not feel heartily disappointed with the result. Star Wars is not a religion, no matter what some people may think - how many of you worship Jediism?

May the force be with you!