Wednesday, August 21, 2019

Ghosts of Mars (2001) - FilmReview




Can they survive the ghosts of Mars?




Escape From Mars

Director and writer John Carpenter's work has given us some of the best movies in the last forty years. A master of scifi and horror, who can forget Halloween, The Fog, Assault on Precinct 13, Starman, or They Live. Sadly, Ghosts of Mars was seriously underrated by critics and fans, failing to earn enough at the box office and being heavily criticised for being "distressingly amateurish" and an "embarrassing disaster". But is it really that bad?

In truth, it isn't the best movie in Carpenter's catalogue. That said, I do enjoy it for what it represents: a fun and violent action flick that doesn't take itself too seriously. I couldn't disagree more with the "poor set designs" and "hammy acting" accusations. The setting is a simple one, kept to a minimum for maximum impact, and the acting isn't meant to be serious.

I have read that the script was originally intended to act as a Snake Plissken sequel, Escape From Mars, but the idea was changed due to the failure of Escape from L.A. to make a profit.


"Let me put it this way. Maybe I'd sleep with you if you were the last man on Earth. But we're not on Earth"

The film is set on a terraformed Mars in 2176 AD at a time when the planet has long been colonised by Humans. "640,000 people now live and work at far-flung outposts all over Mars, mining the planet for its abundant natural resources". The problem is, during one of these mining excavations, an alien tomb is unearthed and Martian spirits belonging to a now dead warrior race are free to possess the living. Miners who aren't taken over are butchered and beheaded.

Lt. Melanie Ballard (played so brilliantly by Natasha Henstridge) is on an assignment to collect a criminal known as James "Desolation" Williams (Ice Cube) from a cell in a Martian mining town, Shining Canyon, and deliver him into the hands of the authorities. She isn't alone in this task, however: joining her are officers Sergeant Jericho Butler (Jason Statham), Commander Helena Braddock (Pam Grier), and rookies including Bashira Kincaid (Clea DuVall). Sergeant Butler spends most of his time either coming on to Ballard or unlocking doors.

A gypsum (a soft sulfate mineral) mine near Albuquerque, New Mexico was chosen as the location for filming. To give it that Red Planet look, colouring had been used on the mine's rocks.

Upon arriving at the colony, Ballard and her colleagues are at first greeted by a ghost town. Instead of a bustling community, there is nobody in sight. Eventually the team locates a number of decapitated bodies and heads on spikes. It isn't long before they are attacked by a possessed army of miners who have mutilated their own flesh. In a style similar to that of Carpenter's Assault of Precinct 13, we end up with a siege as the newly-arrived officers and a bunch of survivors - which include "Desolation" Williams and three of his associates who came to Shining Canyon to rescue him - attempt to survive the onslaught and escape.


The drugs do work...

One of the things we learn is that when a Human host dies, the Martian spirit will seek a new body to possess; this happens often, and at one stage Ballard is consumed by one of the ghosts, forcing the other survivors to take her outside for their own safety. Sergeant Butler, however, gives her a goodbye gift: he places a pill in her mouth, one of the narcotics she carries around with her in a little silver locket. This trip seriously screws with the alien presence inside of her, allows Ballard to see through the eyes of the spirit and understand the history of these Martian warriors. The drug also helps the young woman to repel the invader, and it exits via her mouth as a red mist before dissipating.

This gives Ballard a chance to rejoin her group and make contact with the train that will lead them to safety.


Love for Ballard

It's been said that Michelle Yeoh, Famke Janssen and Franka Potente were originally considered for the role of Ballard, yet they all turned down the role. The part eventually went to singer and actress Courtney Love, although she departed the project due to injury. In my opinion Famke Janssen would have been an excellent choice. As it is, Henstridge's casting is a welcome one, the Species star is one of the best things about Ghosts of Mars.


What followed after Mars?

It is a shame that this movie was a box office financial failure, a sequel starring Henstridge would have been incredible, perhaps leading a group of men, women and children through Martian landscape in a quest to find a safe zone from the Ghosts. Mars has been quarantined, so no help expected from Earth. Even the thought of leaving the Red Planet is a risk - what if any of the Ghosts escape with them? So many possibilities...

As for the director, John Carpenter took a break from regular film-making after Ghosts of Mars. His next big project would come in 2010 with The Ward. When asked in an interview why such a long gap, he replied, "Man, I was burned out. Completely burned out. I just couldn’t do it anymore, I had to stop. I looked at myself and said you know, I’ve been working constantly. I’m like a drug addict — I need a little bit more of a life. It stopped being fun, it stopped being glorious. I’d fallen out of love with cinema. So I had to rekindle it".


Monday, January 26, 2015

Star Wars Episode 2: Attack of The Clones (2002) - FilmReview


Article author: Alwyn Ash
"At the right time, in the right light, everything is extraordinary"


Star Wars Image


"There is unrest in the Galactic Senate. Several thousand solar systems have declared their intentions to leave the Republic."

It has been ten years since the battle on Naboo, and yet there is still much to discover regarding the Sith and its plans. Following a failed assassination attempt on the life of Padmé Amidala (former Queen of Naboo and now a Senator of the Republic), Jedi Knight Obi-Wan Kenobi and his Padawan Anakin Skywalker are assigned to protect her. It is during a second attempt that they chase after a female shapeshifter assassin named Zam Wesell (Google is a wondrous creature) through the city, finally confronting her; she is, however, quickly silenced by her accomplice, a bounty hunter later to be revealed as Jango Fett (portrayed by New Zealand actor Temuera Morrison), who fires a toxic dart before fleeing the scene. Meanwhile, there is much unrest as war threatens to take hold of a galaxy so close to the brink...

What began with "The Phantom Menace", in 1999, George Lucas' extended vision has been in danger of tarnishing what had preceded it all those many years ago. For fans who lived through the original trilogy, this new installment was far from what had been expected. If Episodes IV-VI gave us adventure, and hope, then "Episode I" (Phantom Menace) tore through the very fabric with politics and conspiracies, a formula that neatly repeated itself in the second chapter of this prequel trilogy. I will, however, let you into a little secret - after fresh viewing, I am now prepared to look favourably upon Lucas' prequel trilogy. Perhaps the passing of time has made it easier to relive the films without anger or frustration; an awkward acceptance, if you will. But, in truth, there really are some good moments in "Attack of The Clones" that make worthy contributions to the Star Wars Universe.

Getting this out of the way early, it is still a major gripe that the over-used CGI regarding battle scenes and alien lifeforms should have been religiously employed by Lucas - far too much feels artificial and digitally contaminated. That said, the world of Naboo is beautifully recreated and realised, as Padmé and Anakin's relationship develops; it is just a shame that actor Hayden Christensen (who was still a better choice for the role than young Jake Lloyd, from the previous film) doesn't rise up to the occasion (so to speak) during what could have been some truly heartfelt scenes.

I will say this for Lucas, when he does get it right there can be no doubt of his creative talent. Obi-Wan's arrival on Kamino, for example, is a wonderful moment. An ocean planet, Kamino conceals a secret: an army of clone troopers being grown and trained for the Republic. The tall Kaminoans are a sight to behold, and have to be one of the most magnificent CGI creations in the film series. Even the Jedi Knight's first encounter with Jango and a very young Boba Fett in their room in Tipoca City on Kamino works well, later resulting in a fight sequence between Obi-Wan and the bounty hunter on a landing platform, only to follow on into an exciting space sequence as Jango attempts to destroy the Jedi and his ship after the latter planted a homing beacon to the outer hull of Jango's craft.

If Christensen does manage to steal any part of this installment then the death of Anakin's mother, Shmi Lars (née Skywalker), and the resulting execution of the Tusken Raiders ("Sand People") who held her captive and tortured her, truly demonstrates that the actor wasn't entirely miscast. With a vengeful look in his eyes, opening his soul to the dark side for the first time, Anakin raises his lightsaber and cuts them down, slaughtering the tribe, women and children. It is this loss of a parent that will ultimately send him on a path to seek the power to prevent death. For now, he mourns for the woman he loved but could not save: his mother. It may have been a brief role for Swedish actress and screenwriter Pernilla August (reprising the role from Chapter I), but Shmi's final moments are played beautifully.

The final act of "Attack of The Clones" certainly makes up for some of the earlier slower pieces, as Obi-Wan (Ewan McGregor's excellent portrayal of this maturing Jedi should be applauded), Anakin and Padmé fight for their lives in an arena against grotesque monsters. They triumph, but face an execution squad of droideka (battle droids). This is when an appearance by various Jedi Knights leads to one of the most impressive lightsaber battles in Star Wars history. It is breathtaking, a visual feast of action and well-structured choreography. Even actor Samuel L. Jackson as Jedi Master Mace Windu gets to join in. By comparison, the lightsaber duel between Yoda (voiced by Frank Oz) and Count Dooku (Christopher Lee) is a little bland and stilted, including the "Force lightening" and object manipulation scene as the Sith Lord tries to crush his opponent. Perhaps this is as a result of there being an actor verses CGI character, opposed to the powerfully realised duel between Luke Skywalker and Darth Vader in "Return of the Jedi". It should be noted that Vader's similar moment in "The Empire Strike Back", use of the Force to manipulate matter in a sequence against Luke in Cloud City, holds much more skill of direction, emotion and drama, however.

So, to the end. And the sight of a Clone army, preparing for battle... The final scene falls on Anakin and Padmé, in a nod to the closing seconds from "The Empire Strikes Back". It gives hope for a third chapter, as something dark approaches. A war. And, just as in the original trilogy, nothing will ever be the same again. As a fan, I can now put to rest one ghost: though deeply troubled, "Attack of The Clones" does at least manage to impress far more than "Phantom Menace" ever could, both in story and set pieces. There are glimpses of the original trilogy style in the mix, though more would have been better.

Final thought on actress Natalie Portman. Padmé Amidala is clearly no Leia Organa. They share a determination, but the latter reveals a fiery nature, stubborn and easily frustrated. By comparison, Padmé is patient, a romantic with ideals. Portman's performance works well considering the shortage of great dialogue or direction. Sadly however, Padmé serves to be a less memorable character than Leia. That said, I do like her. And was that actress Rose Byrne (Insidious) in a brief scene as handmaiden to Padmé in this feature?

"Attack of the Clones" certainly has its problems: one example, C3PO is suddenly a rather too flexible-looking CGI in one of the factory scenes on the planet Geonosis, making him look like a computer game character rather than something in a big budget motion picture - a major problem with much of Lucas' prequels. And please don't get me started on Anakin and Padmé's assembly line shenanigans! Still, there is much to be thankful for, and revenge is just around the corner, as "Episode III" waits to work its magic. Or does it?


Image source courtesy of lucasfilm.com. Article © Alwyn Ash 2015.
Quotes (if applicable) used for publicity purposes only; no infringement of copyright is intended.

Friday, September 13, 2013

I Know Who Killed Me (2007) - FilmReview



Article author: Alwyn Ash

Child actor turns adult entertainer in a psycho-thriller written by Jeff Hammond.

For those who say Lindsey Lohan cannot act, I would almost be prepared to agree. However, there have been a small number of movies that have shown Lohan in a better light, and those are the moments when this actress shines best, given the right script and opportunity to put her skills into action. And, of course, when her colourful private life doesn't get in the way to distract from what really matters...

Known for her Disney connection (The Parent Trap, Herbie: Fully Loaded etc.), "I Know Who Killed Me" isn't the best film going, not when compared to far more maturer and meatier psychological hits like "Silence of the Lambs" (1991), "Orphan" (2009), and "Saw" (2004), but that is not to say that Chris Sivertson's second directorial doesn't hit the mark in some places. For a movie that received eight Golden Raspberry Awards, there is much going on in a feature that handles its plot like a wet fish - slippery logic.

The plot focuses on a serial killer, who kidnaps and tortures his young female victims. Lohan plays pretty Aubrey Fleming, a pianist and aspiring writer, who disappears during a night out. She undergoes the same torture. Later, however, she is discovered, unconscious and missing limbs. This is where everything changes, for now Aubrey claims to be Dakota Moss, a stripper. She certainly doesn't seem to recognise her "parents", the boyfriend or anything remotely relating to Aubrey's life.

Shock perhaps, resulting from the severe torture received at the hands of a maniac? No. As the film progresses we soon discover that Dakota believes she is a twin - to that of Aubrey. This alone does not explain how Dakota has received the wounds inflicted, until we realise that these two young women are Stigmatic Twins, who, due to a psychic connection, share similar experiences, including pain and injuries; this also explains why Aubrey has been writing a story about a girl called "Dakota".






As Dakota explains how she lost the use of her limbs, I did manage to find the loss of her finger particular strange - indeed, her reaction to this horrifying event seemed somewhat... I would say "underplayed", but quite frankly Lohan's delivery did leave a lot to be desired - she acted like it was more of a bloody inconvenience than a serious devastating loss! Still, that aside, the use of the "stigmatic" link was an intriguing plot device. As the story progresses, we learn that twins Aubrey and Dakota were born to crack addict Virginia Sue Moss. When Susan Fleming's newborn dies in the incubator, her husband Daniel makes a deal with Virginia and one of the twins is raised by both him and his wife - the latter, however, remains unaware of either her baby's death at the hospital or the swap, believing Aubrey to be her child.

Seeing as Aubrey has been missing since near the start of the movie, it is Dakota's duty to investigate and find her sister. It is a mystery as to why she is able to work out the serial killer's identity when the police cannot, given access to the same evidence. Still, where would we be if everything was wrapped up too quickly and neatly by a law enforcement agency? Lohan certainly isn't a strong actress, neither are her films memorable enough to be classics. But it is interesting to see her act "adult". This feature was clearly Lohan's attempt to shrug off her Disney image and show fans that she had matured enough to try something new. And, in part, it works fine.

If you are unfamiliar with Lohan's career then it is interesting to point out that the actress had played twin sisters once before, in the 1998 comedy "The Parent Trap". Based on the 1949 novel "Lottie and Lisa" by German author Erich Kästner (and serving as a remake of the 1961 Walt Disney film starring English actress Hayley Mills), the story focused on 11-year-old sisters Hallie Parker and Annie James who, separated at birth, accidentally meet at summer camp. In all honesty I prefer Lohan's version to the original 1961 feature.

"I Know Who Killed Me" certainly has taken some inspiration from several other movies, including "Saw". For those who are a little squeamish, stay clear of the madness and watch something less disturbing. However, gore fans will enjoy this, if they can accept Lohan's limitations and not get too distracted by the plot holes. Even with 2013 American erotic thriller "The Canyons" under her belt, and a portrayal of iconic film star Elizabeth Taylor in 2012 television film "Liz & Dick", one does wonder if Lohan can ever rediscover the success of her Disney days.

Purchase I Know Who Killed Me from the Store:
DVD - Running time: 105 minutes