Sunday, April 27, 2014

12 Years A Slave (2013) - FilmReview



Article author: Alwyn Ash

"Days ago I was with my family, in my home. Now you tell me all is lost. 'Tell no one who I really am' if I want to survive. I don't want to survive, I want to live."

Adapted from the memoirs of African American Solomon Northup, director Steve McQueen ("Hunger", "Shame") tells of kidnapping and mistaken identity, culminating in abuse and slavery. Though Solomon was born free in New York, he was abducted in 1841 and sold, forced to work on plantations in Louisiana. For twelve years he suffered cruelty, both physical and emotional, and witnessed the suffering of others just like him, as the law gave no protection - they were simply "property" to their masters. It is ironic that he was a learned man, intelligent and of standing within his own community, and yet during his imprisonment this knowledge was kept concealed from those who abused him. Mistaken for another man, he worked hard, endured pain and humiliation, but remained focused on the day when he would be free again, and return home to his family...

It has to be said that all the cast play their parts not just well but perfectly balanced and expertly embraced, credit going to everyone involved in this fine production. Actor Chiwetel Ejiofor gives the most warming performance as Solomon, with actress Lupita Nyong'o tugging at the heart strings portraying the role of Patsey, a fellow slave at one of the plantations where Solomon eventually ends up. It appears director McQueen cannot put a foot wrong with his selection of films; he has won awards, and been nominated so many times for his achievements that it is an honour to watch a master at his craft, experiencing the finest of cinema.

If you haven't already read the cast list then there are some nice surprises. First up is English actor Benedict Cumberbatch ("Sherlock", "Star Trek: Into Darkness") as kind plantation owner William Ford, who is so impressed by the slave's idea of transporting logs across a swamp that he gives Northup a violin as a gift. Of course, even here, tensions are high as Northup is targeted by Over-seer John Tibeats, who clearly despises him. After a short altercation the slave is almost lynched, and he is sold to new owner Edwin Epps (Michael Fassbender). This is where the story takes a far more sinister turn...



12 Years A Slave



At this point the plot really steps up as God-loving Epps and his wife Mary (powerfully played by Sarah Paulson) demonstrate such cruelty towards their "property", the former inflicting beatings for failure to reach expected cotton production targets: 200 pounds daily. Patsey's hard work in collecting 500-plus is applauded by her owner, who not just rapes her regularly but develops an obsession with the young slave. This eventually leads to persecution from Mary, who both humiliates and physically attacks her. McQueen certainly does nothing to shy away from the brutalities of slavery, with scenes of lashings that will likely upset. It could be argued that the director wished simply to produce an accurate portrayal of life during the early to mid-1800s for the average slave, and he manages it with stark honesty.

Another welcome casting comes in the form of Brad Pitt (also producer in this feature), whose performance as gentle laborer Samuel Bass works well in contrast to the hard and unforgiving Epps. Northup and the newcomer strike a close bond while building a gazebo, and the latter learns of the slave's true story - how he was kidnapped and sold into slavery. The scenes between Ejiofor and Pitt are touching and well-written, as are those between Ejiofor and Nyong'o; you can appreciate why Nyong'o won the "Academy Award for Best Supporting Actress", her acting certainly brought a tear to this reviewer's eye!

"12 Years A Slave" is visually breathtaking and stunningly-shot, rich in colour and depth, making everything of John Ridley's screenplay. The time period is splendidly reproduced. After an initial meeting, McQueen and Ridley were keen to develop a feature that would focus on slavery in America. It was thanks to McQueen's wife that Solomon Northup's 1853 memoir came to light. The director commented in an interview (NPR), "I read this book, and I was totally stunned. It was like a bolt coming out of the sky; at the same time I was pretty upset with myself that I didn't know this book." I can fully understand the passion felt for this feature, having not been so emotionally affected by a single movie since Steven Spielberg's 1993 historical drama "Schindler's List". You cannot help but feel empathy for the slaves, and Northup's plight, rage toward Epps and his jealous wife, and an overall sense of appreciation for what those in slavery had to face during those harsh times.

Just like Spielberg's masterpiece, McQueen delivers a painful but insightful biopic, thought-provoking in ways I had not expected. It is even more poignant when you consider that racism is still existent in the modern world, and not just a warped attitude from a bygone era. Such mindsets are heartbreaking, and with "12 Years A slave" we get to see racial cruelty and tragedy in all their forms. Finally, no film is ever complete without its music score, and composer Hans Zimmer ("Crimson Tide", "Inception") excels at his art, achieving the right mixture to compliment the sentimental tides that each scene produces. I highly recommend this deeply powerful and moving drama.

Purchase 12 Years A Slave from the Store:
DVD / Blu-ray - Running time: 134 minutes

Picture: 12 Years: Official website


Saturday, August 31, 2013

Star Trek Into Darkness (2013) - FilmReview



Article author: Alwyn Ash

"There will always be those who mean to do us harm. To stop them, we risk awakening the same evil within ourselves. Our first instinct is to seek revenge when those we love are taken from us. But that's not who we are."

The history of Khan Noonien Singh is an important one within the legacy of Star Trek, a genetically engineered superhuman whose ship, the SS Botany Bay, is discovered adrift by the USS Enterprise in deep space. Awakened from a cryogenic sleep, Khan and his people attempt to gain control of the Starfleet vessel. Thwarting this attempt at mutiny, Captain James T Kirk (William Shatner) shows leniency by allowing Khan and his followers to spend the rest of their days on an uncolonized planet, Ceti Alpha V. Though being exiled, Khan accepts the challenge.

Starring Ricardo Montalban as Khan, the episode "The Space Seed" aired in 1967, during the first season of "Star Trek: The Original Series". It was a plot that would be revisited years later in the feature film "Star Trek II: The Wrath of Khan". Montalban owned the role, and the actor's place in Star Trek history was most definitely assured, immortalised by a villain unmatched in anything since the 1982 motion picture.

Now there is no denying that the 2009 reboot of the Star Trek franchise, directed by J. J. Abrams, did wonders for a film series that had lost its momentum - the last big budget feature, "Star Trek: Nemesis" (released in 2002), was both a critical and financial disaster. Taking such a well-loved franchise and finding new ground was always going to be a risky... shall we say, enterprise? However, the gamble paid off. Set in an alternate timeline, we got to revisit Kirk during his early years, joined by all the original faces who shared his original voyages through space on the USS Enterprise.

It might seem a bit ironic to say "faces" when, clearly, the characters now belong to someone else, but the casting was simply wonderful and loyal to the show's origins. Chris Pine, for example, captures the essence of James T Kirk without even trying, whilst at the same time making the part his own; Karl Urban is unmistakable as Dr. Leonard "Bones" McCoy; and Zachary Quinto's Commander Spock is simply a joy to watch. Supporting cast include Zoe Saldana (Avatar, Colombiana) as Lieutenant Nyota Uhura, Simon Pegg (Shaun of the Dead) as Lieutenant Commander Montgomery "Scotty" Scott, John Cho as Lieutenant Hikaru Sulu, and Anton Yelchin (Terminator Salvation, Fright Night) as Ensign Pavel Chekov.






Though the plot for "Star Trek" (2009) wasn't the most original - Eric Bana's Romulan villain Nero didn't feel so inspired - the CGI was the best yet (even with those lens flares), each shot carefully constructed to make best use of character and script. The only problem I had with this first movie was the casting of Pegg as Scotty and that of his mascot, Keenser (played by Kenyan-born actor Keenser) - just why was the "Hot Fuzz" star cast in a role that quite clearly didn't suit his talents? Perhaps also, there should have been more screen time for Rachel Nichols as the Orion Starfleet cadet Gaila. However, overall there was much to enjoy about this new debut...

"Star Trek Into Darkness" works in similar fashion, injecting much life into an old tale. Once again the cast is excellent, each actor embracing their role and quite clearly enjoying the process. Like its predecessor, there is a visual mastery that embraces every scene, captures every bit of passion that is injected into the film by J. J. Abrams and his crew. The introduction of English actress Alice Eve as Lieutenant Dr. Carol Marcus is a welcome one. Even the new timeline - changed as a result of Nero's actions in the previous installment - works well. I find it amusing that some Star Trek fans seem to think their beloved franchise destroyed by J. J. Abrams' altered timeline, but isn't it just a case that the timeline featuring everything from the Original Series (plus "Star Trek: Enterprise") through to "Star Trek: Nemesis" simply continues to exist on its own path?

Though I had already learned via spoilers that Benedict Cumberbatch was to portray Khan Noonien Singh in this feature, I was prepared to watch it with an open mind. And, as terrorist Commander John Harrison, Cumberbatch works his skills well, bombing a secret installation Section 31 in London, a prelude to a far more cunning plot involving the deaths of senior Starfleet personnel. Given reason for revenge, Kirk commands the Enterprise and goes after Harrison, who has escaped to the Klingon homeworld. It is following these events that we learn of the terrorist's true identity...

Though expected, this simple revelation helped me to realise that Cumberbatch just isn't the Khan we deserved - it is perfectly understandable that following in Ricardo Montalban would be a difficult task for any actor, but casting should have reflected Montalban's physical appearance as well as his mannerisms as Khan. Considering the careful appointment of the main USS Enterprise cast to accurately emulate their predecessors, it is disappointing that the iconic character of Khan wasn't treated accordingly; though a good actor, Cumberbatch fails to be anything more than just another villain, unlike Montalban whose performance took the Star Trek film franchise to an altogether new level.

If some are wondering just what these films mean for Star Trek, it is this: J. J. Abrams has opened a door into an alternate reality, one where anything can change. If it had not been for actor Leonard Nimoy's appearance in both "Star Trek" and "Star Trek Into Darkness", one could easily consider that these movies are a full reboot and nothing more, able to be placed into a separate category from what has gone before. However, Nimoy's presence as the older Spock significantly recognises that Abrams has developed a sequel series, though veering in a different direction. Here lies the danger of complacency, the desire to recycle rather than to create original drama. Yes, Star Trek has a history, and exploring the original USS Enterprise's crew in a new light brings all kinds of exciting possibilities - so let this venture be completely brand new, subtle nods to yesterday, but a strong sense of "to boldly go where no man [or woman] has gone before..."

Purchase Star Trek Into Darkness from the Store:
DVD - Blu-Ray